Sure Look It, Fuck It: A day in the life of a returning emigrant
- Stage
- March 16, 2019, 05:00
‘What am I doing with my life? Is there a way I can be zany and mad in a positive way?’
The Big Fellow review: A lesson in what happens when you stop teaching history
- Stage
- March 12, 2019, 16:08
Based on Frank O’Connor’s life of Michael Collins, Declan Gorman’s play misses its mark
This week’s theatre: Country Girls hit the Abbey while Alice returns to Wonderland
- Stage
- March 9, 2019, 05:00
Charlie’s a Clepto review: Nimble plotting, nimble performance
- Stage
- March 20, 2019, 10:30
Clare Monnelly pivots through a range of characters in this revival of her artful debut
Irish Repertory Theatre: casting O’Casey’s shadow over Manhattan
- Stage
- March 7, 2019, 05:00
To celebrate 30 years in New York, the company is staging the playwright’s ‘Dublin’ trilogy
This week’s theatre highlights: Sure Look It, Fuck It and The Children
- Stage
- March 16, 2019, 05:00
Clare Dunne’s exuberant debut, and a challenging moral puzzle at the Gate
The Examination review: No easy escapes in Brokentalkers’ sly, provocative play
- Stage
- March 5, 2019, 09:52
The irreverent company’s absorbing production interrogates the Irish Prison Service
‘What children think seems to mean a lot more here, and that’s really cool’
- Stage
- February 28, 2019, 05:00
No Child 2020: Put the kids in charge – how the Ark turned to children for ideas
Best theatre: You’ll dig Peat and be held captive by The Examination
- Stage
- March 2, 2019, 05:00
A witty play about weighty matters; and a prison drama drawn from real life
The Country Girls review: Subversion reimagined as sentimentality
- Stage
- March 1, 2019, 14:14
The Abbey’s new take makes Edna O’Brien’s novel safe for any syllabus
About a boy: Hamnet heads up this week’s theatre highlights
- Stage
- February 23, 2019, 05:00
Meet Shakespeare’s lost son at the Project, and don’t be late for your own funeral in Cork
Peat review: A grimly funny, spryly involving show for young audiences
- Stage
- March 4, 2019, 12:38
Two boys dig up more than anyone bargained for in Kate Heffernan’s subtle play
Seán McGinley: ‘I just wonder why more actors don’t marry each other’
- Stage
- February 16, 2019, 05:00
‘The Children’ brings Marie Mullen and her husband on stage together for first time in 27 years
Heather review: If you shouldn’t judge a book by its cover, should you judge it by its author?
- Stage
- February 11, 2019, 12:53
The week's theatre highlights: Glasgow Girls and The Cripple of Inishmaan
- Stage
- February 9, 2019, 05:00
Abbey Theatre row: meeting hailed as ‘positive first step’
- Stage
- February 2, 2019, 15:22
Talks between management and theatre workers follows scathing open letter
Prime Cut double bill review: A grim struggle couched in defiant humour
- Stage
- February 6, 2019, 13:30
