Pros and cons of dumping UK film council

It’s none of our business really, but the British government’s decision to abolish the UK Film Council is kicking up a few delicious…

It’s none of our business really, but the British government’s decision to abolish the UK Film Council is kicking up a few delicious confrontations.

Following the announcement, a bevy of luminaries rose up to predict the end of British film as we know it. So there is consensus among the cinematic community? Not quite. Appearing on BBC Radio 5 Live, Chris Atkins, director of the documentary Starsuckers, berated veteran producer Steve Woolley for mourning the loss of the council. Challenged to back up his claim that council members oversaw awards of significant sums to their own films, Atkins produced the council’s annual report and named the names.

Elsewhere, director Alex Cox, always a thorn in the side of the complacent, argued that the council’s main job had been to funnel money towards Hollywood. Such criticisms probably triggered the odd wince from distinguished opponents of the ban. The establishment will have laughed off similar pooh-poohing from professional malcontent Michael Winner, however. Commenting on the celebrity protest, the director of Won Ton Ton: The Dog Who Saved Hollywood, opined: “You know, they all say this, don’t they? They want to save the day and look like wonderful human beings, but they’re talking a load of rubbish.” It hardly needs to be said that he was talking to the

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Donald Clarke

Donald Clarke

Donald Clarke, a contributor to The Irish Times, is Chief Film Correspondent and a regular columnist