Abbey Theatre announces centenary Plough and the Stars production for 2026
New plays by Marina Carr, Frank McGuinness and Una McKevitt to also feature in forthcoming season
New plays by Marina Carr, Frank McGuinness and Una McKevitt to also feature in forthcoming season
Dublin Theatre Festival 2025: Second part of Marina Carr’s reworking of Sophocles’ Theban plays has plenty of lamentation but not enough Carr
Dublin Theatre Festival 2025: Version of the Oedipal myth distinguishes itself with unique Irish sense of fatalism and wit
What kind of 'experience' do we expect our students of English literature to have if not reading Shakespeare?
Dublin Theatre Festival 2025: The writer and director on their new production, a retelling of Sophocles’ Theban plays
Kwaku Fortune’s new play, The Black Wolfe Tone, has just opened in New York. It’s a very personal story for the actor and writer
New slate will also feature Marina Carr’s The Boy, and work from Barbara Bergin
Gambling on longer runs of unfamiliar work paid off in a gratifying number of cases. But Irish theatre still isn’t as inclusive as it should be
This comprehensive and wonderfully written book serves to remind us of how much outstanding Irish theatre has been produced in the past quarter-century
Galway International Arts Festival 2024: Marina Carr’s play features Maeve Fitzgerald as married mother Deb, who has fallen madly in love with another man
Galway International Arts Festival 2024: here are 15 unmissable things to see and do at this year’s festival
Exploring women’s literature and the formation of identity leads us from AS Byatt and Anne Dunlop to Madonna and Judith Butler
Theatre: Aisling O’Sullivan, Marie Mullen, Anna Healy, Nick Dunning, Zara Devlin and Patrick Martins star in a bravura production that shouldn’t work but mostly does
Turning a script into a finished show is hugely complex. We spend a day at the National Theatre to see Audrey or Sorrow come together
Theatre: War may be the backdrop, but the real territory at stake is the marriage bed
From works such as By the Bog of Cats to the playwright’s most recent work, Girl on an Altar, familiar intimate questions are played out on an epic scale
Review: Evangelia Rigaki and Marina Carr’s piece features compelling performances but sometimes struggles with the acoustic challenges of its venue
Actor on her electric pandemic projects and returning to Portia Coughlan after 25 years
I have met inspiring Arab women through my work says Padraig Downey, an Irish theatre maker in Dubai
Sharp drop in 2020 revenues followed theatre postponing or cancelling 23 productions
Numbers in venues restricted to 50 pending Government decisions on Covid-19 measures
‘In this country, where most of the population are play-actors ... it’s bound to yield players’
Fatherhood is a kind of makey-up thing, but it has come into its own in lockdown
Year as European Capital of Culture had been due to start with fire spectacle
She first played Shakespeare’s prince in Dublin. Now she’s reprising the role in New York
Theatre in Ireland this year was bookended by two crises, a state of play mirrored by the work
Income from theatre company’s touring in Ireland and Britain jumps eightfold in 2018
Dublin Theatre Festival: In Marina Carr’s version of Hecuba, the scale of tragedy is made rivetingly intimate
Whether it’s looking back or casting forward, this year’s event is rooted firmly in the now
Company reflects on decades of casting spells and pushing the envelope with its productions
Review: Theatre for One’s six microplays are bracing, intimate-as-a-whisper performances
Plays for an audience of one and a Mick Flannery musical are among this year’s ambitious programme
Theatre, music and literature galore is to be found across the city from the 13th June
New writing ‘has to be nurtured and taken care of’, says artistic director Garry Hynes
Crosswords & puzzles to keep you challenged and entertained
How does a post-Brexit world shape the identity and relationship of these islands
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