These Stupid Things at Smock Alley Theatre and Cleft at O’Donoghue Theatre are his week’s highlights
Those who gather to celebrate Epiphany aren’t quite sure what it’s all about – can this Joyce-inspired play make it any clearer?
Galway International Arts Festival: However crude the satire, nothing can compete with reality in 2019
Inspired by the loss of its home, Dublin Youth Theatre partners with Pan Pan to contemplate youth and adulthood in The Sleepwalkers
A passionate advocate for originality, he knew that theatre could be electrifying
Kneehigh’s reworking of The Beggar’s Opera tale of corruption, ineptitude and irresponsibility is coming to Galway
Druid Theatre Company stages Brian Watkins’s new play Epiphany, a serious comedy with Joycean inspiration, Cornwall’s Kneehigh turn The Beggars Opera on its head
Funeral to take place in the Liberties in Dublin on Monday
Lord Mayor of Dublin opens book of condolence for veteran entertainer
Father Ted role as Fr Fintan Stack brought his talents to a modern generation
These eight YouTube clips show Brendan Grace’s pioneering, inimitable comedy style
Grace was a pioneer in Ireland, writing and performing his own comedy as a headline act
A new play imagines the fractious compatibility between Ernest Hemingway and F Scott Fitzgerald, while an old musical makes a comeback for the summer
US playwright Brian Watkins takes inspiration from Joyce’s The Dead for his latest work, Epiphany
Review: Theatre for One’s six microplays are bracing, intimate-as-a-whisper performances
Review: Pauline McLynn and Peter Gowan work from an extraordinary script by Enda Walsh, but the setting leaves things out in the cold
A retrospective celebration of the extraordinary canon of work in just two years
It’s the simplicity of the story that resonates in this musical based on Mick Flannery’s concept album
If the national theatre is not world class or keen on Ireland’s dramatic canon, what is it for?
Fionn Foley’s solo show Brendan Galileo for Europe onstage ahead of fringe outings
Skilful skewering as opera ensemble shows audience exactly what it’s like
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