Trauma of the Troubles: ‘I threw my first petrol bomb when I was nine. I felt like a man after that’
The Flats is a riveting new film about the New Lodge complex in Belfast, whose residents are still coping with the trauma of the Troubles
The Shark Is Broken review: Ian Shaw is uncannily like his father in this inventive, irreverent play about the making of Jaws
Crowd-pleasing tale of Spielberg movie mixes heartfelt details with top-notch film buffery and broad physical comedy
‘We’re building a deaf empire, making things rather than waiting for Hollywood to greenlight them’
Deaf President Now! directors Nyle DiMarco and Davis Guggenheim on their documentary about the Gallaudet University protests of 1988
Good One review: This low-key coming-of-age drama is a sneaky revelation
Lily Collias can do more with a raised eyebrow than most actors can manage with a soliloquy
Magic Farm review: Chloë Sevigny channels Gen X-worthy self-deprecation in surreal satire that skewers Americans abroad
Comedic tone is ill met by tonal inconsistencies, flat punchlines and a lack of momentum
Four new films to see this week
Portrait of the Nazi movie propagandist Leni Riefenstahl still outrages. Plus a fascinatingly freaky Nicolas Cage vehicle, David Attenborough’s voyage to the bottom of the sea, and a so-so remake of Ang Lee’s one-time indie hit The Wedding Banquet
Leni Riefenstahl, Hitler’s favourite film-maker: ‘After the first page of Mein Kampf she became an enthusiastic Nazi’
Andres Veiel’s authoritative new documentary is a damning portrait of the German propagandist
The Wedding Banquet review: Charming cast outshine the flimsy material in fluffy remake of Ang Lee’s indie classic
Lily Gladstone and Kelly Marie Tran are as warm and well-worn as a much-loved bed sweater
Ocean with David Attenborough review: Age has done little to quell the naturalist’s intellectual curiosity and childlike wonder
This engaging portrait of sea-life is being released around the world on his 99th birthday
Thunderbolts* star Florence Pugh on getting her way: ‘I was very sassy. I cornered a few people’
Florence Pugh knew what she wanted to do after she joined Marvel’s cast: jump off one of the world’s tallest buildings
Four new films to see this week
Thunderbolts*, Amongst the Wolves, Screamboat and Parthenope among film highlights
Screamboat: Mickey Mouse as a violent psychopath is no classic, but gory twist on Disney knows its audience
Low-rent bid to monetise the newly public-domain Steamboat Willie embraces violent mayhem with gusto
Parthenope: Paolo Sorrentino’s most leering film since his Berlusconi biopic
Italian auteur’s 11th feature is an ode to Naples too many. It also creates indelible moments
Four new films to see this week
Fréwaka is an eerie, subtle delve into Celtic mythology. Plus a gruesome Norwegian reworking of Cinderella, Naomi Watts and Bill Murray in a gentle story of friendship, and a thoroughly original drama from Georgia
The Ugly Stepsister: This Cinderella story is gruesome, hilarious and definitely not for children
Director Emilie Blichfeldt puts the grim back in the Brothers Grimm with revolting close-ups of body modifications, maggots and moulting