On The Record »

  • “Three CDs’ worth of songs with loads of brilliant tracks”

    February 24, 2012 @ 8:40 am | by Jim Carroll

    When it comes to differences between the old music industry and the new music industry, there’s one line which says a lot. It pops up every so often and it always puts a smile on my face.

    This week, it was the turn of Ferdy Unger-Hamilton, the big kahoona at Polydor Records, to spin it. Speaking about his best-selling act Lana Del Rey, Unger-Hamilton said she has “three CDs’ worth of songs with loads of brilliant tracks. Enough for us to do the album and a deluxe edition and still have stuff left for later records.”

    It’s a line which was previously used by U2 in the wake of negative reaction to the appalling “No Line On the Horizon” album. Here’s Bono in August 2010: “We have “Songs of Ascent”, which is the meditative work. We’ve got a rock album. We also have a club-sounding album” 18 months on, we’re still waiting for any of these masterpieces to appear.

    Word to the superstars: there’s these things called Soundcloud and Bandcamp where you can get those albums out right now to your fans. If the music is any good, it will go beyond your dedicated fanbase. If the music is really, really good, you’ll get hits. As simple as.

    But that’s not how the record industry rolls. It’s about maintaining control, rolling out promotional campaigns and 18 month schedules. It’s a way of working which has no rhyme or reason in 2012, a time when fans want new music from their favourite acts now. If the record is ready, put the damn thing out now. It will also mean an end to having your carefully choreographed campaign scuppered by a record going rogue and leaking six months early.

    Of course, the records on hold might not be good as claimed, but that’s for another day’s column. And we’ll also quickly pass over Unger-Hamilton’s talk of “CDs”. I know, “OTR in diplomacy shocker”. Who knew?

  • We need to talk about Bono (and Edge, Adam and Larry) again

    June 27, 2011 @ 9:35 am | by Jim Carroll

    If I was still an U2 fan, I’d be in two minds after the band’s show at Glastonbury on Friday night. On the one hand, it was easily the best U2 show I’ve seen them do since the “Achtung Baby” tour back in 1992, the last time U2 were impressive onstage. On the other hand, it bore absolutely no resemblance to the show the band are currently playing, as they continue to cart The Crab and that dog of a current album around big US sports arenas. There must have been thousands of U2 fans worldwide on Friday night muttering to themselves “plain to see that the feckers didn’t dare start this gig with four tracks from “No Tunes On the Horizon”.”

    Let’s leave all the off-stage noises to the side for the moment. Let’s park such issues as tax, Edge’s planning problems, Adam’s decision to wear an onesie onstage, Larry Mullen’s sulky post-gig interview and Spider-Man. We’ll come back to them (well, maybe not Adam’s styling issues, which call out for Lola Cashman to be brought back into the fold) but for now, let’s stick with the music. The late, great Bill Graham, one of the finest music writers of all time, used to say that U2′s hometown gigs were always dogged by offstage drama with bishops demanding cheaper tickets and the like. Bill would probably chuckle at the notion that those offstage noises are now worldwide. It’s hard to do, but let’s have a look at Friday’s gig without the flotsam and jetsam of a very rich rock band. Can we do that for a few paragraphs?
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  • Taxing questions for Bono and U2

    June 7, 2011 @ 2:06 pm | by Jim Carroll

    U2′s latest tax bill has arrived. Last Friday’s announcement by the UK Art Uncut campaign that they intend to protest during the band’s set at Glastonbury focuses attention once again on the band’s 2006 decision to move part of their business to Holland to avail of a lower tax rate. It’s not the first protest against the band’s tax-efficient planning – there was a 2009 protest in Dublin, for example, organised by the Debt and Development Coalition Ireland (DDCI), which includes such organisations as Trócaire, Oxfam and various Catholic missionary orders – but this is one is likely to be a lot bigger and far more high-profile.

    Per Simon Bowers in the Guardian, U2 will join a list which includes Vodafone, Topshop, Boots and Fortnum & Mason grocers who have faced direct action over “convoluted” tax affairs. In the case of U2, “plans are afoot for a giant inflatable banner with the slogan “Bono Pay Up”, spelled out in lights” to be displayed during their set. It may sound like a jolly jape, but it’s a protest which brings the tax issue into the limelight again. The group could insist that Glastonbury security prevent the protest from going ahead, but that wouldn’t be great PR for the group.

