The Deal
A bubble rose
 in Vesuvius
 out of nothing.
From one, bubbles
 multiplied in their
 numbers, pressures too.
And so people turned
 into sculptures seared
 and sealed in ash.
At seven,
 or at any age,
 I can't know
their fear,
 but I know
 my own.
Children are always
 at the mercy
 of the deal.
My mother rubs
 her yellow calluses
 smooth with pumice
from the site.
 The lightness of
 that little rock,
its pores fascinate
 for hours
 in the tub.
My fingertips
 in wrinkles
 turn it over.
Summer Accomplishments, After Death
I cleaned the empty apartment,
 painted the walls white linen,
 sanded the floor on my knees for a week,
 patched everything up with plaster and caulk.
I wrote my husband's footstone,
 and worked in my studio, portrait sculpture mostly.
 I rented (on my own) the empty apartment,
 and unstuck all those windows, carelessly painted shut.
I painted the front gate black for the summer,
 emptied the boiler's full tank of water.
 I replaced the bolts – all the bolts?
 I changed my name.
I was left with all this love
 and nothing to do with it.
Pretending to Say Goodbye at the Village Temple
Everyone in black or grey or navy
 all save you, red flowers on your white dress
 foaming into a haze of pink in their circle of sighs.
 There's panic at the wrong coffin.
 It's topped with a Star of David –
 too religious, your father would have said.
 At his mimed wishes the funeral director
 hurries in with a crowbar to pry it off.
You wait dumbly with the others
 for the lift of the lid, and then:
 your father laid out neatly, small even,
 a garish shade of pink painted
 on the fish curve of his lips.
 You know your mother would wipe it away
 if not for the fear of what colour might
 have risen underneath. Nobody moves.
The sense your life made runs ahead of you –
 a wild pony pulling its trap,
 a startled child at the reins.
Grace Wilentz's poetry has appeared in Poetry Ireland Review, the Seneca Review, the American Poetry Journal and the Harvard Advocate. She was longlisted for the Fish Poetry Prize this year and is working towards her first collection










    