Claire Denis

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Don’t bet against The Painted Bird winning the Golden Bear at Venice this weekend. 

There’s so much to the theatrical experience that you can’t get from a watching a film on even the biggest television. The communal buzz. The envelopi(...)

New this week: Tessa Thompson and Chris Hemsworth in Men in Black: International

ALADDIN ★★☆☆☆ Directed by Guy Ritchie. Starring Mena Massoud, Will Smith, Naomi Scott, Marwan Kenzari, Navid Negahban, Nasim Pedrad The ongoing campai(...)

Big box office: Linda Lovelace in Deep Throat. Photograph: AMMA/Getty

Where have all the sexy films gone? If it goes on like this the tabloids will have no “sick filth” left to ban. We usually get the future wrong. A th(...)

 Mary, Queen of Scots starring Saoirse Ronan  opens January 18th

 Ad Astra Ruth Negga joins Brad Pitt (lucky him, lucky her) on a mission to Neptune. Pointy-headed James Gray, the man behind The Lost City of Z,(...)

Top of the list: Seven Samurai, directed by Akira Kurosawa. His Rashomon came in at No. 4

Over the last few years, BBC Culture has been asking the world’s critics – including this writer and my colleague Tara Brady – to vote for their 100 f(...)

Béatrice Dalle: ‘I don’t have a car, I don’t own my place, I don’t have a house in the country.’ Photograph: Didier Baverel/WireImage

Can it really be true, I ask Béatrice Dalle, that you seduced the English actor Rupert Everett? “Bah ouais,” she replies as we chat in a cafe near her(...)

Juliette Binoche, playing 50-something artist Isabelle, is a smart woman who makes bad choices.

 Most of Friday the 13th Part VIII: Jason Takes Manhattan actually plays out on a boat, rather than the famous New York borough. Ghost Dog: The W(...)

Claire Denis with Juliette Binoche, who stars in her latest film Let The Sunshine In

“When you say ‘female director’ I already want to stop this conversation!” Claire Denis almost yells. “Female director? I feel like I am an animal. I (...)

A scene from ‘Western’

The title is partly in earnest. Valeska Grisebach’s clever, thorny study of toxic masculinity, colonialism, and European fissures plays with the trope(...)

2001: A Space Odyssey: ‘It took 40 years for visual effects to catch up with what they did’

Wally Pfister director, Transcendence; cinematographer, Inception 2001: A Space Odyssey affected my life in three different phases: my dad took me to(...)

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