Marina Carr

Theatre in Ireland this year was bookended by two crises, a state of play mirrored by the work

Income from theatre company’s touring in Ireland and Britain jumps eightfold in 2018

Dublin Theatre Festival: In Marina Carr’s version of Hecuba, the scale of tragedy is made rivetingly intimate

Whether it’s looking back or casting forward, this year’s event is rooted firmly in the now

Company reflects on decades of casting spells and pushing the envelope with its productions

Review: Theatre for One’s six microplays are bracing, intimate-as-a-whisper performances

Plays for an audience of one and a Mick Flannery musical are among this year’s ambitious programme

Theatre, music and literature galore is to be found across the city from the 13th June

New writing ‘has to be nurtured and taken care of’, says artistic director Garry Hynes

Peter Crawley’s analysis: It was a big year for villainy as Richard III took top honours

Cillian Murphy and Sarah Morris win main acting awards

The actor will be honoured at this year's Irish Times Irish Theatre Awards

After seeing more than 130 shows, the judges have made 60 nominations in 15 categories

Year in Culture Review: Feelings of rage, injustice, grief and – hopefully – healing pervaded theatre

Dublin Theatre Festival: Derbhle Crotty is moving as Marina Carr’s family figurehead

Irish writers have poured scorn on a Guardian listing of books that define Ireland

We’re seeing a revolution in form in theatre, but content is what keeps audiences engaged

Marina Carr’s bleak topical tragedy is like the fresh jolt of a recurring nightmare

In Conversation: actors Peter Coonan and Marie Mullen

In 2018, a diversity of Irish women’s voices will take their place on the national stage

The Abbey Theatre’s directors Graham McLaren and Neil Murray on their second programme, forging new collaborations and looking for new forms of theatre

Author of ‘The Mai’ becomes second Irish writer in two years to be lauded by Yale