Fresh from an avalanche of positive reviews at the
Sundance Film Festival
, John Michael McDonagh’s follow-up to
looks like a canny choice for opening film.
plays a decent priest confronted with a vexing moral dilemma.
It’s always a pleasure to welcome a fresh Irish voice that owes few creative debts to any predecessor. Donal Foreman looks to be the latest candidate for that accolade. His first feature follows a returning immigrant adrift in a spacey version of Dublin.
Jonathan Glazer’s long-delayed successor to the criminally underrated
as an alien annihilating unsuspecting citizens of Glasgow. Already the recipient of many breathless accolades (and a few outraged hatchet jobs).
do after his enjoyable debut Submarine? As it transpires, he’s made a contemporary version of Fyodor Dostoevsky’s
It’s not just a disinterment of George A Romero’s classic mash-up of zombie horror and consumerist satire. The evening features Claudio Simonetti’s Goblin performing a live version of their groundbreaking score.
The Savoy 1 plays host to Morgan Neville’s rousing, Oscar-nominated documentary concerning the art of the backing singer.
are among the talking heads.
Frederick Wiseman, now 84, remains one of the most vital documentarians on the planet. His latest – clocking in at abottom-busting 244 minutes – wanders among the students at University of California, Berkeley. Go to the loo first.
Arriving just days after its world premiere at Berlin, Wes Anderson’s latest elegant romp sends the likes of
, Bill Murray, Edward Norton, Harvey Keitel,
, F Murray Abraham, Mathieu Amalric and
to middle-Europe in the 1920s.
The festival closes with a raucous Irish comedy concerning a stag party that goes badly wrong in impressively amusing ways. Hugh O’Conor, Andrew Bennett and Andrew “Moriarty” Scott do terrible things.
THE DUBLIN FILM CRITICS CIRCLE AWARDS
We would not be human if we didn’t remind you to set aside an hour for the deliberations from your favourite film reviewers.
, DFCC president, and your current writer will be among those in attendance.
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