Mezzo-soprano Sharon Carty

Thursday, 23rd Resound: NCH & Sounding the Feminists series National Concert Hall, Kevin Barry Recital Room, Dublin nch.ie The National Concert (...)

John Godfrey: “So, really, the primary, core thinking behind quiet music is that this is a music you choose to engage with, and if you don’t want to it’s not going to shout at you.”

John Godfrey arrived at the University of York as what he calls “a very strait-laced classical musician”. Wilfrid Mellers was still in charge of the(...)

Ensemble Musicfabrik

The New Music Dublin festival, which ran from Thursday to Sunday, has a naming problem. It’s not a problem of the festival’s making, but it’s a proble(...)

Nigel North: His programme at the NCH in Dublin on Wednesday is an all-Bach affair

Wednesday February 27th Nigel North NCH Kevin Barry Recital Room, Dublin 7.30pm €17.50 nch.ie Leading English lutenist Nigel North is the cuckoo in (...)

Powder Her Face, National Opera House, Wexford

Saturday, February 24th   Powder Her Face National Opera House, Wexford, 8pm €30/€27, 053-9122144/1850-467372 and on tour to Kilkenny, Navan, (...)

Top, Donnacha Dennehy and Colm Tóibín. Bottom, Joseph Conrad and Roger Casement. Photographs: Britt Olsen-Ecker, Gareth Cattermole/Getty Images, George C Beresford/Getty Images

All this week, the National Concert Hall’s Imagining Home series of concerts is inviting artists to examine Irish identity, history and the legacy of(...)

John Cage was happy to write in a letter of recommendation that Christian Wolff (above) ‘is not known as a student of mine for the reason that I learned more from him than he from me’

Heineken may not be brewed in Dundalk, but one of its most famous advertising slogans – about refreshing the parts other beers cannot reach – has m(...)

‘Bruch never managed to reconcile himself with the direction taken by Wagner and Liszt, let alone those who built on their achievements.’ Photograph: Hulton Archive/Getty Images

You have to feel sorry for Max Bruch. He was born in Cologne in 1838, and in spite of some notable successes would spend his life in the shadow of (...)

John Wilson: ‘takes the players of the RTÉCO to a new level of responsiveness. They sound like a better band when he is in charge’

There is nothing like competition to keep people on their toes. Or so we’re told. But when it comes to the larger end of the orchestral reperto(...)

Paul Hillier’s ‘ability to navigate the atlas of choral repertoire must be second to none’. Photograph: Frank Miller

It’s an old adage that talking about music is like dancing about architecture. But sometimes one little word makes all the difference. And at o(...)