Live music sounds better indoors – the audience don’t have to stand in a puddle of mud
After two decades in Minneapolis the outspoken former director of the Abbey Theatre is planning his next act
This considered production proves that almost anything is possible
A world where visual translucence mirrors metaphoric uncertainties around memory and mortality
Women are from Norway, men are from Scotland in David Greig’s charming comedy with hints of something darker
The playwright’s impish but implacable self-satisfaction animates this monologue by Des Keogh
Dancer and choreographer Emma O’Kane traces a graceful line between dancer, jockey and horse and between own dance career and that of her racing journalist grandfather
Meg Stuart’s questions some classical music myths in her new show, and makes something uplifting amid the sturm und drang
Tom Murphy’s great play, currently at the Gate, subverts Irish and English stereotypes. How did director David Grindley rise to the challenge?
The first week of the festival brought reflection, humour and exuberance
In her new show, choreographer Liz Roche makes a golden connection to the poet
The Irish Theatrical Diaspora Conference at the Gate heard illuminating talks about Edwards and Mac Liammóir, Beckett and Friel
Hilary Fannin’s play takes in a decade of loves won and lost and our economic boom and bust
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