The strong showing of 'Blue is the Warmest Colour' suggests erudite Ticket readers just can’t get enough Franco-Tunisian neo-realism, writes Donald Clarke

Film-maker David Lowery on his Texan aesthetic, why he prefers old-school celluloid to the new world of digital film-making and what it’s like working with Casey Affleck and Rooney Mara

Shane Carruth’s mind-bending follow-up to Primer bewitches as it puzzles


The Irish Times ePaper

How does a post-Brexit world shape the identity and relationship of these islands

Inquests into the nightclub fire that led to the deaths of 48 people