Michael Dungan

Heresy review: Giordano Bruno’s dramatic journey from monk to martyr

Impressive singing from a versatile cast is supported by a recorded Roger Doyle score

The Last Siren review: a tour de force by Lauren Kinsella

The vocalist subtly and powerfully sustains both her difficult character and the audience's attention

I prefer Mendelssohn’s early stuff (to Mozart’s)

There is nothing in Mozart’s early output to match the compositions Mendelssohn wrote aged 16 and 17

Review: Attacca Quartet

Wispelwey (cello), Ainsley (tenor)

A deep and diverse cross-section of Benjamin Britten’s output

‘What isn’t music?’ Kilkenny ponders the big questions

Musical fusion of different stripes could be heard at the recent arts festival – with varying degrees of success

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