Is this our last chance to see an Irish lighthouse’s ‘beautiful loom’?

Campaigners say switching St John’s Point to LEDs would snuff out the magic of its light

Irish light: St John’s Point Lighthouse, in Co Down, is the subject of Beneath the Beam, a short film by Rupert Shanks and Yvonne Gordon

Irish light: St John’s Point Lighthouse, in Co Down, is the subject of Beneath the Beam, a short film by Rupert Shanks and Yvonne Gordon

 

The “loom of the light” is a phenomenon that lets you see the glow of a lighthouse from over the horizon. Particles of water vapour in the atmosphere scatter the light upwards so it can be glimpsed further than the line of sight. It is an optical wonder that has delighted – and guided – mariners for centuries.

But now some fear an environmental push towards low energy will extinguish a loom that stretches across the Irish Sea, draining beauty from the nocturnal landscape.

Campaigners say that the Commissioners of Irish Lights, the cross-border body that manages lighthouses on the island of Ireland, is on the verge of vandalising St John’s Point. This masterpiece of Victorian engineering, which towers 40m over a rocky headland in Co Down, is so evocative that it has inspired a short film, called Beneath the Beam; the cottages at its base are also available to rent as holiday accommodation, through Irish Landmark Trust.

The most important objection is the reduction in the quantity and character of the beam. It’s part of our heritage, the quality of our beautiful light

The agency wants to install low-power LED lights at St John’s Point and six other automated lighthouses to save energy. It also wants, on safety grounds, to remove liquid mercury, which helps rotate lenses that weigh several tonnes.

Other countries are making similar changes. Trinity House, which manages lighthouses in England, Wales, the Channel Islands and Gibraltar, has converted 20 out of 66, and says it will continue to fit LED lamps where required.

The Northern Lighthouse Board, which maintains 206 lighthouses and 167 buoys in Scotland and the Isle of Man, says 125 of its sites have LEDs as the primary light source, and that there has been no opposition to them.

Residents in Co Down, however, have rebelled. In the past five years they have used roadblocks, forged an unusual political alliance and appealed to celebrities and royalty to stave off change to St John’s Point, which was built from 1839.

“It doesn’t represent progress,” says Eileen Peters, one of the campaigners. “The most important objection is the reduction in the quantity and character of the beam. It’s part of our heritage, the quality of our beautiful light. It just shows what philistines they are.”

The campaign includes fishermen, conservationists, the Sinn Féin MP Chris Hazzard and unionist and nationalist members of Newry, Mourne and Down District Council.

Roadblocks stymied an attempt by Irish Lights workers to install LEDs in 2015, and residents will try to stop further attempts, says Peters. “These people are ready to go again; they will not be stopped. What we’re doing is for the future; it’s not for us.”

Campaigners say they received encouragement from Princess Anne and Van Morrison, who mentions St John’s Point in his 1990 song Coney Island.

But the Commissioners of Irish Lights will not back down – the organisation has tendered for contractors to do the work.

In 2015 they were right in their objections. It made us go back to the drawing board. I guess there is still a lingering concern we won’t deliver. They may not trust us as much as we’d like

Robert McCabe, director of coastal operations, says the agency has shown flexibility by revising the original plan, which would have replaced the revolving lens and sweeping beam with a static light, and that the new version would deliver important benefits while respecting heritage.

“In 2015 they were right in their objections. It made us go back to the drawing board. I guess there is still a lingering concern that we won’t deliver. They may not trust us as much as we’d like.”

The change would be positive, says McCabe. Mercury is a risk to human health and can be safely replaced with a mechanical bearing that supports the original lenses. And LED lights use 30 watts compared with 1,000 for traditional lamps, slashing energy use and allowing batteries to replace diesel generators as back-up energy sources, he says.

Irish light: St John’s Point Lighthouse, in Co Down, is the subject of Beneath the Beam, a short film by Rupert Shanks and Yvonne Gordon; the cottages at its base are available to rent through Irish Landmark Trust
Irish light: St John’s Point Lighthouse, in Co Down, is the subject of Beneath the Beam, a short film by Rupert Shanks and Yvonne Gordon; the cottages at its base are available to rent through Irish Landmark Trust

The new LEDs would shorten the St John’s Point beam from 40km to just under 30km and give a blue-white tinge to the light, but there would still be a loom, says McCabe. “In reality it’s very little change. The light picking up moisture in the atmosphere, like searchlights in war movies – none of that will change.”

Gerald Butler, a retired lighthouse keeper whose father and grandfather also tended lighthouses, approves of the change. Lighthouses had always adopted new technology, changing from beacon fires to candles, sperm-whale oil and paraffin, he says. “LED is no different. Out at sea you will see the light, which is what matters.”

Campaigners disagree. They insist that LEDs will kill the loom and that the existing system works fine – safe, low maintenance, filling the night with a light like no other.

LEDs, in contrast, are ugly and less effective, says Hugh O’Donnell, who helped his lighthouse-keeper father operate St John’s Point in the 1960s. “LED is too damn harsh, and it doesn’t have the penetration range of the old light. Shorter range, different colour, harder to look at – it’s a mistake.” – Guardian

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