On The Record »

  • Goodbye to the POD

    February 15, 2012 @ 8:53 am | by Jim Carroll

    You’ll find my piece in today’s paper on the closure of the POD complex here. In the feature, I’ve had a look back at the venue’s nearly 20 year run in the entertainment game, with a focus on how the venues went from premier league dance clubs to live music venues. I also mentioned a couple of gigs which happened in the venue over the last 12 months such as shows by Janelle Monae, PiL and Lykke Li. I know there are plenty of other fantastic gigs (Daft Punk, LCD Soundsystem and Jurrasic 5 to name three) and clubs (a crazy night with Carl Cox and POGO’s reign of giddy glee come to mind) which happened at the top of Harcourt Street over the years so feel free to list your memories in the comments below. Two footnotes: (i) the Django Django gig scheduled for Crawdaddy on February 23 has now moved to the Grand Social and (ii) the closure of the venues does not effect POD’s festival interests in the Electric Picnic, Body & Soul or Forbidden Fruit and the company will continue to promote live shows in other venues.

  • Cultural confidence and cash

    August 17, 2010 @ 10:37 am | by Jim Carroll

    Many readers will probably nod their heads in agreement at Irish Times arts blogger Laurence Mackin’s piece on the new bustle in the capital city’s cultural hedgegrows of late. Laurence writes about knees-ups and soirees in new venues like the Joinery Gallery, Monster Truck Gallery and Centre of Creative Practices. You could also add gigs in city-centre apartments and joints like Space 54 in Smithfield to that list.
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  • New venues on the block in the big smoke

    July 2, 2010 @ 10:07 am | by Jim Carroll

    Dublin’s gigging infrastructure is about to get a rejig with the arrival of three new venues in the coming months.

    The Frank Gleeson-owned Mercantile on Dame Street will open a new 250 capacity live room in the coming weeks and will be booked by former Button Factory and Whelan’s booker Dave Allen. Meanwhile, Pravda on Liffey Street will house a 350-400 capacity live room from September.

    However, the most interesting new arrival on the scene may well be The Workman’s Club on Wellington Quay next to the Clarence Hotel.

    The site used to be home to the City of Dublin Workingmen’s Club, until they moved to a new premises on Little Strand Street, which was built for them by Clarence Hotel owners Brushfield Ltd.

    Vacant since 2003, the venue will reopen with a 260 capacity live room from September and will be booked by Karl Geraghty, formerly of Aiken Promotions.

    Geraghty hopes to book a wide range of acts and nights for the new venue. “Bands are always saying that they want to play somewhere different and we think the venue is definotely that. We want to be be very inclusive about who plays here and we’ll certainly work with smaller promoters.”

    Reaction to the space has been hugely positive. “I’ve been showing bands around and their imaginations are already running wild about what they can do here.”

    However, The Workman’s Club won’t be just catering to Irish indie, electronic and hip-hop acts.

    “We’re open to whatever people want to suggest”, stresses Geraghty. “I want to cater to a broad range of ages and have sixtysomethings coming in and feeling comfortable. Everyone can have a different view of what the venue can do.”

    One of the first acts to be confirmed for the venue are Blitzen Trapper, who play there on November 22.

  • Doing the state some service. No, really.

    October 13, 2009 @ 9:36 am | by Jim Carroll

    Looking through the Programme for A Brave New World Full Of Unicorns, Fluffy Marshmallows and Chirpy Tellytubbies Who Look Like Eamon Ryan and Mary Hanafin, one particular promise caught my eye. It’s down towards the end of this fabulous document and, surprisingly, doesn’t have anything to do with the Green Party’s widely held belief that minks are more important than welfare recipients. (By the way, read Fintan O’Toole this morning for more on how the Greens have been reduced to gesture politics)

    Anyway, the relevant commitment which is of interest to OTR this morning is: “we will help the economy realise the full potential of the arts in creating employment and economic growth by expanding community arts schemes, provide free physical space for visual artists and community groups to display their work”. There appears to be an “and” missing from the above, but I suppose they were in a hurry to get the programme together for the Greenwash on Saturday and couldn’t check everything unless it had to do with minks and fur.

    It’s an interesting proposal, even if, like much of the rest of the document, it is really merely aspirational. It’s more of the nice pie-in-the-sky cuddly politics which will appeal to the people who have lost enough marbles to consider voting Green again next time around. I hope someone has pointed out to the Green membership that furry animals don’t have a vote.

