Project Arts Centre

The ultimate parents’ survival guide to summer 2020

Activities are curbed due to Covid-19, but there’s plenty of ways to keep kids occupied

Live Collision develops a new kind of festival in response to Covid-19

The coronavirus outbreak forced a rethink for the cutting-edge arts festival – with intriguing results

Wayne Jordan: ‘I didn’t feel like an artist anymore, but an interior designer’

The theatre director’s new show, Leaving, is a powerful departure for the returned emigre

‘Sick of living in a small-minded, Catholic country, I moved to Ireland’

New to the Parish: Federico Julián González arrived from El Salvador in 1998

Artists understand the desire for political change better than most

The key issues driving the vote for change are in lockstep with the problems facing artists

Anne Enright: ‘As a writer, your problems are your solutions’

Her new work, Actress, is about a mother-daughter relationship in bohemian Dublin

Election 2020: Arts sector calls on parties to double investment in Arts by 2025

NCFA says 72% of artists earn less than the minimum wage, 72% don’t have pension

Bust to empty boom: What shaped our public spaces in the past decade

The Decaste in Culture: The 'quarterisation' of our cities reached a ludicrous peak with derided Grafton Quarter

What a load of smetch: new words to describe art

Text plays a tricky role in art – as descriptors or part of the exhibit

Spray it, don’t say it: The story of Irish street art

TV Review: Ireland’s street artists express their politics better in murals than in words

Endgame review: A grim depiction of entropy and finality

Pan Pan’s production doesn’t so much revivify Samuel Beckett’s play as submit to it

Acting out the apocalypse – in dustbins

The cast of Pan Pan’s upcoming Endgame talk about Samuel Beckett’s enduring relevance

‘So much performance art I’ve explored was into ugliness. I’m now reclaiming beauty’

Artist Emily Aoibheann constantly feels the need to push herself into new ways of expressing her ideas

Collection of Lovers review: Can’t a woman can’t take a bath with a stranger any more without them getting the wrong idea?

Dublin Theatre Festival: Raquel André has, to date, gathered together 245 strangers to manufacture and document the illusion of intimacy. Where will it all end?

Hecuba review: Perspective and psychology brought to an ancient tale

Dublin Theatre Festival: In Marina Carr’s version of Hecuba, the scale of tragedy is made rivetingly intimate

The Bluffer’s Guide to Suburbia review: Returning emigrant dissects his home in sprawling style

Dublin Theatre Festival: Ray Scannell’s ambitious musical drama is performed with aplomb but lacks focus