    The band have defended themselves by saying that that they’re fully “tax compliant”. Manager Paul McGuinnes pointed out that “U2 is a global business and pays taxes globally. At least 95 per cent of U2’s business takes place outside of Ireland and as a result the band pays many different kinds of taxes all over the world.”

    Art Uncut, though, beg to differ and have made the frontman, who has been very much to the fore advancing the economic issues facing developing nations, the focus of their protest. “Bono claims to care about the developing world”, an Art Uncut spokesperson told the Guardian, “but U2 greedily indulges in the very kind of tax avoidance which is crippling the poor nations of this world. We will be showing the very real impact of U2′s tax avoidance on hospitals and schools in Ireland. Anyone watching will be very much aware that Bono needs to pay up”.

    The protests again zone in on the hypocrisy which Bono claimed “stung” him in an interview with The Ticket in 2009. On the one hand, as part of his high-profile work with various agencies, Bono has called on countries like Ireland to do more in terms of foreign aid and debt forgiveness. Bono and the rest of the band probably also pay more tax here than most of their detractors.

    On the other hand, Bono is one of the directors of a company which has taken a completely legal and above-board tax planning decision to move part of their business elsewhere to avail of a lower tax rate. While this deprives the Irish exchequer of revenue, the move is not, it must be stressed, illegal. Morally, it may be seen as many as wrong and indefensible, but tax consultants and bean-counters would not agree. It’s simply tax-efficient planning which thousands of companies and individuals engage in. Problem is the vast majority of these companies and individuals are not also calling for government to do more to help developing nations and thus leaving themselves open to the charges of pot, kettle and black. As for the paying more tax than everyone else argument, a higher tax bill is what happens when you earn more than everyone else.

    Ros Wynne-Jones makes some good points in her Comment Is Free post on the Guardian this morning in Bono’s favour, pointing to the work which the frontman has done on the Drop The Debt and Make Poverty History campaigns. “The case in Bono’s favour – and it is a strong one – is that he’s almost certainly done more for the world’s poorest people than anyone who has come to protest against him in the Glastonbury crowd. Which makes his choices over tax even more curious.”

    But Bono is just one of four members of U2 and it would be interesting to get a take from the others on the tax protest they will now face at what would otherwise have been a triumphant – if musically bombastic and overblown – appearance at Glastonbury. After all, the other three also took the decision to move part of their business empire elsewhere on the advice of their tax planners, but they’re not getting it as much in the neck as much as their frontman. Of course, they’re not the ones who were out there doing the meet-and-greet waltz with world leaders and issuing demands to governments about foreign aid, but they are the ones who will benefit from the increased band profile which the frontman’s activities bring, for good as well as for bad. And you thought Adele was having a hard time with her tax bill?

  • Have you seen this man?

    December 3, 2010 @ 9:58 am | by Jim Carroll

    It has come to On The Record ’s attention that one of the country’s most high-profile rock stars is missing in action. At a time of great national crisis, we have heard from Westlife and Jim Corr about the troubles which now face us. Yes, we’ve chuckled loudly at what they’ve had to say, but they have nonetheless been with us in our hour of need.

    One man, though, remains missing. Cometh the hour and cometh the crisis, there’s no sign of Bono.

    Of course, he hasn’t gone too far. This was the week when he and The Edge were caught up in the furore over the Broadway production Spider-Man: Turn Off the Dark, with advance previews slating the $65 million show’s “baffling script” and “dull score” (the latter composed by the U2 duo).

    There was also an incident in New Zealand where Bono dedicated a song to the 29 miners who died in an explosion at the country’s River Pike mine. Some fans at the Auckland show thought the choice of I Still Haven’t Found What I’m Looking For was “insensitive”.

    However, the U2 frontman’s silence on Ireland’s economic woes is baffling. It’s remarkable that there’s been nothing from him, especially given Bono’s propensity to comment on national and international events. All we can find is an aside at an Athens concert in September comparing the Greeks to the Irish (“not only are we broke, but our lands are capable of god-like genius”).

    Perhaps part of his reticence to comment is down to the band’s 2006 decision to move part of their business to The Netherlands to avail of their lower tax rate.

    Still, it would be nice to hear from him.

