Scare yourself silly with this list of everything from classic films to modern hits
Michael Haneke
Review: Johannes Nyholm’s unforgettable woodland reverie is grotesque and glorious
Can films inspire us as we navigate the limits of confinement via computers and phones?
Art house classics rub shoulders with Palme d’Or winners and critically acclaimed works
The Invisible Man is an absolute cracker: economic, disciplined and ingenious
Austrian auteur Jessica Hausner on her fifth feature, Little Joe, which she describes as a crossover between sci-fi and arthouse
Donald Clarke: Kids’ movies are becoming the only cinema many punters will pay to see
Great directors like Hitchcock and DeMille weren’t above having a second go at their own films