The St Brigid’s bank holiday celebrations this weekend mark the fifth year of invoking the Celtic goddess and Christian saint to mark women’s contributions to Irish culture and society and herald the arrival of Spring. Said to have been born in the late fifth or early sixth century, the first written sources relating to Brigid date from the seventh century.
Scholars have long debated the evidence of Brigid’s existence, or whether she represents an interpretation of a myth, or a cult absorbed into the Christian faith. As one of her chroniclers, Noel Kissane, notes, it is difficult to distinguish in various accounts of Brigid “between what was faulty history and what was myth, legend or pious tradition.”
The legends of the saint are many, including miraculous interventions in childbirth, protection of flocks and herds, and the belief she was a manifestation of a goddess who cared for poets, craftsmen and healers. Much was also made of the healing power of her wells, as captured by poet Doireann Ní Ghríofa, in At Bridget’s Well:
“When rain fell on a path of stone,
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one by one, we appeared alone.
Each of us wore a different face,
but we were all the same -
drawn by ache to lift green latches,
drawn by want to walk the dark
passage…”
Feminists have adopted Brigid as an icon, celebrating her achievements in a patriarchal society. She was promoted by Maud Gonne and Inghinidhe na Éireann (Daughters of Erin), the nationalist women’s movement, over 125 years ago. Those drawn to our pagan traditions embrace the Celtic goddess aspects. Her influence lives on in the naming of churches, schools and GAA clubs, alongside relics and artistic representations.
Dublin city council is promising the city’s streets this weekend will “Awaken with Art, Myth and Women’s Power.” People there, and elsewhere can find the Brigid that fits their purpose. Celebrating her legacy is a fitting and positive tribute to female empowerment.
