Inni

AT A TIME when the concert film has become increasingly wed to 3D verisimilitude, Vincent Morriset’s Sigur Rós documentary strikes…

Directed by Vincent Morriset. Featuring Sigur Rós Club, IFI Dublin (Fri/Sat); QFT, Belfast (Sat), 75 min

AT A TIME when the concert film has become increasingly wed to 3D verisimilitude, Vincent Morriset's Sigur Rós documentary strikes a pleasingly discordant sound. Shot in 16mm monochrome from behind prisms and obscuring objects, Inni's defiantly lo-fi visuals are matched by the spar-like purity of the band's performance.

Nobody shouted "Hello, Cleveland" during Heima,the 2007 tour documentary, but it did offer a peek into the clockwork of the ethereal Icelandic rockers.

Inni– the Icelandic for "inside" – is all the more intimate for its lack of explicit detail.

READ MORE

An unvarnished account of the quartet’s 2008 “farewell” gig at London’s Alexandra Palace interspersed with archival annotations, the film marks a return to the fray for Sigur Rós, who seemed to disappear not long after their music became a default for TV sports spots and dinner parties.

Morriset’s chronicle is, as they say, unlikely to win new converts, but his murky visuals provide perfect compliment to a strange burial ritual.

Vocalist "Jónsi" Birgisson rarely raises his head for nine tracks, which cover all of the studio albums. It's been a long wait for fans, but rebirth is assured by the appearance of new track lúppulagiðand Inni's multimedia DVD and double CD release next week.

Tara Brady

Tara Brady

Tara Brady, a contributor to The Irish Times, is a writer and film critic