On The Record

  • That summer festival feeling

    February 1, 2010 @ 11:03 am | by Jim Carroll

    Am I the only who thinks that it is suspiciously quiet on the festival front at the moment? Yes, I know, February has just begun and yer man from OTR is already previewing what awaits us in the fields this summer. But rewind a year or even two and there was already plenty of chatter at this stage about who and what was on the cards. Indeed, many of the big summer shows for 2009 such as Oasis (remember them?) or AC/DC or Take That were sold out before New Year’s Eve 2008. In 2010, we’ve got next to nada so far on the indie or alternative rock front. Well, bar Green Day at Marlay Park which seems to be doing OK numberwise, if our usually reliable sources are anything to go by.

    Perhaps, though, this is further proof of the great re-alignment when it comes to summer shows. Remember 2009 was the year when the Big Two fests didn’t sell out months in advance as the recession hit home, punters went abroad in greater numbers for their festival kicks (as noted by PRs for numerous European music fests already on a sunnysideup charm offensive with Irish media), music fans demanded more value for money (and this didn’t mean gourmet pies with mushy peas and no homemade cider) and the O2 effect saw promoters hedging their bets on big productions.

    In 2009, you also got a slight sense that that those festival vibes which have been all-conquering since 2002/03 have finally abated a little. Maybe, just maybe, the Irish gig-going community are over the big communal festivals. I know, we’re also supposed to be “over” blogging, but we all know when that death notice was published.

    Last summer was also the year when those Big Two fests found themselves wrapped up in the same Venn diagram when Festival Republic, the company formerly known as Mean Fiddler and co-owned by MCD’s Denis Desmond and Live Nation, bought into the Electric Picnic. Despite an annus horribilis on other fronts, EP originators POD continued to book and program the event, but a slew of acts who would have made more sense playing at the Stradbally soiree ended up playing the Bebo-bop that is Oxegen. Given those ties which bind, acts like Fever Ray (who played to less than 300 people in the Charlie McCreevy Memorial Dance Lean-To at Punchestown) and The Specials, to name just two, would have been idea for the Picnic yet ended up leaving Co Kildare with large pay-cheques and a lingering smell of anticlimax. In the wake of last year’s Oxegen, we suggested that clearer, cleaner demarcation lines between the Big Two fests might be the way to go so it will be interesting to see how the two will tog out in ‘10.

    Of course, there will also be plenty of smaller fests having a go. One of the first new arrivals (though the press blurb will claim it has been around since St Patrick was into hard-house) is the Grouse Lodge studios-helmed Festival of the Fires, which is happening on a hill in Co Westmeath (as a by the by, Leviathan boss Naoise Nunn’s muses on that same hill in today’s paper). It sets out to be “a festival unlike any other, designed for both a national and international audience and created through the alchemy of ceremony, music, theatre, literature, poetry, holistic health, art, crafts and more”. Meanwhile, also in Co Westmeath, the Life festival is moving to Belvedere House, past lodgings for the aborted Midlands and Hi-Fi fests. You can also expect many of last summer’s fests to return for another bite of the cherry in ‘10.

    What will be really interesting to see, though, is who will feature on the bills for the Big Two. While there’s no shortage of acts who can fill the mid and lower levels, it’s the headliners who will really command all the interest especially given the apparent lack of big acts seemingly on the road this year. Much as I like the look of this line-up and that line-up, I can’t see either Oxegen adopting such a wide remit or EP being able to afford the fees.

    So who can we expect to see on these shores in ‘10? Well, Leftfield are back on the road so expect them to turn up for one. The Strokes are also touring because they need the cash to pay for stuff so you can add them to the list. It would be damn cool if EP booked Gil Scott-Heron and stuck him in the Body & Soul area (and pigs might fly). All other guesses - educated or otherwise - welcome.

  • Eurosonic 2010: the report from the second night

    January 16, 2010 @ 11:46 am | by Jim Carroll

    The second and last night of Eurosonic 2010 sees even more music fans taking to their bikes in an effort to get across town to see yet another new buzz band. This morning, agents, promoters and radio folks will gather for their European Talent Exchange Program (ETEP) pow-wow to see what bands will be spending this summer comparing catering at various European festivals. More on that wisdom of crowds and the pointyheaded analysis from Eurosonic next week but, for now, here’s the A&R report on the bands that impressed me during last night’s shenanigans.
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  • Eurosonic 2010: first night despatches

    January 15, 2010 @ 12:08 pm | by Jim Carroll

    Hello from snowy Groningen where the first new music showcase of the year, Eurosonic, is in full flow. This year, the two-day festival sold out way in advance which means there are even more booking agents, festival promoters, radio folk, journalists, bloggers, photographers and music fans rushing around from venue to venue in search of the fresh sounds of tomorrow. The Eurosonic folks have found a rake of new venues in the city-centre and erected a tent (sadly, not the same big top which Irish promoters fell in love with a few years ago) to accomodate all the acts. The bike hire scheme seems to be a roaring success too. After the jump, some of the acts from last night’s rounds who made me go “yes!”
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  • Irish acts go out foreign

    December 3, 2009 @ 10:47 am | by Jim Carroll

    Four Irish acts will play the annual Eurosonic festival in Groningen in Holland in January. The festival, which began initially as an European Broadcasting Union outing called Eurorock over 20 years ago, now attracts festival bookers and radio programmers from all over Europe and is a brilliant showcase of new European music. It’s where the bookers go to find acts to fill their stages for the summer festivals (thanks to a great scheme called the European Talent Exchange Program) and where the radio folks get to fill their schedules with choice live sessions.

    The Irish acts going Dutch in January are And So I Watch You From Afar (who have a bloody prime spot at the awesome Vera club on the Friday night), Imelda May, Delorentos and Villagers.

