Simon Taylor

The Association of British Orchestras (ABO) held its big talking shop in Belfast last week, hosted by the Ulster Orchestra. The theme for the ABO’s an(...)

This year has been rich in turning points. There was the launch of Irish National Opera in January. March brought the news that David Agler, artistic (...)

Waking the Feminists came into being in 2015. It was a response to the niggardly representation of women in Waking the Nation, the Abbey Theatre’s pro(...)

The first of the 13 concerts in the National Concert Hall’s new International Concert Series gets under way tonight with the Baltimore Symphony Orches(...)

The National Concert Hall’s chief executive, Simon Taylor, makes a good tour guide. At least when the subject is the hall itself and all that lies aro(...)

It’s probably a combination of factors that has had me thinking about audience sizes. There was the announcement of the redevelopment of the National (...)

After nearly 40 years as a venue and 12 million people in its auditorium, the National Concert Hall has “stood up well”, says its chief executive Simo(...)

Back in May 2016 when details were announced of Composing the Island, the huge festival celebrating the century of music written by Irish composers fo(...)

This is already an annus mirabilis for the work of French composer Jean-Philippe Rameau (1683-1764) in Ireland. The appearance of his music at the sta(...)

The National Concert Hall held its second Chamber Music Gathering last Saturday. The hall’s chief executive Simon Taylor describes the three-concert e(...)