Arctic: Mads Mikkelsen is scruffy, unshowy and precise

Review: Icy thriller is as raw as the fish the protagonist is forced to subsist on

Mads Mikkelsen in Arctic, a minimalist, gritty thriller by Joe Penna

Film Title: Arctic

Director: Joe Penna

Starring: Mads Mikkelsen, Maria Thelma Smáradóttir.

Genre: Adventure

Running Time: 97 min

Thu, May 9, 2019, 06:00

   

Joe Penna’s snowbound thriller stars Mads Mikkelsen as the sole survivor of a light aircraft crash somewhere in the circle of the title. It’s impossible to know precisely how long Overgård – that’s what it says on his uniform – has been stranded on this polar landscape, but, as the film opens, he has been there long enough to have established a daily trudge: check the cast lines for fish, scan the radio for frequencies, maintain the SOS letters he has carved into the tundra, and watch out for bear pawprints.

Finally, a rescue helicopter appears in the distance, but it is felled by the same icy blasts that presumably brought Overgård here. It crashes, leaving a semi-conscious survivor alive (played by the Icelandic actress Maria Thelma Smáradôttir) and leaving Overgård with challenging decisions to make.  

Prominence

Joe Penna came to prominence as MysteryGuitarMan on YouTube where his fun video mash-ups of skillful guitar playing, animation, and editing have accrued nearly 400 million views. The minimalist, gritty Arctic, co-written with his editor Ryan Morrison, shares little in common with Penna’s madcap online output. There are obvious parallels with JC Chandor’s watery survivalist drama, All is Lost, starring Robert Redford.

In common with that film, Arctic is entirely reliant on Mads Mikkelsen’s precise, unshowy, and scruffily-bearded performance. The star of The Hunt and Hannibal was assisted by tough working conditions (he has called the frozen 19-day shoot “the toughest of his career”) but the nuance is all his.

The wintry isolation and potential for altruism make for further intriguing overlaps with such elegant, metaphor-ready works as Robert Bresson’s A Man Escaped. Cinematographer Tómas Örn Tómasson finds arresting tableaux in the vast, bleak whiteness. As raw as the fish the protagonist is forced to subsist on.