  • U2 continue to diss their “not very accessible” album

    August 27, 2010 @ 10:42 am | by Jim Carroll

    It would seem that U2 are keen to put a little distance between themselves and current album “No Line on the Horizon”.

    This week, Bono described the album as “not very accessible, lyrically or musically”.

    “We put out a really difficult record,” he told Rolling Stone magazine. “I would have to admit that. If I was a teenager, it would be like a European movie, it’s art house.”

    This follows on from his comments last October when he described the February 2009 album as “a work that is a bit challenging for people who have grown up on a diet of pop stars.”

    The fact that the album has sold poorly may have something to do with the singer’s disdain. Naturally, the singer was not so forthcoming when the band were hyping the bejaysus out of the album on release to their camp followers in the fourth estate. Now, he’s keener to talk up three unreleased albums and the band’s new songs rather than the current release.

    But Bono’s comments are not the only sign of a change in attitude towards “No Line On the Horizon”.

    There’s a marked difference in the set-lists for U2’s recent live gigs compared to a year ago, with the band no longer frontloading material from the current album.

    For instance, their Croke Park shows from July 2009 saw the band opening the show with four songs from “No Line on the Horizon”, something which even tried the patience of long-term U2 fanciers.

    Now, though, it’s a brand new instrumental (“Return of the Stingray Guitar”) and a golden oldie (“Beautiful Day”) which are the opening songs of choice on the current European tour.

    The people have spoken and U2, it would appear, have listened.

  • U2 – more cheap tickets on sale

    July 24, 2009 @ 3:31 pm | by Jim Carroll

    Per a check on Ticketmaster, there are suddenly cheap seats (well, €33.60 pius booking fees cheap seats) back on sale for U2′s Monday show.

    Couple of questions for Bono: dude, do you know the meaning of “sold out”? Or is this some sort of Dutch-approved tax-efficient measure? Or did you just find the tickets under your sofa?

    This is a very strange state of affairs altogether. I mean, these so-called homecoming shows were supposed to have been sold out months ago. That’s what we were told and that’s what we were lead to believe. Then, there’s the fact that this is bloody U2 and their big-ass Dublin shows and The Crab (™ On The Record) that we’re talking about. This is not supposed to happen. The end must be truly nigh.

    I suppose, though, every cloud has a silver lining: they won’t have to bother with pre-sales and fan club specials at this rate the next time the aul’ pension plan needs a boost.

  • U2′s “limited number of production tickets”

    July 20, 2009 @ 10:42 am | by Jim Carroll

    Am I the only one wondering just how many tickets U2 have sold for their homecoming shows next weekend? Over the last few weeks, there have been non-stop ads advertising the fact that there are a “limited number of production tickets” on sale for these shows. In addition, Today FM were giving away tickets for the shows as competition prizes over the weekend like they were going out of fashion. Per random Ticketmaster checks over the weekend and again this morning, I would have no problems buying six tickets for the Friday or Monday shows – the Saturday show now appears to be sold out. All of this makes one wonder if there’s a lot of spare capacity for these shows.

    “Production tickets” do actually exist – they’re not a swine-flu version of “unforseseen circumstances”. They’re tickets which were originally with-held from sale at the very start of the sales campaign in order to facilitate the band’s production set-up. These might be spaces which the band and their production crew feel were required for cameras, additional lighting, sound equipment etc. However, such seat kills always err on the side of caution so the band and the promoter usually with-hold more than they need. It is only when the show goes on the road that the band can work out just how many seat-kills they actually require, which means that “production seats” can go back on sale nearer gig-time. It’s also a smart way of KO’ing touts.

    But in the case of U2′s 270° tour and the giant crab currently going up on Jones Road, it really does strike me that there’s an inordinate amount of pushing going on for three shows which were sold to the press and the public a couple of months ago as “sold out shows”. Production tickets were available for AC/DC a few weeks ago in Punchestown, but they didn’t come with this kind of push.

    If there was such a demand for tickets to see the band months ago, surely a “limited number of production tickets” would be snapped up in jig-time? Or is it the case that U2 fans have had time to listen to new album “No Tunes On The Horizon” and agree with the prognosis that it’s another turkey? Let’s hope we’re not in for a spate of “U2 tapes stolen” tales this week.

