Carl Kennedy

Dublin Theatre Festival: In Marina Carr’s version of Hecuba, the scale of tragedy is made rivetingly intimate

When theatre designer Owen Boss began bringing his children to work, it became a test run for a new project at The Ark

This new production of Martin McDonagh’s comedy is wise not to play it straight

Dublin Theatre Festival: Derbhle Crotty is moving as Marina Carr’s family figurehead

Theatre Lovett have created a delightful comedy about loss and self-reliance

In Stacey Gregg’s new play, the forces that push us around are creatures of our own creation

Two siblings trapped by an aged parent dream a future far away in this effective, claustrophobic production

The theatre company’s latest show explores the legacy of the Manchester bombing

Anu’s latest performance traces a legacy of violence against civilians, from Moore Street barricades to modern-day terrorism. Will you choose death or glory?

DBC Pierre’s novel excoriates contemporary America, and this production doesn’t quite keep the anger on the boil

When a female fighter pilot is moved to the Chair Force, the morality of remote warfare comes crashing down

Amy Conroy’s new play is a mysterious family drama about a hard-won reconciliation and the making of a man

Andrew Flynn, Decadent Theatre Company’s director, has an unusual ability to combine artistic passion with the deal-clinching pitches of a travelling salesman

The harrowing ’A Girl is a Half-Formed Thing’ is hard to shake off