    But this idea of “free physical space” is an interesting one, especially as the Irish taxpayer is about to become the biggest landlord in the land as soon as NAMA comes into being. We will then hold the keys and leases to hundreds of buildings around the country which are currently lying idle and will have empowered the current government to be our agents in managing these properties. While the obvious aim will be to make some money from these buildings, it’s unlikely to happen for some time – if at all – due to the Fianna Fail/Green Party partnership’s chronic mismanagement of the economy (bet they’ll love that down in Green HQ).

    It’s an ideal time, then, to look at what we have (all these vacant buildings) and look at what could be done with them (see commitment from the programme above). Instead of leaving the buildings idle until there is enough money going around to open a new Spar to sell shit coffee and terrible sandwiches, why not turn the buildings over to arts groups of every stripe? We’ve banged on here before about this lack of affordable and usable space in the city-centre and now, thanks to NAMA, we may have the solution for a whole host of Exchange Dublin-like ventures.

    Take Smithfield in Dublin, for example. Every time I go to see a film in the Lighthouse, I remark afterwards on how empty the cinema is and how quiet the whole area feels. Someone working at last weekend’s Darklight fest, which was based in Smithfield this year, said you couldn’t even find a rogue tumbleweed in the area after 10pm. The area is one of the saddest white elephants in the land.

    Cometh the hour, cometh the NAMA and many of those currently unoccupied and unlet buildings become the property of the state. Imagine then if you turned these buildings over to people to turn into makeshift studios, galleries, performance spaces or rehearsal rooms. Charge tiny or non-existent rents for the first twelve months, turn a blind eye to some of the more ridiculous health and safety regulations which have popped up in the last few years to scupper other lo-fi enterprises (most of which came about in the first place merely to create non-sustainable jobs and boost sales of high-vis vests) and see what happens.

    Give it a year and I bet you’d turn areas which are currently as dead as a doornail into buzzy zones with lots going on and lots of people coming down to check out the activities. And you may also end up with proof that arts and culture businesses can contribute to the economy and don’t have to rely on Arts Council handouts to get off their arse to get things done. Well, some of them anyway. Can’t see many theatre companies having the get-up-and-go to avail of this without some sort of handout.

    Crazy? For sure. Full of “buts” and “ifs”? You bet. However, if the government really are serious about all aspects of their fluffy document, here’s one way to test it. To misquote the Sultans of Ping, we don’t like your manifesto, but we’ll put it to the test-o nonetheless.

    And no, no need to thank OTR for this suggestion. We’re modest like that. Just give us a seat in the Seanad next time out, alright? I mean, you’re not planning to get rid of that august establishment any time soon to save a few bob, are you? Sure, if you did that, Dan Boyle would have nowhere to go.

  • Whelan’s at 20

    April 7, 2009 @ 8:07 am | by Jim Carroll

    It’s 20 years since Whelan’s opened for business on Dublin’s Wexford Street. It sure was a different world back in 1989. The venue will be marking 20 years in business with a rake of one-off gigs in the coming months. They are also planning a special publication on the venue and want people who have any posters, tickets or memorabilia to get in touch.

    We’re in the mood for some nostalgia today and want to hear your memories of the venue. Me, I’ve seen some great shows at the venue down through the years, but my most abiding memory is watching Bonnie ‘Prince’ Billy dancing away happily at the venue’s indie disco after one of his shows there in 1999.

    Now, over to you: what are the gigs you remember best from 20 years of gigging at Whelan’s?

  • Expect a quiet summer in the fields

    February 19, 2009 @ 2:11 pm | by Jim Carroll

    Sometimes, predictions do come to pass. Last summer at the height of the festival and outdoor gig season, On The Record made an educated guess that we’d see less and less gigs in fields in 2009. At the time, the main reason for thinkin this was to do with the opening of The 02 and how promoters would avail of the venue’s fixed costs and roof. Of course, we didn’t imagine the havoc the recession and credit crunch would have on the sector.

    I’m sure Malahide Castle is not the only venue which will be missing rock’n'roll punters this summer. The north Dublin venue has become a regular host on the summer gigging circuit but this will change in 2009 as this report by Robin Kiely in the Fingal Independent confirms. While there may have been 11 shows at the venue in the last few years, it’s clear that the promoters may either moved indoors or have decided not to risk their cash.