  • U2 get taxed – and Fianna Fail get Twhacked

    February 26, 2009 @ 9:13 am | by Jim Carroll

    As the bandwagon rumbles on ahead of the release of U2′s “No Tune On The Horizon”, there are some who are using U2 Week: The Crack Is Only Mighty to highlight some uncomfortable home truths about the band and their business practices.

    Ronan McGreevy reports about a protest in Dublin yesterday against U2’s decision to move their tax affairs to Holland to avoid paying tax on their royalities here. The protest was organised by the Debt and Development Coalition Ireland (DDCI) which contains such organisations as Trócaire, Oxfam and various Catholic missionary orders.

    Per Ronan’s report, “U2 moved their publishing arm in 2006 after the Government capped tax-free earnings for artists at €250,000. Previously, U2 had been one of the biggest beneficiaries of Ireland’s tax-free status for artist royalties.”

    While the band remain resident in Ireland for tax purposes, “DDCI co-ordinator Nessa ní Chasaíde said the decision to holding the protest outside the Department of Finance was to highlight the fact that U2’s tax avoidance measures deprives the Irish exchequer of taxation revenue that could be spent on development aid”. This use of a tax loophole in a foreign jurisdiction is one of the questions which Brian Boyd puts to the band in an interview to be pubilshed in The Ticket tomorrow.

    Meanwhile, Fianna Fail are not feeling the love from the blogosphere this morning after Rosparsgate. Dozens of bloggers turned up at an event in Dublin last night to hear from Joe Rospars, one of the dudes who worked on the successful Barack Obama campaign in the United States (his company Blue State also tried to help Ken Livingstone regain his job as mayor of London, but enough about that one).

    What no-one had told the bloggers, though, was that Rospars was in town rocking on FF’s dime and Blue State had been hired to help the party redesign the website. It seems from various online reports that the event was always going to be a bit of a FF love-in, but the blogeratti didn’t know about this. Cue much fuming, fury and indignation when they walked into the room and realised what was going on – check this Twitter feed to see how the meltdown happened. Meanwhile, event organiser – and Letterkenny FF councillor – Damien Blake gives his version of events.

  • U2 “No Line On the Horizon”

    February 23, 2009 @ 8:48 am | by Jim Carroll

    On The Record readers with an interest in sampling U2′s new album should proceed here where there are one minute snippets (yep, 60 seconds) of all the tracks from “No Line On The Horizon” to be heard. Please let us know what you think in the comments below.

    Me? Well, seeing as you asked……
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  • Bono to take over On The Record blog for one day. Nation groans and wonders when Blogorrah will be back

    January 12, 2009 @ 2:39 pm | by Jim Carroll

    The over-the-top promotion for the new U2 album continues at a pace to rival Usain Bolt. Not content with dominating last week with that Q interview (amazing how band members weren’t able to see that question about tax and Amsterdam coming a mile away), the latest salvo in the campaign is Bono penning an opinion column for the New York Times. Trust me, Maureen Dowd and Frank Rich have nothing to worry about.

    This will probably be followed in the weeks before the album release by The Edge’s blog, Adam Clayton’s Irishman’s Diary, Larry Mullen on Twitter (“picking up the kids from the swimming pool on my Honda 50″) and Bono presenting the Late Late Show. By the time the album arrives and the band have appeared three dozen times on Xpose, there will not be a person alive who won’t be screaming “enough, sweet Jesus, enough”.

    Yes, the release of a new U2 album is a big-ish story, yet does it really warrant this level of interest? It’s hard to understand why no-one in U2 Inc’s kitchen cabinet hasn’t advised them that such frenzied frontloading does not work anymore. While it may well have been the norm during the 1980s and 1990s – and it worked back then for sure – the campaign to make everyone aware that there is a new U2 album called “Not The Same As The Last One” coming out seems intrusive, over-bearing and badly handled by today’s standards.

    Just because a big band are releasing a new album doesn’t mean we want to have it rammed down out throats every time we turn on our computers. This is old-school record industry thinking, a relic of a time when a big mainstream act like U2 could dictate the pace and the pitch. In this age of niche, when Chris Brown can sell 50,000 tickets for a couple of Irish shows in a few minutes and still be largely unknown to a huge number of music fans, the big, over-arching, ubiquitous campaign annoys more people than it convinces. It also shows up a lack of confidence in the product and their fanbase.

