Fiona Shaw

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Dave Rudden: “I came to Doctor Who through the novelisations. I didn’t know it was a TV show as a kid.” Photograph:  Nick Bradshaw

These are heady days for fans of eccentric British time travellers. Doctor Who has just returned to our screens in the mildly controversial incarnatio(...)

Photographer Rich Gilligan: ‘For years I sat on a bus travelling in and out of Blanchardstown looking at these magazines, thinking wouldn’t it be amazing to do that, imagine living in New York... I feel really lucky, but in another way, you make your own luck.’

Rich Gilligan knew from the age of 16 that he wanted to be a skate photographer. Growing up in north Dublin, he used to borrow his dad’s Olympus point(...)

 Risurrezione at Wexford Festival Opera. Photograph: Clive Barda

Medea ** Some things are more meaningfully understood for what they are not rather than what they are. Brexit is about a Britain that’s not in the E(...)

Fiona Shaw: “What we are trying to find is the opera behind the opera”

September 13th Driving across the bridge; the two Pugin steeples; in minutes we are swallowed by Wexford’s streets. The corridors of the opera house (...)

Annie Clark, known as St Vincent on stage, plays the Olympia on Friday and Saturday

Going Out... THEATRE Josephine K and the Algorithms Abbey Theatre, Peacock Stage. Oct 21, 8pm, €16-€25, abbeytheatre.ie “Someone must have been sp(...)

Orla Boylan  stars as Eithne, daughter of the King of Tír na nÓg at the NCH.  Photograph: Bryan O’Brien

Friday, October 13th Classical RTÉ NSO/Jamie Martin National Concert Hall, Dublin, 7.30pm, €15-€35/€13-€31 nch.ie Jaime Martin’s concert with the R(...)

Sean Doran: ‘We hope to see the Northern Literary Lands as something that is adopted by both tourist boards – Tourism NI and Fáilte Ireland – as a joint initiative. Photograph:  Daveth Fox

The flow of ideas from Seán Doran and Liam Browne is so fast that it can be hard to keep up, especially when the two of them get excited and start tal(...)

Daniel Radcliffe in ‘Harry Potter and the Philosopher’s Stone’: ushered in an era when faithfulness to the text was seen as a virtue in itself

Back in 1999, David Hayman, a young producer then working on Antonia Bird’s arthouse cannibal flick Ravenous, swallowed hard and persuaded Warner Brot(...)

Fiona Shaw in Medea in 2002. Photograph: Abbey Theatre

A new version of Medea, the return of Foroni, and a Tolstoy adaptation are the main highlights of Wexford Festival Opera’s programme for 2017. The b(...)

 Graham McLaren and Neil Murray,  directors of the Abbey Theatre, hope to fire up the Peacock again, with a new programme of plays. Photograph: Cyril Byrne

The Abbey Theatre has announced a programme of 20 productions for the Peacock, the National Theatre’s problematic studio space. The venue is describe(...)

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