    (UPDATE Reader Sean D in the comments below queries why we’ve heard nothing about this year’s Green Energy shows, which are usually held over the May Bank Holiday weekend in Dublin Castle. Last year, these shows were announced in late January. Is this another one to add to the MIA list?)

    Of course, promoting shows is a hugely risky proposition in the first place. We may rail and rant about the big promoters here time and time again, but we’re not the ones paying out huge advances for acts who may or may not do the business. Or even acts who’re hot today and stone cold tomorrow. Imagine, for instance, if you were a promoter thinking about doing an open-air show in Dublin in the summer with Chris Brown. You saw him selling 50k tickets in nanoseconds for the 02 and Odyssey and thought “bingo”. As Chris Brown turns into the new Bobby Brown, it may be a while before he’ll be selling out shows again.

    Still, some people are optimistic and not just Team Brown. A few months ago, I interviewed Harry Crosbie for Cara magazine and he went on at great length about his plans for a big public square next to the 02 and Point Village. “By the end of 2009, we’ll have the Luas station and a big public square opened”, he said. “It’s the first square of its kind to be opened in Dublin since the 18th century. It will have free rock concerts, food markets, outdoor dancing, anything which pulls punters down.” The ad went into the papers last week seeking suitable designs for this plaza. Sounds to me like the ideal site for the revolution.

  • You’ll never look at an Irish venue in the same way again

    November 25, 2008 @ 2:10 pm | by Jim Carroll

    It will probably take you about two minutes at most after you walk into The 02 to cast the Point to the very back of your mind. After five minutes, you’ll wonder just why the hell Irish audiences put up with – or had to put up with – that dreadful calamity of a venue for so long. And after ten minutes, you’ll dread seeing the words “playing at the RDS” associated with any act coming to Ireland.

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    Yeah, it really is that good. I had a look around the venue last week as the opening date inches ever closer and was hugely impressed by the remarkable transformation which has occured inside the shell of the old Point. The sightlines are Vicar Street-like (and thankfully not Olympia-like). The way the seats are arranged means you’re closer to the action from what is supposed to be the worst seat in the house than you’ll ever be in other venues. And the attention to detail thoughout is not what we’ve ever seen in other Irish venues, with the possible exception of the Odyssey in Belfast.

    It may sit on the same location as the Point, but that’s as far as the relationship between the two goes. One is a potentially world-class venue – the other was a big old shed for trams and trains which found itself pressed into use as a venue because we’d nowhere else to use.

    Of course, there are a few caveats to be aired before the doors open and the punters come in for the first show. The venue have yet to have a band and 14,000 punters in so we have to take their word that the sound will be bang on. An extensive set of acoustic tests have already been done so I’m sure that any sonic imperfections which occur will have more to do with the quality of the touring band’s crew than the venue (something which was always the other way around in the Point). There will, naturally, be some crowd control teething problems as people get used to the venue and where everything is now located.

    But I can’t imagine it will take long for this place to bed down. Punters are already snapping up tickets for every blooming show scheduled for the 02, a remarkable fact given these hard economic times and the way Recession 2.0 is causing havoc with smaller, mid-size gigs. Given that the 02 is set to host many shows once destined for outdoor fields – where they usually underperformed – we can all get used to spending more time down on North Wall Quay.

  • 10 years of Vicar Street

    November 14, 2008 @ 9:13 am | by Jim Carroll

    Thanks to On The Record readers for their recent input into our feature looking back at 10 years of the Vicar Street venue in Dublin. The piece is published in today’s Ticket. If you want to read all our readers’ comments on the venue or add some of your own, have a look here.

    One small update: it turns out that it was actually a shoe shop – not a pub or an abattoir – which operated on that corner of Thomas Street before Vicar Street came along

  • 10 years of Vicar Street

    November 4, 2008 @ 12:01 pm | by Jim Carroll

    It’s a decade since Vicar Street opened on a corner of Thomas Street in Dublin which used to house an abattoir and a rundown pub. That’s 10 years of quality gigs, big names and shouts for “one more tune”. We’re planning a feature on Vicar Street for The Ticket and we’d like your input please: what are the Vicar Street gigs you remember fondly? It could be one of the big ones like Bob Dylan or Neil Young. It could be one of the many, many Irish bands who’ve played there to full houses. It might even be Dan Deacon at large. Let us know.

