Representing the precariat: this week’s visual arts highlights

Plus: Brian Ballard and Lisa Ballard, and Marshall McLuhan’s message is the medium

The Precariat, (detail), Ursula Burke, RHA Gallery

Luminance – Brian Ballard, Lisa Ballard

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Work by father and daughter. Brian Ballard is well known for his crisp, incisive treatment of traditional genres – still life, landscape and figure painting – expertly done and economically stated. Lisa Ballard concentrates on landscape and take a more nuanced, meditative approach, building spaces and atmospheres.

Cultural Osmosis – Sean O’Rourke

Where Does the Law Stand with Leprechauns? – Michele Horrigan

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Two solo shows kick off the LAB’s new season. Sean O’Rourke paints inner city life on the rusted metal sheets used to board up derelict flats and buildings. He particularly considers youth and masculinity. Michele Horrigan’s starting point was a piece of family history: two of her aunts were, as young children, mistaken for fairy folk, triggering a visitor frenzy to their rural Limerick homeland.

The Precariat – Ursula Burke

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Ursula Burke’s work, in such media as porcelain and embroidery, considers the way habitually classical cultural forms, be they high or popular art, persist in the face of realities that they fail to reflect. With wit and insight, she illuminates the fault-lines between the presumed and the actual. Exceptional, and all too timely.

Atherton After Ireland – A retrospective, with Sarah Hayden

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Media art pioneer Kevin Atherton looks back – and forwards and sideways and around corners – fragmenting and questioning the very idea of identity, with humour, ingenuity and profundity (lightly worn). What we see spans the years 1972 to 2018. Sarah Hayden is allowed the rare privilege of quizzing the Manx man himself.

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The Medium is the Message – Work by artists associated with Black Church Print Studio

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Chloe Brenan, Patrick Hough, Ermias Kifleyesus, Ciara Phillips and Lee Welch are the artists confirming that Marshall McLuhan’s proposition is more relevant than ever in the age of digital technologies and connectivity. Alissa Kleist curated on behalf of Black Church Print Studio.