Displays include Renaissance works, and art by Mick O’Dea, Sam Keogh and Fergus O’Ryan
Hillsborofineart
And in Tableau, Eithne Jordan shows why she needs to paint
Plus: Finnish women let us into their lives with humour
Elaine Byrne’s foray into the wordplay of Ulysses is ingenious and entertaining
Amie Siegel’s essay films are full of ideas, and Eddie Kennedy’s paintings are informed by Mayo
The characters Rennick paints are deluded but she refuses to ridicule them; and exhibitions by Julie Merriman and Maeve McCarthy have plenty to recommend them
Three artists at Hillsboro share a love for a great Italian tradition; and Catherine Barron throws herself into her work
Books about the work of O’Dea and Robert Armstrong are, respectively, provocative and sumptuous
The sense of something fleeting and fading gives exhibitions by Garry, Tjibbe Hooghiemstra and Nick Miller their strength
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