    But U2 and their team have been brought up to believe that media domination of this kind is the only way to go. Any new-school tools or ideas which are added to the arsenal just become another brick in the wall rather than signalling a new way to go or engage with their audience. This online and offline shock and awe is created to persuade fans to go into the shops (if there will be any record shops left by the time the album comes out) on day one to buy the bloody CD.

    There are many ways to deal with this. We can ignore them. We can write about genuinely fantastic new music from the likes of Antony & The Johnsons and Animal Collective instead. We can concentrate on great new Irish bands like R.S.A.G. or Heathers or Adebisi Shank or Cashier No 9. Hell, we could even kick off a National No-U2 Day on the day of the album’s release to show that there’s a whole lot more to Irish music than U2.

  • U2′s “No Line On The Horizon” on the way

    December 19, 2008 @ 10:44 am | by Jim Carroll

    You won’t be able to escape them in Zero Nine, you know.

    U2 annouced yesterday that yes, their new album will be released in ’09 (Friday February 27, to be exact) and yes, it will be called “No Line On The Horizon”. No doubt, a tour will also follow

    Let the speculation begin! Will the band release a free download to whet appetites? Will the band leak the album? Will someone hack into the band’s e-mail accounts a la Animal Collective and send out emails pleading for hacks to leak the album? Will we get another visit from Web Sherrif? Will the band really support Kings of Leon tonight (do we even have to ask that?)? Will the band play 46 nights at The 02 next year? And, most importantly of all, will the new album be any cop?

    At least the band will have $25 million in their paws now that they have sold their shares in Live Nation. No flies on U2 Inc – even though the shares are currently just worth $6.3 million, the band were guaranteed $25 million by Live Nation when they signed the deal in the first place. Now that’s what we call a sweetheart deal. As Live Nation are finding out, it’s hard out here in these credit crunch times for a live music pimp. Hey, maybe I should get Paul McGuinness to rep On The Record…..

  • No definite date on the horizon for new U2 album

    November 21, 2008 @ 9:41 am | by Jim Carroll

    A year or so ago, On The Record predicted that one of the landmark releases of 2008 would be an U2 album. Not for the first time, On The Record was wrong.
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  • The randomiser is just a click away

    September 9, 2008 @ 8:46 am | by Jim Carroll

    Anyone fancy a trip to an alternative utopia next weekend? Behold, it’s Inisfox

    New radio station comingatcha in the capital from August 2009 – Radio Nova gets the nod from the BCI for the classic rock licence in the Dublin area. Lets hope there are no expensive trips to the High Court for any applicants after this one.

    “Sarah Palin is not a model Alaskan, say Wasilla indie rock native” Bet the would-be US VP is quaking in her moose fur-lined boots as John Baldwin Gourley from indie band Portugal, The Man (nope, me neither) plugs his new record….hold on, that’s wrong….plugs an upcoming tour…..no, sorry, throws a couple of verbal barbs at Palin.

    The Russian for “unforseen circumstances”? “непредвиденные обстоятельства”, of course.

    Eliot Van Buskirk thinks we’ve all got it wrong about Saint Bono. Well, have we?

    What a fantastic idea. In early October, the In The City music confab takes place in Manchester. Now comes Unconvention, a fringe event aimed at the indie sector timed to co-incide with ITC. We’re sure the late, great Tony Wilson would approve (after, of course, initially cursing them from a height for their audacity to jump on his bandwagon).

    Here’s an idea for the Hard Working Class Heroes folks. They should take a leaf out of the playbook of South Africa’s music makers and get Dublin taxi drivers to play CDs by bands taking part in the festival. It would certainly beat Q102 and that “back from your holidays, bud?” opening gambit.

    More ideas! Hey, we’re, like, the home of good ideas. We need a venue like The Smell. Straight up, we need an all-ages, no-alcohol sleazy venue like the Los Angeles dive where Health, No Age, the fabulous Mika Miko and our current faves Abe Vigoda cut their teeth and sorted their heads out. Of course, we also need bands are spectacular, inventive and inventive as those four, but that’s another day’s work. Louis Pattison checks it out.

    The Mercury Music Prize winner will be announced tonight and naturally, there are some pieces (one here and one there) about the event and the prize ahead of this evening’s big gala. We have a hunch that the judges will give it to Robert Plant and Alison Krauss. Anything to head off the dreaded Led Zep reunion at the pass.

