Christopher Ewart-Biggs Literary Prize shortlist revealed

Subjects include Border; Bloody Sunday; how BBC covered Troubles; Sunningdale agreement; conflict in Kerry; and Ulster Protestant imagination

A civilian, shot and wounded by British paratroopers, is rushed to a waiting ambulance. Soldiers opened fire on the civil rights march, killing 14 on what became known as Bloody Sunday. Photograph: William L. Rukeyser/Getty Images

Wed Feb 28 2018 - 12:25

The shortlist for the 25th Christopher Ewart-Biggs Literary Prize features books about the Border; Bloody Sunday; how the BBC reflected and influenced the Troubles; the Sunningdale power-sharing agreement; conflict in Kerry; the Ulster Protestant imagination; and a collection of poetry.

The winner of the prize, worth £5000, will be announced on April 11th in Belfast. The prize was instituted in memory of the British ambassador to Ireland who was murdered by the IRA in 1976. This year the work eligible covers the years 2015 to 2017.

In arriving at a final shortlist the judges stressed that they had chosen works that embodied the objectives of the prize, which are to promote and encourage peace and reconciliation in Ireland, a greater understanding between the peoples of Britain and Ireland, or closer co-operation between the partners of the European Community. These are the ideals which inspired Christopher Ewart-Biggs and to which his widow Jane subsequently dedicated herself.

Speaking for the judges, Prof Roy Foster said: ‘This year’s shortlist once again reflects a wide range of genres, though the themes of memory and history predominate. There is an important study of the Sunningdale power-sharing initiative, by someone closely involved at the time; a memoir of Derry’s Bloody Sunday, from an unbearably close vantage-point; a study of the local history of the Irish revolution, blending family and national experience; an original and atmospheric social history of the Irish border; a collection of poems from a distinguished poet who has observed his surroundings with a powerful and consistent intensity over many years; a pioneering study of the Ulster Protestant imagination, concentrating on drama but suggesting much wider implications; and an analysis of the way television both reflected and influenced the Troubles.