Television: Adaptation of Louise Kennedy’s novel starring Lola Petticrew and Gillian Anderson isn’t perfect with moments of unintentional hilarity

Television: Documentary decries tabloid hysteria over Flack’s arrest and ensuing vitriol of strangers online, but is this what she would have wanted five years after her death?

Television: Less hysterical than the likes of Love Hate and Kin, this is spectacularly average and on a random Sunday in November, that will do just fine

Woman of Faces, the singer-songwriter’s new album, is effortlessly beautiful and endlessly surprising. But getting it into the world has been a challenge

Fans dream of FAI Cup glory as Logic has never had all that much sway with Cork City supporters

Television: Show risked meddling with a winning formula, but it proved every bit as as absorbing as the regular version

The Spanish star wants to look forwards, not back – with results by turns thrilling, baffling and splendidly spooky

Television: Nobody could accuse Vince Gilligan, maker of Breaking Bad and Better Call Saul, of playing it safe with this risky new series

Television: Ryan Murphy, Hollywood’s laureate of bad taste, has produced one of the worst things Disney+ has ever foisted upon its subscribers

Television: Absorbing documentary is full of faceless villains acting with reckless abandon

Florence Welch emerges from a hurricane of angst with perhaps her finest and certainly her stormiest record to date

Any risk of the indie band becoming invisible is debunked as they continue to win new fans with their dreamlike alternative pop

Television: At no point is Hector in danger of doing anything original or surprising (the odd fusillade about politicians aside)

Showrunner Lauren Hissrich believes, as with James Bond, the character Geralt is bigger than any one actor portraying him. Can Liam Hemsworth avoid becoming the franchise’s George Lazenby?

Television: Illustrious cast wasted on Mick Herron adaptation with an implausible plot and an obnoxious lead character