Bridget Riley

Aosdána functions as way of hiding fact that arts funding is shamefully low

If sector was funded to level of European norm there would be no need for allowances

The strange and intangible attraction of colour

Two abstract exhibitions explore how differently humans perceive colour

When Ballymun was all towering promise

Vulnerable bodies and the dispossessed also feature in three Galway International Arts Festival highlights

Charles Tyrrell finds human fallibility in the logic of the grid | Visual art

Tyrrell’s paintings, in the tricky Uillinn gallery, aim for the ‘rightness’ of nature

Clouds in a church and other sound moves at Kilkenny Arts Festival

In the visual arts strand, there is evidence of joined-up thinking in the inclusion of abstract painter Marilyn Lerner, sonic glass work by Róisín de Buitléar and Karen Donnellan, and Max Streicher’s celestial cloud installation

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