Flight witnesses an epic struggle staged in miniature, while an immersive performance invites us to share the scorched earth of Patrick White’s Australia
Based on The Wonderful Wizard of Oz, this asks who was the Wicked Witch of the West?
Incantata review: the staging of Paul Muldoon’s elegy for a lover and a fellow artist is grief as an artform
Shelter review: History repeats itself in Cristin Kehoe’s admirably understated drama set in modern Dublin
Review: Phillip McMahon's story of a returning emigrant offers few innovations but vivid performances and resonant dialogue
The performers in Kelly’s new comedy about people and things, say their lines with wit and only occasionally bump into the furniture
‘Foyle Punt’ review: Allow The Local Group to introduce you to a boat, the Foyle Punt, everything it stands for and what it may become
Irish theatre came out blazing this week, proving that gender equality is ‘not hard to do, if you want to’
Writer Phillip McMahon and director Rachel O’Riordan on making a play inspired by a hidden community of gay priests
Druid premieres two original works while a new company take their maiden voyage with Foyle’s Punt
Review: seeing four elder gents in tight-fitting jumpsuits impersonating robot aloofness was a powerfully human moment
Review: The gags that sustain the show are the racial differences between jackeens and culchies
The ‘big, sweaty’ Dublin nightclub is successful because it ‘doesn’t have notions’
Huge rise in number of women employed was sparked by Waking the Feminists movement
Leading theatres, festivals and groups sign up to policy to increase female involvement
Australian new circus troupe Gravity & Other Myths is coming to Galway International Arts Festival
Joxer Daly gets a solo show and promenade plays in the Botanic Gardens
Paul Howard’s musical tells story of a Kerry woman following her dream of working in VHI
‘Furniture’, Sonya Kelly’s new play for Druid, is a wickedly smart relationship comedy
Broadway star Kelli O’Hara on women in theatre, the pay gap, and returning to ‘The King and I’
Obituary: Stephen Swift was ‘an outstanding example of how to live’
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