Lisa Dwyer Hogg

A three-day showcase of new work by northern artists highlights the work of a grant from the Paul Hamlyn Foundation

Acceptable Risk lays little on the line in this opening episode, but the plot could yet thicken

As his parade of double lives spills out of the closet, Oscar Wilde peers down on a production that is almost entirely at his service

Hugo Hamilton’s nuanced first World War drama looks at the family fallout after the return of an injured sailor

Written fitfully during the first World War and finally presented to an utterly changed world, Shaw’s experimental play remains tangled and complex. Can the Abbey make sense of it?