The Dublin painter divided his time between Dalkey and Milan, also frequently visiting Japan and France, all of which were settings that enriched his work
Manar Mervat Al Shouha, who fled civil war, prefers to talk through her paintings, but she has much to say about her fears for Syria, Irish people’s indirectness, and how ‘the feeling of time’ is similar in both countries
BogSkin, an exhibition by the Royal Hibernian Academy, prods us by showing that Ireland’s bogs aren’t simply repositories for our collective unconsciousness, they are precious sustainers of life and, in a hugely destructive inflection of past habits, we are sacrificing them
Plus: Stripe lets fluffy ducks break the bad news to 300 sacked staff; domicile levy fails to sweat Ireland’s richest; and An Post chief shows Royal Mail who’s boss