50 scary films to watch at Halloween
Scare yourself silly with this list of everything from classic films to modern hits
Michael Haneke
Koko-di Koko-da: The singing villain will haunt your dreams
Review: Johannes Nyholm’s unforgettable woodland reverie is grotesque and glorious
Life through a screen: Cinematic space and social distancing
Can films inspire us as we navigate the limits of confinement via computers and phones?
Curzon Home Cinema: vivid selection of films to rent online
Art house classics rub shoulders with Palme d’Or winners and critically acclaimed works
The Invisible Man review: Tenser than Christmas at the in-laws’
The Invisible Man is an absolute cracker: economic, disciplined and ingenious
‘I like the idea of the Invasion of the Bodysnatchers’
Austrian auteur Jessica Hausner on her fifth feature, Little Joe, which she describes as a crossover between sci-fi and arthouse
Call me a snob, but Marvel’s Black Panther is ‘less than’ Scorsese’s Raging Bull
Donald Clarke: Kids’ movies are becoming the only cinema many punters will pay to see
Some Like it Hot, A Star is Born, The Wizard of Oz ... and other great remakes
Great directors like Hitchcock and DeMille weren’t above having a second go at their own films
Vox Lux: A monstrous star turn from Natalie Portman
Review: Portman is the pop star from hell in this unrestrained fun ride
Violent femme: Why Isabelle Huppert isn’t afraid of being scary
Some think she’s ‘a bit frightening’, including in Neil Jordan’s Greta, but the star couldn’t be nicer
Oscars 2019: Everything you need to know about the Academy Awards
Where can you watch the ceremony? When does it start and end? Who are the favourites?
The 100 greatest foreign-language films revealed
Only four out of the top 100 films directed by women in BBC poll of critics
Michael Moore blasts Trump in new Fahrenheit 11/9 documentary
Toronto film festival: Natalie Portman dazzles in Vox Lux as Irish films continued to premiere at another busy Tiff for domestic cinema
Béatrice Dalle: ‘I’ve never thought I’m beautiful, but I have a power of attraction’
The ‘Betty Blue’ actor on her love affair with Rupert Everett and why Jesus is sexy
Breaking In: They broke into the wrong house
Review: It’s a neat, effective entertainment with a a delicious response to the lead burglar’s assertion that the heroine is ‘only a woman’
May '68: when revolution came to the Cote d'Azur
It is 50 years since the 1968 Cannes film festival was called to a halt in solidarity with protesting students – but don’t expect commemorations
Gabrielle Union: ‘We are underrepresented compared to white men’
‘Breaking In’ star and producer talks about her new film, and the long road ahead to achieve fair representation
The Leisure Seeker: Donald Sutherland and Helen Mirren well below their best
Review: The film is a long, slow Winnebago ride to a cold, cold grave
‘Abused women know that danger can be lurking everywhere’
Xavier Legrand’s scintillating ‘Custody’ dramatises the horror of domestic violence
Making the Grade: Ken Wardrop’s grand piano film scales the heights
The documentary maker’s film about people taking piano exams may be his warmest yet
Recipe for an imperfect Christmas
The season has been hijacked by celebrity chefs and lifestyle gurus but they can’t beat the taste of a real home
Six of the best films to see at the cinema this weekend
Julia Roberts and Owen Wilson wow in Wonder and James Franco hits gold in The Disaster Artist
Happy End review: Michael Haneke's nightmares about the future come true
Michael Haneke’s latest movie never quite gets started
Darren Aronofsky: ‘My ego finds its way into all the films’
`Everything I do is autobiographical,' says the film-maker, so what are we to make of 'mother!', the maddest movie of the year, which stars his psychologically tortured real-life girlfriend Jennifer Lawrence
Spider-Man Homecoming: Marvel’s best superhero film yet
Review: Tom Holland swings winningly through a flashy, punchy and heartwarming film
Happy End review: An icy soap opera that uncoils like a watchful snake
Cannes 2017: Michael Haneke’s latest carries a defiantly conventional setup followed by the director at his most unconventional and teasing best
Festival report: Iñárritu brings virtual reality to Cannes
Mexican director’s project one of several in the festival to address refugee crisis
Cannes Film Festival begins amid heavy security
Show goes on as Michael Haneke tipped for third Palme D’Or, for ‘Happy End’
Cannes 2017 line-up the most promising in a decade
Irish film ‘The Killing of a Sacred Deer’, starring Nicole Kidman and Colin Farrell, is one of the favourites for the Palme d’Or
Graduation review: a brilliant study of the soul-crushing power of corruption
Palme d’Or winner Cristian Mungiu returns to the theme of moral compromise, as a good doctor’s tries to help his daughter win a college scholarship
Pieces of Me: Wild style in Smithfield
DJ Shrem and partner artist Les Cullinan’s home zings with colour and curiosities
Blockbusters bombed while Irish film soared
Culture review 2016: The surge in Irish cinema continued with cracking diverse domestic films, and getting to see the Oscars in the flesh was a treat
Cannes 2016: the Palme d’Or really does influence world cinema – and here’s the proof
Every now and then, the Cannes Film Festival’s top prize anticipates a movement
Calais ‘jungle’ threatened with closure
Thousands face immediate evacuation if Lille tribunal decides against them on Tuesday
Crosswords & Puzzles
Crosswords & puzzles to keep you challenged and entertained
Common Ground
How does a post-Brexit world shape the identity and relationship of these islands
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