New this week: The Heiresses, Equalizer 2, The Guardians, The Eyes of Orson Welles

Review: As heritage pictures go, this French first World War drama is immaculate

The Irish Times what-to-see guide to the movies now in cinemas across Ireland

US director says his heart lies with action movies like The Equalizer 2

Review: Ana Brun is exquisite in this portrait of the faded glories of wealthy lesbians

Review: It’s pulpy, it’s not deep but this sequel is certainly the equal of ‘The Equalizer’

Donal Foreman’s film ‘The Image You Missed’ explores Arthur MacCaig's work filming the Troubles

New this week: Under the Tree, Dog Days and Pope Francis, the man

Review: If you like watching youngsters getting nastily knocked off , this is your film

A simmering neighbourhood feud lies at the heart of this killer Icelandic comedy

Review: We award this movie an extra star, just for the the chihuahua in the pink helmet

The Irish Times what-to-see guide to the movies now in cinemas across Ireland

Film review: It’s fun, but neither good fun or bad fun, it just flounders in between

New this week: Sicilian Ghost Story, Ant Man and the Wasp, Teen Titans Go! to the Movies

The 1989 dark teen comedy starring Winona Ryder is still up-to-the-minute 30 years later

It’s a bird, it’s a plane . . . it’s a fun, self-referential animated romp through the DC universe

Jonathan Rhys Meyers is sauve and calculating but it’s not enough amid clanging dialogue

Based on the true story of a mafioso’s teenage son, this is a haunting, otherworldly love story

Film-makers Fabio Grassadonia and Antonio Piazza on mixing true life crime with fantasy

‘Ant-Man and the Wasp’ is a part of Marvel's diversification trend

New this week: Tom Cruise in Mission: Impossible – Fallout, Apostasy and Hotel Transylvania 3

Daniel Kokotajlo’s debut feature ‘Apostasy’ details a crisis of faith in the Witnesses. The 37-year-old has first-hand experience (...)

The Irish Times what-to-see guide to the movies now in cinemas across Ireland

The Bleeding Edge review: Documentary of US legal laxity is by turns startling and terrifying

Review: The most family-friendly and proudly silly of all the monster dynasties

Review: This is Netflix's latest big buy, but budgetary constraints tell throughout in this lesser dark skies effort

New this week: Mamma Mia!, Summer 1993, Boom for Real

Review: Dan Brown would have scoffed at the premise, but Vincent Lindon is impressive

The Irish Times what-to-see guide to the movies now in cinemas across Ireland

Sara Driver’s film focuses on the underground scene that shaped Jean-Michel Basquiat

Generation Wealth review: Documentarian Lauren Greenfield is the David Attenborough of the super-rich

Review: The videos shot between 2003 and 2005, depict stacks of bloodied corpses, propaganda, and young men at play

Sara Driver has made a fascinating chronicle of the late American artist’s formative years

New this week: The Incredibles 2, First Reformed, Lost & Found, The Secret of Marrowbone

Review: You won’t see a more textured movie this summer than this Paul Schrader film

The Irish Times what-to-see guide to the movies now in cinemas across Ireland

Review: Liam O Mochain is at the centre of his omnibus film’s daisy chain of stories

Vertigo, re-released this week for its 60th anniversary, is now regarded as a masterpiece

Review: Don’t be fooled by the prettiness. This is a film going nowhere, and not fast enough

The ‘Incredibles 2’ director on the Disney studio’s secret sauce, and keeping his distance from corporate nonsense

‘Swimming with Men’ gave Brydon a chance to learn the art of synchronised swimming

New this week: Mary Shelley, Whitney plus a reissue of Michael Cimino’s The Deer Hunter

The Irish Times what-to-see guide to the movies now in cinemas across Ireland

Review: The film’s freaky visuals are peak psychedelia. The songs aren’t bad either

Review: This mostly silly film is a too-obvious comment on Trump’s America

Review: The brutal, murky American tragedy has been reissued for its anniversary

New this week: Leave No Trace, Sicario 2, Dublin Oldschool, Patrick, The Endless

Review: Debra Granik’s follow-up to Winter’s Bone is delicate family drama at heart

Review: Beattie Edmondson inherits a spoilt pooch in this live-action Disney movie

Review: Period detail is a little off in this Spanish-German co-production shot in Co Down

