Mark Haddon

My lockdown project has been to catalogue my experiences of excruciating embarrassment

Jane Harris’s third novel is an unashamedly old-school adventure story in the vein of Robert Louis Stevenson

Consider Friel’s plays and you realise what happens on stage can be acutely subjective

The acclaimed drama of a gifted but different teen’s family investigations yields startling theatrical fireworks

Can a main character who resists emotion and metaphor survive on stage? Simon Stephens takes on the challenge in his adaptation of ‘The Curious Incident of the Dog in the Night-Time’

Cancer books suck, John Green writes in ‘The Fault in Our Stars’, but this one has made him a literary phenomenon