First thought, upon finishing this retelling of the story of Mary Saunders, an 18th-century girl who was born on the wrong side of the tracks even before there were any tracks: thank God I wasn't born poor and female in London - or anywhere - in the 1790s. Second thought: I wish I hadn't finished yet, so as to have the joy - and pain - of reading it all over again. A vibrant recreation, first of the St Giles area of London, all bad smells and desperate remedies, then of a desolate town near the Welsh border, all bad smells and - well, you get the idea - Slammerkin is both an impressive feat of the imagination and a very real indictment of past socio-sexual horrors which, in our headlong rush to a bland, globally anaethetised future, most of us would prefer to forget. Donoghue's Mary Saunders, however, is too memorable for forgetting; complex, sharply intelligent, she is both a creature of another century and, in almost every sense, our absolute contemporary.
Slammerkin, by Emma Donoghue (Virago, 7.99 in UK)
First thought, upon finishing this retelling of the story of Mary Saunders, an 18th-century girl who was born on the wrong side…
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