    Bill Fuller RIP. One of the most fascinating – and elusive – Irish music business legends of all. Aside from the venues and enterprises mentioned in the Guardian obit, the Kerryman also used to own McGonagles, the Dublin venue some On The Record readers will remember with great fondness. When people go on about hard-chaw Irish music business lads like Dinny Desmond or Vinny Power, they kind of forget about Fuller.

    And, here, did ANYONE go to Cois Fharraige at the weekend in Co Clare? Incredible lack of buzz or comment about this (heavily sponsored and branded) event. Did it actually exist or did we just dream it? Was it full of lads in woolly jumpers trying to recreate the Denny’s Sausages ad from the TV? Do we give it the “meh” fest of the summer award and be done with it?

  • All eyes on next U2 album after poor reissue sales

    August 15, 2008 @ 4:13 am | by Jim Carroll

    That sound you can hear in the background is the sound of the U2 machine cranking up.
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  • The (latest) great U2 debate

    July 18, 2008 @ 7:27 am | by Jim Carroll

    There’s a very good piece in today’s Ticket featuring Hugh Linehan (Irish Times features boss and the founding editor of The Ticket) and Stuart Bailie (BBC Radio Ulster DJ, Oh Yeah music centre dude and former NME album reviews editor) exchanging views back and forth about U-know-who.

    There are plenty of choice, juicy remarks in the piece from the pair. Hugh takes the view that U2 play “vacuous, self-satisfied stadium rock garnished with trite sloganeering”, while Stuart sees them as “an astonishing band” who can “summon up the transcendent – a place out of linear time and rational thought” and believes that “the survival of U2 is a fascinating aspect” to observe.

    The pair have been exchanging emails about U2 over the past few weeks and it’s obvious that they’ve both put a lot of time and thought into it.

    To my mind, one of the most striking statements comes from Stuart: “we probably wouldn’t have the interest to sustain this kind of argument about another rock and roll band. That’s an indication of the band’s presence on our cultural landscape”. In some ways, though, the arguments about the band are a lot more interesting than any of the music they’ve produced in the last 17 years.

  • U2′s 180 deal

    April 2, 2008 @ 11:22 am | by Jim Carroll

    You don’t get to be the biggest beasts in the jungle by doing stupid deals. U2′s deal with Live Nation is further proof of just why the band continue to be the smartest operators in the business. Lets be straight here, this isn’t about the music – U2 have not released an album which was remotely groundbreaking in years – it’s about the business and no-one can touch them in this regard. From taking a percentage of their record label in lieu of unpaid royalties to a timely hook-up with Apple, U2 have always been bright boys when it comes to the business of being in a band.
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  • Mixed reception for U2 boss’s speech

    February 1, 2008 @ 9:11 am | by Jim Carroll

    During his keynote speech at this week’s MIDEM music conference, U2 manager Paul McGuinness blamed technology and telecommunication companies for the record industry’s current woes.
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  • How to embrace an economic time bomb

    December 21, 2007 @ 10:37 am | by Jim Carroll

    All eyes will be on U2 in 2008 as the Irish veterans return to the fray with their 12th studio album.
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  • Secrets of the tree

    December 14, 2007 @ 8:03 am | by Jim Carroll

    U2 fans seeking words of wisdom about the band’s recently reissued The Joshua Tree album can check out what the group’s manager Paul McGuinness had to say in a recent interview.
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    McGuinness talked at length about the album to Dublin local radio station, Phantom 105.2, last weekend.

    The interview, conducted by the station’s head of music John Caddell, formed part of an Album Archive special on the release.

    For those who missed the show, the interview is now available to download as a podcast.

  • U2 out of their Tree again

    October 19, 2007 @ 5:56 am | by Jim Carroll

    Yes, it really is 20 years since U2 went into the desert with Anton Cobijn and came back with those iconic photos for their landmark album.

    alb1408.jpg

    November will see “The Joshua Tree” in bloom again with previously unreleased versions, limited edition prints and new sleeve notes from the band part of the reisue mix.

    There are also plans for a DVD containing a 1987 live show from Paris and the “Outside It’s America” rockumentary.

    Whatever about the likely manner chosen to release future material, U2 will be keeping faith with their long-standing record label Island for this effort.


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