Dublin Theatre Festival

What Did I Miss?: An authentic reflection of the complexity of its young audience’s lives

Dublin Theatre Festival: Shaun Dunne’s play explores the ritual significance of school graduation

The First Child: Equal parts baffling and brilliant

Dublin Theatre Festival: This is a remarkable conclusion to Donnacha Dennehy and Enda Walsh’s partnership

Purple Snowflakes and Titty Wanks: Sarah Hanly grabs you by the balls from the start

Dublin Theatre Festival: In her first play, Hanly describes sexual exploration and discovery in her convent-school oratory

Duck Duck Goose: An uncomfortable, insightful portrayal of sexual violence’s social impact

Dublin Theatre Festival: In Caitríona Daly’s play, the protagonist becomes deeply entangled in a rape allegation

Once Before I Go: Join the dance, live fully, live without judgment, live well

Dublin Theatre Festival: Sean Campion and Aisling O’Sullivan star in Philip McMahon’s play

How It Is: Six hours of Samuel Beckett, and it’s hard to click pause

Dublin Theatre Festival: Conor Lovett leads Gare St Lazare Ireland’s filmed production

Gate Theatre reopens: ‘There’s a lovely sense of hysteria’

Audience returns for first time since March 12th, 2020, to attend Once Before I Go

Root: Undeniable good will prevails over occasional awkwardness

Dublin Theatre Festival: Four talented actors provide good company throughout

Dublin Theatre Festival: ‘It’s about people assembling and I’m really looking forward to that’

Festival director Willie White emphasises the positives as audiences return to theatres

The Party to End All Parties: There is a lot going on in one-and-a-half smallish packages

Dublin Theatre Festival review: Summoning the despair of an urban space in the time of Covid

Looking for América review: Memory tells a different kind of truth

Federico Julián González’s effortlessly engaging solo performance is personal but also has deep political resonance

The Great Hunger review: ambitiously staged, with scenes of rare beauty

The setting at IMMA – the scope of sky and the breadth of landscape – brings to life a new theatrical version of Kavanagh’s poem

To be a Machine review: Experimental format well-suited to play’s core theme

Self-conscious experiments complement the exploration of transhumanism

Óró…: This immersive production is a feast for the senses

Galway 2020 production defies categories, incorporating music, dance and theatre

‘This image of a man tarred and feathered, driving a train out of rage, just haunted me’

Deirdre Kinahan on her site-specific play about the 1920 munitions strike

A Thousand Ways – A Phone Call review: An experience for two strangers

Dublin Theatre Festival: Audience members meet through a guided phone call about their lives

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