  • Castlebar’s posh moshpit to bring big gigs to northwest

    September 12, 2008 @ 10:03 am | by Jim Carroll

    While many eyes may be on the forthcoming unveiling of the refurbished Point/O2 in Dublin’s Docklands, a new 4,000-capacity space has opened in Co Mayo.
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  • Where to go to make noise

    September 10, 2008 @ 1:13 pm | by Jim Carroll

    Earlier this week, I wrote – again – about The Smell, the all-ages Los Angeles venue which has produced a raft of great acts like Health, No Age, Mika Miko and Abe Vigoda. Most cities have had their equivalent venue or space – somewhere you’ll find new bands and acts coming together and getting the sounds they’re hearing on their heads down on tape. It could be a rehearsal room or a studio, but usually, it’s a live venue like The Smell, a sleazy dive where all that really matters is what’s happening on the stage and how the audience reacts. A thriving venue equals a thriving scene equals a lot of very interesting bands.

    I’ve also written before about the lack of such a venue in the city I currently call home. Yes, there are venues in Dublin city-centre, but these are commercial and more worried about the bar-take than anything else. Any potentially interesting space in the city-centre has been turned into a Spar with an apartment block on top. There are some occasional bright sparks – The Shed on Foley Street comes to mind – but these are few and far between. There simply isn’t a space in the city-centre where bands who may potentially get to make interesting sounds can work it all out in front of an audience of their peers.

    And yeah, these bands do exist. Call me an optimist but I refuse to believe that there are not some potentially amazing bands out there. I’m not talking about those bands we already know about who are already playing gigs and recording tracks – believe me, the vast majority of them are not great – but a bunch of kids who are now beginning to throw shapes and believe they can make sounds that they genuinely believe no-one else has made before. They could always rehearse away in a garage or garden-shed, but they need to have an audience in front of them to really get to the heart of what they’re doing.

    The problem is that the place for this audience to experience those raw live shows has always been a kip of a venue in the city-centre. That class of venue is just not there any more. Indeed, even the nature of a city-centre has changed. In Dublin, it has become a residental space which throws up issues of its own, as Frank McDonald’s piece in today’s paper, for example, shows.

    Some questions to ensure that I’m not just talking to myself here. Are these spaces now in the burbs or exurbs or is it the case that these spaces don’t even exist any more? Have we become so in thrall to the plush, large venues that we’re over the need for crummy spaces where anything could literally happen? Are new bands content to play in pubs where the venue owner or booker wants to hear a ringing cash-till and not a sound never heard before? And is this story repeated in other cities and towns around the country?

  • Getting to the Point

    February 13, 2008 @ 9:19 am | by Jim Carroll

    Long before the Point Depot in Dublin got the builders in, there was an exclusive club within the walls. The 02 Point Club guaranteed members access to all shows at the venue, use of a swanky lounge, a car parking space and probably even a complimentary back-rub. Membership was limited to 100 people for an annual fee of €9,500.

    When the revamped Point re-opens, it will also have an exclusive club, though obviously not as exclusive or as expensive as the previous incarnation. For €1,500, you can become a member of The Premium Club at the Point and receive:

    2 FREE TICKETS with every membership
    Guaranteed option to buy tickets for every show. Even when they’re already SOLD OUT!
    Superior Premium Club seating
    Access to the private Premium Club bar pre- and post-show and during intervals
    FAST TRACK Premium Club members’ entrance
    Private website, password protected
    Personal online ticket account
    Premium Club members’ card

    I can just imagine the suckers who will queueing up for this one. It’s also interesting – nay, pathetic – that the club’s web page features a picture of U2, a band who last played at the venue in 1989 when the idea of exclusive clubs would have been greeted with a lengthy snigger.

    The new Point really is all about the money. Over the last couple of months, for example, there has been an intense bidding war going on between various corporate brands for naming rights for the venue. It looks likely that the new 14,000 capacity venue in Dublin’s Docklands will be known as the 02 Point Depot or Kentucky Fried Chicken Point Depot or Heineken Point Depot. We’re talking telephone numbers (including area code) for this privilege with €25 million getting you in the door for the next 10 years.

    Heaven only knows how much the actual tickets for shows will cost.

  • Bands out, builders in as venues close

    August 10, 2007 @ 9:52 am | by Jim Carroll

    Acts seeking to strut their stuff on a stage in Dublin in the coming weeks face a limited choice due to the temporary closure of some key venues.
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