Review: There’s very little to be said for this squalid sequel to the 1974 original
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This sequel to the horror classic is a blood-soaked treatment of the United States’ racial tensions
Films are once again being shown on big screens, as well as on Netflix and Disney+
The angry pop culture of the Nixon years is better than that of the Trump era
Review: Johannes Nyholm’s unforgettable woodland reverie is grotesque and glorious
Racist sheriffs, not tentacled beasts, provide the real scares in this take on Jim Crow’s US
The author and activist on Jordan Peele’s comedy, the art of Genieve Figgis and why Philosophy Tube is her YouTube channel of choice
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