What: The American rapper and singer is finally up for her big moment.
Why: Melissa Jefferson is testament to the idea that breaking through as the next big thing shouldn't be an overnight thing. An artist needs time to develop, to coalesce their identity and to bring originality to the table.
In Lizzo's case, it wasn't like the Houston-born, Minneapolis-raised singer and rapper didn't make an impression with her first album Lizzobangers in 2013 after time spent singing with groups, Lizzo & the Larva Ink, Grrrl Party and The Chalice.
It was partly the case of a regimented industry not knowing what to do with hard-nosed fun rap and New Orleans bounce-infused tracks with personality like the incendiary whistle-hook single Batches & Cookies. Prince, ever the magpie when it comes to spotting strong women musicians and giving them a spot, brought Lizzo in and her former The Chalice bandmates for a track on a joint album with his backing band 3rdEyeGirl's album PlectrumElectrum in 2014.
But as rap has gained dominance in the mainstream along with a greater cross-pollination with pop music, the industry started to catch up with Prince. Lizzo signed to Atlantic after releasing her second album Big GRRRL Small World and her music has since developed into a singular offering that will culminate in the release of her third album Cuz I Love You in April.
Lizzo has embraced body positivity as a core message and is joined on stage by The Big Grrrls, a group of plus-size dancers. Witness her recent, and debut TV performance on The Ellen Show where they put on A SHOW, the highlight is Lizzo whipping out a flute for a solo. It's right out of the Prince playbook, as is her recent single Boys, which nods to the Purple One's junketeering.
A Prince cosign is, or was, a mark of quality, but Lizzo has put her own spin on everything she does – whether it's the trap-club workout of Fitness or the orchestral soul bop of new single Cuz I Love You, Lizzo is ready for you now, if you are.
You have to hear this...
Fehdah – Saharakungoh
Emma Garnett is a Dubliner who has proudly displaying her Sierra Leonean roots with a debut EP of Afro-soul R&B music in 2017. Now, the vocalist is showing off her production chops with Saharakungoh, a gorgeous song that brings West African tones and a house beat together with her expressive soul voice. The result is Afrofuturist electrosoul worthy of many respins. Listen here
Skinner – Headroom
In 2016, the young Irish musician Skinner released a self-released lo-fi album primarily concerned about skulling cans and smoking rollies that captured the transition to adulthood and the hedonistic pursuits that accompany it. For his first track since then, the lyrical matter hasn't changed but the grunge guitars and the production sophistication has. Headroom is akin to listening to Girl Band cover King Krule. Listen here