Junk Ensemble: Storm 1.0 review – A sense of hope in the face of a gathering storm
Dublin Dance Festival 2026: Amir Sabra, Imogen Alvares and Les Neish battle the elements in Megan and Jessica Kennedy’s visually arresting production
My Fierce Ignorant Step review – 60 hypnotic, exhilarating minutes
Dublin Dance Festival 2026: The Greek choreographer Christos Papadopoulos reclaims a collective identity
Moonlight Dream review – Delightful children’s dance show goes on a magical tour of the night sky
Dublin Dance Festival 2026: Sandy Cuthbert, Janie Doherty and Andrea Madore skim around the stage as Ursula Burns performs a perfectly otherworldly score
Sorry You Felt That Way review: A Rorschach test for the way you view love and relationships
Harry Butler’s complex play takes aim at therapy talk, consent, the politics of naming harm, and the perils of the blame game
Elysium Nevada review: Sharply written comedy with melancholy and menace under the surface
Theatre: Michael James Ford, Mark O’Regan and Bairbre Ní Chaoimh star in this revival of Barry McKinley’s play
Les Ballets Trockadero de Monte Carlo review: Rollickingly good, with just the right amount of reverence
Dublin Dance Festival 2026: The Trocks’ technique used to be rough around the edges. Now the laughs come from impeccably timed moves and gestures
The Madonna of Asia review: So beautifully staged that you almost don’t mind its slips
Theatre: Mai Ishikawa stars in Choy-Ping Ní Chléirigh-Ng’s play about a once famous Hong Kong actor who has withdrawn from public life
Adelphi ’63 review: Irish Beatlemania and the friendships behind it add up to a zippy feelgood comedy
Theatre: Laura Brady and Jessica Dunne Perkins play pop superfans in 1960s Dublin
I’m Grand Mam at 3Olympia review: Like microdosing the energy of a 1200-strong hen party
Cork comedy podcasters deliver high-octane show at the 3Olympia
The Delirium Archive review: A dystopia that’s oddly devoid of terror
Theatre: Shane Mac an Bhaird’s play leans towards comedy. But the zany script and bleak setting call for more farcical energy
Aoife Dunne: Good Grief review – Comedian’s darker, truer stories are striking
Some of Aoife Dunne’s jokes don’t escape the gravitational pull of cliche. But she also offers sharp insights into millennial womanhood
The House Must Win review: Mick Flannery’s gritty musical feels small for the voices within it
Julie Kelleher directs Niall McNamee and Ferdia Walsh-Peelo in Flannery’s adaptation of his debut album, about two brothers who arrive at a painful separation
Do You Come from Gomorrah? review: Five stars for Frank McGuinness’s startlingly revelatory play
Ryan Donaldson gives an immensely poised performance in this monologue play about gay self-loathing, sexual abuse and sectarian bigotry
Cholera, ‘night soil’ and the age of stink: Colin Murphy’s Miasma is a tightly structured historical drama
Colin Murphy’s densely researched play, directed by Samantha Cade, centres on rival approaches to tackling disease in 19th-century London
The Ballad of Johnny & June review: Jukebox musical with excellent cast is a storytelling disappointment
Theatre: A musical misstep is among a series of troubling aspects about The Ballad of Johnny & June
Tuesdays with Morrie review: An enthralling production of Mitch Albom’s enduring memoir
Theatre: David Hayman and Fionn Foley play the dying sociology professor and his former student in this warm, funny, sad and relatable story
Trojans review: Barrier between audience and performer disappears in Luail’s poignant, intimate dance
The audience becomes part of the story in Philip Connaughton’s retelling of the Aeneid, whose themes are superbly brought to life by the company’s dancers
Hotel Eden review: Communists, cats and intrigue in interwar Germany
Theatre: Emilie Hetland’s historical play delves into the relationships between Rosa Luxemburg, Leo Jogiches and Mathilde Jacob
Rusalka review: INO’s updating of Dvorak combines an excellent cast with a thought-provoking staging
Irish National Opera’s coproduction, directed by Netia Jones, features the well-matched central pairing of Jennifer Davis and Ryan Capozzo
Aisling Bea’s Older Than Jesus review: The comedian radiates charm and joy in upbeat show
Bea’s latest comedy show deals with the ins and outs of Catholicism without once reverting to despair
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