The Irish Times what-to-see guide to the movies now in cinemas across Ireland

Review: This well assembled film falls far short of the Oscar-nominated original

Review: Imaginative, melancholic directorial debut from anime screenwriter Mari Okada

The philandering Don Draper has gone goofy for his latest role in knockabout comedy ‘Tag’

New this week: In the Fade, The Happy Prince, Ocean’s 8, Kissing Candice

The fascinating life of the prolific Japanese writer – who lived as a modern-day hermit for many years – comes to the screen

The Irish Times what-to-see guide to the movies now in cinemas across Ireland

Director Debra Granik on her new film ‘Leave No Trace’ and her biggest movie-making influences

Review: A feral boy lives with hounds in this exploration of betrayal and isolation

Review: Apart from Anne Hathaway, the Ocean’s 8 cast barely qualify as characters at all

New this week: Hereditary, A Ciambra, Studio 54, The Sound of Music

Review: Pio Amato is charismatic as a Romany boy pushed into petty crime in Calabria

The Irish Times what-to-see guide to the movies now in cinemas across Ireland

Review: In Jane Campion’s Oscar-winning screenplay the female lead character is left to choose the lesser of two evils, both rapis(...)

Review: Gabriel Byrne, Toni Collette and Milly Shapiro shine in a genuinely horrifying film

More than three-quarters of film critics are men, a new study finds

The 1965 musical was ‘a sugar-coated lie’ that had little in common with the real Van Trapps

New this week: Jurassic World: Fallen Kingdom, McQueen, All the Wild Horses, The Boy Downstairs

Review: Exploring the artistic undertones of England’s largest post-war ‘New Town’

Zosia Mamet shows a delicate comic touch in this hugely likeable New York rom-com

The Irish Times what-to-see guide to the movies now in cinemas across Ireland

Review: Even in death, the enigmatic designer has evaded the documentarians

The dancer, actor, gossip columnist and muse was one of the most modern of stars

Director JA Bayona has more dinosaurs than any previous instalment and the most dangerous beastie to date

New this week: My Friend Dahmer, Pandora's Box and That Summer

Review: Collaboration between GW Pabst and Louise Brooks almost didn’t happen

Review: They don’t make inappropriate girl-slapping erotica like they used to

Review: Documentary about how a patrician family descended into genteel squalor

The Irish Times what-to-see guide to the movies now in cinemas across Ireland

Marc Meyers’s My Friend Dahmer is adapted from the graphic novel by John Backderf, aka Derf

Incredibles 2, Ocean’s 8, Jurassic World and Mamma Mia!: Here We Go Again

New releases: The Breadwinner, Zama, Edie, Jeune Femme, Citizen Lane, Deadpool 2

The Irish Times what-to-see guide to the movies now in cinemas across Ireland

Review: Comedy of disappointment as hero is the architect of much of his own bad luck

Review: This story of Nepalese girls sold into slavery in a circus is unexpectedly feelgood

Review: Sheila Hancock plays a cantankerous old bag on a quest to climb a Scottish mountain

A terrific voice cast are squandered on a sceenplay littered with feeble jokes

Things were ‘getting weird’ on the set of the Han Solo film. So they changed director

The co-founder of Cartoon Saloon on teaming up with the A-list star for their Oscar-nominated animation, and using cartoons to hel(...)

‘On Chesil Beach is about a young, sexually inexperienced couple on a miserable honeymoon

Review: Evan Rachel Wood flip-flops between victim and victimiser in this study of abuse of power

The Irish Times what-to-see guide to the movies now in cinemas across Ireland

Jeune Femme, Citizen Lane, Deadpool 2, Dive, Redoubtable, Sherlock Gnomes

Review: Tom Vaughan-Lawlor shines in a vibrant biopic of Hugh Lane with real artistic merit

Cannes diary: Protests against Gaza killings and racism also take centre stage

Review: A white-knuckle sense of emotional freefall powers every fraught scene

Cannes diary: Competitive von Trier outrage and debating the meaning of shoes

Review: It has pretty good opening 20 minutes, but slides quickly into incoherence

Hugh Lane’s contribution to cultural history is the focus of Thaddeus O’Sullivan’s new film

New this week: Godard at the barricades in ’68, and the plot’s afoot in gnomastic Holmes