The theatre director’s new show, Leaving, is a powerful departure for the returned emigre
Dublin Theatre Festival: This perfectly paced production for ages eight and up retells the Irish folk tale for a new audience
Ask Too Much of Me addresses faith while Kinky Boots gives drag queens a platform
Composer’s new album ‘Testament’ aims to meld disparate musical works
Review: Engaging principal performers takes ownership of material at Cork Opera House
Russian composers shine at NCH; Tenebrae revisit Orthodox choral music
Culture Shock: A report finds the Gate’s audience has it in a chokehold – but rather than pander to its audience’s supposed tastes, it needs to cultivate an appetite for adventure
Colgan has had towering successes but he leaves as subsidies and attendance dwindle
Some admirers celebrate the playwright’s work on the 400th anniversary of his death
Seán O’Casey’s play and its staging have always been cultural and political lightning rods
The riddle in Wayne Jordan’s limpid new version of the Greek tragedy is how anyone stays blind to the truth
The festival has shunned an obvious theme in favour of reaching a wider audience
Sean O’Casey’s classic play is given a fresh approach, but is that enough to shake off its shadow?
As an actor you may have only a few lines – or none at all – but you can still make the most of a role, as Dee Burke, who’s appearing in ‘Hedda Gabler’ at the Abbey, and John Doran, who features in Shakespeare’s tragedy at the Gate, are proving
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