Martin Scorsese: ‘Crime is glamorous at first if you’re young and stupid’
The director on his endless curiosity, making gangland films, and how he thinks about death
The Irishman review: It’s good, but it’s no GoodFellas
Martin Scorsese’s gangster film will play well on Netflix, but it’s even better in the cinema
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Common Ground
How does a post-Brexit world shape the identity and relationship of these islands
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Weddings, Births, Deaths and other family notices