New artist of the week: Roosevelt

What: Electronic pop for the summer haze
Where: Germany
Why: Most of us are too busy to dig deep and discover new artists on Spotify, and still rely on gatekeepers and critics to point us in the right direction. Truthfully, for those curators and cheerleaders too, the choice is overwhelming.

So when a band remains undiscovered relative to their talent, lost in the sea of streams, it can be a disappointing realisation. But what if the discovery is hiding in plain sight? Streaming numbers and followers are a useful engagement but if no one is shouting about them and they are obscured under the veneer of the latest think piece about Drake’s new album, then it’s easy for a niche act to appear underappreciated.

Marius Lauber’s Roosevelt project is not brand new by this column’s standards. He’s received millions of stream plays online and decent press but still has the glare of one to be discoveed. In 2016, the German’s self-titled album arrived on UK label Greco-Roman, flushed with a collection of shiny yet substantial electronic pop songs that used shimmering synths, digital funk, star guitar licks, disco sounds and sunny melodies. It’s worth revisiting as a summer listen, especially in the context of Ireland’s recent heatwave.

Maybe the lack of awareness about Roosevelt’s music is because it steers clear of the autotune, drops, call and response, tropical steel pans and dolphin vocals that have characterised the pop zeitgeist since his appearance. Roosevelt’s music is refreshingly open in its synth-pop style, and while he borrows from dance music of the past, there’s a cheery exploration in its construction.

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The Cologne musician spent much of last year remixing artists like Chvrches, Rhye and Glass Animals. He knocked out a fine cover of Womack and Womack's Teardrops for good measure.

In September, his second album arrives and promises another collection of Balearic disco pop music to indulge in, as trialled by the song Under The Sun.

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