The crisis has allowed people loudly signal rediscovered their commitment to highbrow classics

The Decade in Culture: As we move into the roaring twenties many things remain the same about the seventh art

Donald Clarke: Kids’ movies are becoming the only cinema many punters will pay to see

Hungarian auteur’s new film Sunset shows a vanished Budapest on the edge of change

Fewer instant classics on show, but Bong Joon-ho’s Parasite, Céline Sciamma’s Portrait of a Lady on Fire, dark drama The Lighthouse and Irish horror Vivarium stand out

Cannes diary: Robert Pattinson stars in The Lighthouse; and a crowded market for mutts

The race for the 2015 Palme d’Or looks at this stage to be between ‘Son of Saul’ and ‘Carol’, two extraordinary pictures from two very different film-makers

Son of Saul is potentially the last ever Palme d’Or winner to be shot and projected with film: it would be quite the way to go

Reprising his role as Captain James T Kirk in JJ Abrams’ Star Trek Into Darkness, Chris Pine is once again boldly going where just one man has gone before

Palme d’Or-winning director Cristian Mungiu discusses his latest film, Beyond the Hills, a notorious true story of religion and mental disorder from Ceausescu's Romania