An exercise in unadorned storytelling and sparing stagecraft resists the information overload of the modern world

Tom Murphy started it; Enda Walsh wouldn’t let it go; and now Deirdre Kinahan is exploring the bad blood and intrigue of La Reine Claude

Deirdre Kinahan captures the claustrophobia of small town society and family life in a play that transcends its bleak premise

Nevermind Mark O’Rowe’s return to dialogue, does his family tragedy for the Abbey signal a new commitment to realism? Or is anything here as it seems?

What does the future hold? Brokentalkers look forward with our our hopes and aspirations


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