The Dublin producer's debut flows with grace but prickly, singular edges are never too far away
Max Richter
Imagine a cello recital in a handball alley or a play at a local GAA pitch
Review: Natalie Johns’s film is designed to replicate the experience of the concert it documents
Carole Nelson on feminism, music and showing the interconnectedness of things
I’ve always known that I’d like to be buried, and I’d also like ice cream at my funeral
She describes the album, recorded on a 100-year-old baby grand, as ‘1848 meets 2019’
Ripple-effect melancholy unlike Mount Alaska’s previously released music
Review: Nobody has a hair out of place in this highly buffed account of a German artist
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