‘Cinema is not dead.’ Cannes film festival makes a promising return
After cancelling in 2020, Cannes returns this summer with an extensive programme
19: Indian actress Aishwarya at the most recent Cannes Film Festival in 2019. Photograph: by Mustafa Yalcin/Anadolu Agency/Getty Images
The Cannes film festival, cancelled in 2020, has announced a promising return to action with a competition line-up featuring three former winners of the Palme d’Or. Thierry Frémaux, the artistic director, and Pierre Lescure, the festival’s president, were in Paris to talk the press through what Lescure described as the first event in France to host a large number of visitors since the Covid crisis began last spring.
“Cinema is not dead,” Frémaux said. “The return of audiences to movie theatres around the world was the first good news. And the festival will be the second good news.” There is little sense of scaling down in this year’s official selection.
It had already been announced that the festival would open on July 6th with Leos Carax’s musical Annette, featuring Adam Driver and Marion Cottillard, and that Wes Anderson’s The French Dispatch, boasting a huge, glossy cast including Saoirse Ronan, Frances McDormand and Bill Murray, would join that film in the main competition.
Also fighting for the Palme d’Or are previous champions Nanni Moretti, Apichatpong Weerasethakul and Jacques Audiard. Weerasethakul’s Memoria, featuring Tilda Swinton as a Scottish traveller haunted by eerie sounds, looks like an early favourite for the big prize. This is the Thai director’s first film in English.
Asghar Farhadi, winner of Oscars for A Separation and The Salesman, returns to his native Farsi with A Hero. Sean Baker, whose The Florida Project slayed audiences here in 2017, is back with the comedy-drama Red Rocket.
Paul Verhoeven’s Benedetta, concerning a love affair between two 17th century nuns, is certain to turn heads.
There is also action “out of competition” and in a (slightly puzzling) new section called Cannes Premiere. Tom McCarthy’s Stillwater, a crime drama starring Matt Damon, and Todd Haynes’s The Velvet Underground, a study of that influential band, are placed in the former category.
Colin Farrell is among the stars appearing in the Un Certain Regard section. He turns up in Kogonada’s After Yang, a science-fiction film set in a world where robotic children are purchased as live-in baby-sitters.
Oliver Stone brings JFK: Through the Looking Glass, a documentary on his favourite conspiracy theory, to the “special screenings” strand. In the same section, Charlotte Gainsbourg’s Jane by Charlotte examines the director’s mother Jane Birkin.
More films will be announced in the coming weeks. Frémaux confirmed that there would be at least one “blockbuster”, but that it would not be the next James Bond film or Denis Villeneuve’s Dune or Steven Spielberg’s West Side Story.
The artistic director also had to field questions about the lack of Netflix films anywhere in the Official Selection. “The festival has a rule that the films in competition must be released in French movie theatres. Netflix wanted to have films in competition and not release them in French movie theatres,” he said. “Netflix does not agree to come out of competition – does not accept the rules of the Cannes film festival. … We regret this absence, this attitude – this desire not to negotiate about an out-of-competition presence.”
There will also be controversy at the news that only four of the 23 films announced in competition are directed by women.
Much conversation will, of course, focus on the arrangements for dealing with the continuing pandemic. Frémaux hoped that, by July, the festival will be able to “fill the room 100 per cent”. Lescure noted that testing facilities would be available within short walking distance from the Palais des Festivals et des Congrès. “We will be very stringent,” he said. “We have some problems with the UK.”
It was announced last week that the French government was bringing in new quarantine regulations for British visitors to prevent the import of Covid variant B.1.716.2.
Attendees from Ireland will, for admission to the festival, require either “a certificate demonstrating full vaccination of a vaccine recognized by the European Medicines Agency” or “a negative PCR or antigen test result issued no more than 48 hours prior” or “proof of immunity via a positive antibody test or RT-PCR test dated no less than 15 days ago”.
The organisers’ confidence that they can launch such so huge event so soon is striking. The Cannes film festival runs from July 6th until July 17th.
Cannes 2021 Official Selection
Annette. Director: Leos Carax (opening night film)
Flag Day. Director: Sean Penn
Tout S’est Bien Passé. Director: François Ozon
A Hero. Director: Asghar Farhadi
Tre Piani. Director: Nanni Moretti
Titane. Director: Julia Ducournau
The French Dispatch. Director: Wes Anderson
Red Rocket. Director: Sean Baker
Petrov’s Flu. Director: Kirill Serebrennikov
France. Director: Bruno Dumont
Nitram. Director: Justin Kurzel
Memoria. Director: Apichatpong Weerasethakul
Les Olympiades. Director: Jacques Audiard
Benedetta. Director: Paul Verhoeven
La Fracture. Director: Catherine Corsini
The Restless. Director: Joachim Lafosse
Lingui. Director: Mahamat-Saleh Haroun
The Worst Person In The World. Director: Joachim Trier
Bergman Island. Director: Mia Hansen-Love
Drive My Car. Director: Ryusuke Hamaguchi
Ahed’s Knee. Director: Nadav Lapid
Casablanca Beats. Director: Nabil Ayouch
Compartment No. 6. Director: Juho Kuosmanen
The Story Of My Wife. Director: Ildiko Enyedi
OUT OF COMPETITION
De Son Vivant. Director: Emmanuelle Bercot
Stillwater. Director: Tom McCarthy
The Velvet Underground. Director: Todd Haynes
Bac Nord. Director: Cédric Jiminez
Aline. Director: Valérie Lemercier
Emergency Declaration. Director: Han Jae-Rim
Bloody Oranges. Director: Jean-Christophe Meurisse
Evolution. Director: Kornel Mundruczo
Cow. Director: Andrea Arnold
Mothering Sunday. Director: Eva Husson
Love Songs For Tough Guys. Director: Samuel Benchetrit
In Front Of Your Face. Director: Hong Sang-soo
Hold Me Tight. Director: Mathieu Amalric
Deception. Director: Arnaud Désplechin
Val, dirs: Ting Poo, Leo Scott
JFK Revisited: Through The Looking Glass. Director: Oliver Stone
*H6. Director: Yi Yi
Black Notebooks. Director: Shlomi Elkabetz
Mariner Of The Mountains. Director: Karim Ainouz
Babi Yar. Context. Director: Sergei Loznitsa
UN CERTAIN REGARD
The Innocents. Director: Eskil Vogt
After Yang. Director: Kogonada
Delo. Director: Alexey German Jr
Bonne Mere. Director: Hafsia Herzi
Noche De Fuego. Director: Tatiana Huezo
*Lamb. Director: Vladimar Johansson
*Un Monde. Director: Laura Wandel
*Freda. Director: Gessica Généus
*Moneyboys. Director: CB Yi
Blue Bayou. Director: Justin Chon
Commitment Hasan. Director: Hasan Semih Kaplanoglu
Rehana Maryam Noor. Director: Abdullah Mohammad Saad
Let There Be Morning. Director: Eran Kolirin
Unclenching The Fists. Director: Kira Kovalenko
*La Civil. Director: Ana Mihai
Women Do Cry, dirs: Mina Mileva, Vesela Kazakova
*Denotes first film, eligible for the Camera d’Or