Max Richter

11 results

Tom Schilling in ‘Never Look Away’

The latest undeniably enjoyable, absurdly lengthy potboiler from Florian Henckel von Donnersmarck – nominated for best foreign film at the Oscars – ha(...)

Mary Queen of Scots director Josie Rourke’s vision for the soundtrack was inspired by Richter’s Recomposed Vivaldi: Four Seasons, which broke down tha(...)

Bram Stoker Festival: the Dublin event runs from Friday until Monday. Photograph: Sasko Lazarov/Photocall

The final bank-holiday weekend before we give up the ghost for the year has, happily, plenty of ghostcentric events – and a whole lot more besides, ri(...)

Lights out: Sean Booth and Rob Brown of Autechre

Electronic musicians tend to stage elaborate live shows featuring dazzling lights, eye-popping visuals, and all sorts of bells and whistles. Kraftwerk(...)

Christian Bale: almost as gruff as Batman

It’s been such a long time since American cinema got guilty about its relationship with native peoples that, to produce a genuinely revisionist wester(...)

Released 10 years ago, written by Icelandic neo-classical composer/producer Ólafur Arnalds when he was in his teens, Eulogy For Evolution debuted a co(...)

As any record shop crate-digger knows, the best music is often to be found in bags kept for special customers behind the counter. It’s also the title (...)

Charlotte Rampling and Jim Broadbent

Ritesh Batra, director of the charming, but sentimental The Lunchbox, does not seem like an obvious choice to tackle Julian Barnes’s cool, dryly comic(...)

Vashti Bunyan: there was a gap of 35 years between her debut LP and Lookafterling

What strikes me about the remarkable gap of 35 years between Vashti Bunyan’s debut LP and her second album Lookafterling are the similarities between(...)

Untitled (Sammy Watching) by Bill Lynch

Bill Lynch Douglas Hyde Gallery (Gallery 1), Trinity College Dublin  ★★★★ Bill Lynch first met Verne Dawson when both were students at N(...)

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