Mark O Rowe

66 results

Swan Lake/Loch na hEala Abbey Theatre, Dublin. Feb 8-17 7.30pm €13-€30 abbeytheatre.ie In Michael Keegan-Dolan’s award-winning production for Teac D(...)

Look back in Anger opens at the Gate on February 1st

Look Back in Anger Gate Theatre, Dublin. Previews Feb 1-6 Opens Feb 7-Mar 24 7.30pm (Sat mat 2.30pm) gatetheatre.ie So what happens when the world tur(...)

Mark O’Rowe: 'You remember that making theatre is less about precision than bringing something to life.' Photograph: Alan Betson

It is more than 20 years since Mark O’Rowe’s debut play, Anna’s Ankle, was produced in the dark dingy space of Project @ the Mint. A short drama set b(...)

Lucianne McEvoy (Hermione) in What Put the Blood. Photograph: Pat Redmond

Abbey Theatre, Dublin ** If there really is a special place in hell for women who don’t help each other, then Andromaque and Hermione appear to have(...)

Andrew Garfield: “I still am a very emotional child.” Photograph: Elizabeth Weinberg/The New York Times

“Even when you’re busy you’re worried,” says actor Andrew Garfield. “You are always frightened that you will be found out. It’s healthy to feel that w(...)

Tom Vaughan-Lawlor  during a press previews for Maze at The Movie House cinema in Belfast. Photograph: Niall Carson/PA Wire

Tom Vaughan-Lawlor is awfully chipper for a man who got up 5am to catch a flight to Dublin. “My son just about woke up to ask me where I was going,” s(...)

Artist Ana Maria Pacheco at the opening of the exhibition of her work in the Festival Gallery, as part of the Galway International Arts Festival. Photograph: Andrew Downes

A “Big Top” marquee will be pitched on the banks of the Corrib and the Galway International Arts Festival, which once ran off a €1,000 Arts (...)

Conall Morrison’s new work is Woyzeck in Winter. Photograph: Bryan O’Brien

The Galway International Arts Festival has announced its full programme for 2017, which also marks the festival’s 40th birthday. Already announced is(...)

Former artistic dirctor of the Gate Theatre Michael Colgan claimed that the 2015 production of Romeo and Juliet (above) was so poorly attended that “we’ll be paying for it for two years”. Photograph:  Pat Redmond

There’s no accounting for taste, goes the old adage. But in the recent Bonnar Keenlyside report into the Gate Theatre, there is something like an audi(...)

 Derbhle Crotty: capturing her character’s rich history. Photograph: Bryan Meade

Afterplay Gate Theatre ★★★★ Brian Friel was often described as the Irish Chekhov. In his plays from the 1970s, in particular Living Quarters and Ar(...)

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