The Magic Glasses review: Excellent acting, direction and design. It’s just a shame about the script
George Fitzmaurice’s one-act comedy from 1913 is clearly a passion project for Conall Morrison, who is directing it at Bewley’s Cafe Theatre. It can be hard to see why
Oklahoma! review: Stunning soprano Molly Lynch leads Bord Gáis Energy Theatre’s take on revolutionary musical
Claire Tighe’s staging at the Dublin theatre leans into the ruggedness of American rural life in the early 20th century
The Lost Tapes of Lydia Howell review: A musician lost in the wilderness of writer’s block
Cork Midsummer Festival 2026: A shoegaze dream becomes a nightmare in Ray Scannell’s play, in which he also stars
Pool (No Water) review: Five stars for this Mark Ravenhill play featuring Evanna Lynch
Cork Midsummer Festival 2026: The Everyman’s production puts the Metropole Hotel’s empty swimming pool to extremely effective use
Constellations review: Wonderfully committed performances make head-spinning science positively pleasant
Cork Midsummer Festival 2026: Aidan Moriarty and Julie Maguire feature in Cork Arts Theatre’s production of the Nick Payne play
Stories from Dubliners review: Back for Bloomsday, Joyce’s stories get a dollop of comic energy
Jim Roche and Liam Hourican of Volta Theatre Company stage their adaptations of Two Gallants, A Little Cloud and Counterparts
‘A stupid woman, miserable in appearance’: Doireann Ní Ghríofa leads us into a hospital’s haunting past
At Cork Midsummer Festival 2026, the Said the Dead writer brings visitors into the former Our Lady’s Psychiatric Hospital
The Homecoming of Joseph Grace: Michael Glenn Murphy gives an impressive, deeply felt performance
Cork Midsummer Festival 2026: Deirdre Kinahan’s play follows an Irishman whose enlistment in the British army begins a life of loneliness and suffering
HouseWork review: A love letter and an elegy for the 1990s and a future Ireland that never quite arrived
Cork Midsummer Festival 2026: Áine Ní Laoghaire’s one-woman show portrays the shifting role of women through their rise in house music
The Whiteheaded Boy review: Heart of Abbey’s summer show lies in an unexpected place
Genevieve Hulme-Beaman combines deadpan melancholy with sublimely odd physical comedy in Annie Ryan’s bawdy staging of the Lennox Robinson play
Poison review: Full of emotional texture, this play deserves richer characterisation
Theatre: In the Irish premiere of Lot Vekemans’s play, grieving parents care most about trying to dominate each other
The Good Luck Club review: Absorbing study of Irish sweepstake greed features oodles of skulduggery
Louise Lowe’s promenade piece, at the National Archives, portrays the shady history of the Irish Hospitals’ Sweepstake
Les Misérables: The Arena Concert Spectacular – You’ll never have heard the musical so brilliantly sung
Theatre: Killian Donnelly leads a cast that features some of the greatest voices associated with the production
The Kerryman review: A love story riddled with missed points and misunderstandings
In Eva O’Connor’s new play, worlds collide as a young couple struggle to understand why they’re so drawn to one another
Norma review: Irish National Opera’s priority needed to be finding the right soprano. It did
Salome Jicia surmounts every vocal challenge of the role. She is well matched with Mario Chang, William Guanbo Su and Siobhan Stagg
Puff review: Hiltinho Fantástico’s glorious movement shows the possibilities of the human body
Dublin Dance Festival 2026: Created with Alice Ripoll, Puff is a homage to Brazil’s passinho urban dance
Soft God by Emma Martin – Powerful performances in a dance show where it helps to embrace the chaos
Dublin Dance Festival 2026: The dancers never waver in a production that is sometimes whimsical, at other times thoughtful
The Fifth Sun review: Mufutau Yusuf’s rare artistry comes to beautiful, moving life
Dublin Dance Festival 2026: Luail displays remarkable interconnectedness as tableaux combine into a profound interpretation of the nature of being alive
Shard review: Utterly compelling, flawlessly performed portrayal of a disintegrating society
Theatre: Neill Fleming evokes real fear in Stewart Roche’s intricate, intellectually daring tale for our confused and troubling times
The Gate’s assured Ideal Husband remains fittingly haunted by the circumstances of its creation
Matthew Malone and Caitríona Ennis star in Marc Atkinson Borrull’s revival of Oscar Wilde’s most political work
YOU MAY ALSO LIKE...
Crosswords & Puzzles
Crosswords & puzzles to keep you challenged and entertained
The GlossOpens in new window
Read the digital edition of The Gloss magazine now
Gloss Interiors Opens in new window
Stay ahead of the trend with the Spring/Summer edition
Family NoticesOpens in new window
Weddings, Births, Deaths and other family notices



