    Other acts scheduled to play that we’re really looking forward to seeing include Maria Timm, Annie, Choir Of Young Believers, Ellie Goulding, Everything Everything, FM Belfast and Name the Pet.

    As has always been the case since Eurosonic (and its predecessor Eurorock) began, 2fm will be covering the festival which runs in various venues in Groningen from January 14 to 16.

    In March, the South By Southwest festival turns Austin, Texas from a swell town with great Mexican food and a hell of a lot of venues into a swell town with great Mexican food and a hell of a lot of venues with 2,000 visiting bands.

    Irish bands confirmed for Texas so far include And So I Watch You From Afar (yep, they’re on every festival schedule going in 2010), Autumn Owls (whose lovely new single “Raindrops in the River” is released as a free download from December 11), Dark Room Notes, Fighting With Wire, Halves and So Cow.

    Unasked for advice for these bands: make sure you’re playing gigs every single day. The more gigs you play, the more people will see you. There’s no point in going all that way just to play your official showcase and the annual Irish party. Hustle the various blogs, magazines, radio stations, labels and agencies who throw daytime parties for a spot on the bill. As a starting point, you’ll find info on the parties which happened in 2009 here.

    Other acts playing SXSW 2010 that I’m looking forward to seeing: The Middle East (oh yes!), Fergus & Geronimo (oh yes, take two), Fanfarlo, Giulia y los Tellarini, Harlem, Mountain Man, Japandroids, 9th Wonder, Quantic & His Combo Barbaro, Miles Benjamin Anthony Robinson (new album for Saddle Creek, “Summer of Fear” is very impressive), Trespassers William and XV. Only 104 days to go until SXSW kicks off on March 17.

  • Mo’ festivals

    November 18, 2009 @ 3:38 pm | by Jim Carroll

    Those interested in new music, noise and experimental jazz should check out the Bottlenote Festival which takes place in Dublin’s Twisted Pepper on December 4 and 5.

    The main sets will feature four members from the Bottlenote collective - Seán Óg, Shane Latimer, Simon Jermyn and Justin Carroll - collaborating with visiting artists from Norway, Paris, Denmark and London. Aside from two nights of double bills featuring newly commissioned music, Bottlenote will also feature Bang Hazard and Lead Soup as well as laptop sets from Estonian sound artist Alo Allik and Dublin’s Eomac. There will also be a couple of free educational workshops.

    Weekend tickets are €20 (€14 concessions) and admission per night will be €12 and €8. Full schedule for the festival here.

    Still with the jazzers, the Galway Jazz Festival runs from this Thursday to Sunday and features shows from Trygve Seim Orchestra, Rebecca Martin & Larry Grenadier, Métier, Francesco Turrisi Trio, Buckley, Stowell, Feely, Polar Bear (video below), Julia Hülsmann Trio and Matthew Berrill’s Galway Allstars. Full rundown on admission prices, dates and venues here.

  • Fresh Air

    November 5, 2009 @ 11:03 am | by Jim Carroll

    Fresh Air is a month-long festival on your radio where you won’t need any wellies to enjoy the vibes.

    For the month of November, Donal Dineen’s Small Hours show (Today FM, weekdays, midnight-2am) will have a different guest artist on the show to play some tunes live, have a chat and play a selection of their favourite records.

    Acts to be featured include 3epkano, Adrian Crowley, Beautiful Unit, Chequerboard, Dark Room Notes, Goodtime John, Hulk, I Am The Cosmos, Katie Kim, Kevin Blake, Niwel Tsumbu, Patrick Kelleher, Pauline Scanlon, R.S.A.G, Si Schroeder, Sunken Foal, Spilly Walker, Stefan Galt, Thread Pulls and Valerie Francis. The full night by night schedule is here.

    You can hear the first couple of Fresh Air sets - from Villagers, Roland Gomez and Stefano Schiavocampo - here.

    As part of the festival, there will be four live Sunday night shows around the country with Katie Kim as artist in residence, a different guest perfomer at each stop and Dineen on the decks and live visuals. The tour calls to Cork’s Pavilion (November 15), Galway’s Roisin Dubh (22), Dublin’s Button Factory (29) and Limerick’s Daghdha Space at St John’s Church (December 6).

  • DEAF call it a day and a night

    October 29, 2009 @ 6:26 pm | by Jim Carroll

    After eight merry years, this year’s DEAF festival is set to be the very last one as the organisers have decided to wrap up things after this weekend’s closing events.

    The reasons for the decision will not come as a surprise to anyone: “arts funding cuts, no sponsorship, & a lot of overheads each year”.

    All of which means that Saturday’s various events - see here for the full list - will be DEAF’s final hurrah so if you can, please turn out to send the festival off in style. Naturally, OTR wishes festival chiefs Eamonn Doyle and Karen Walsh the very best with all their post-DEAF activities.

  • Hard Working Class Heroes ‘09 - put the kettle on….

    October 19, 2009 @ 10:33 am | by Jim Carroll

    Big thanks to everyone involved in making the On The Record Presents @ HWCW night at the Twisted Pepper such a fantastic occasion over the weekend. It was all down to the eight acts who played on the night (round of applause one more time for Hunter-Gatherer, The Dying Seconds, The Spook Of The Thirteenth Lock, Valerie Francis, The Holy Roman Army, Cities, Yes Cadets and Kyon), Nialler9 and UnaRocks for the DJ-ing and Banter-ing, the audience who showed up, everyone at the venue and especially Aidan, the HWCH stage manager who was getting bands and DJs on and off that stage on time all night long. It was the first time I’ve ever curated a night or event like that and it was a blast. More OTR Presents events to come, for sure.

    Well, that’s the formalities done and dusted….
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  • EP09 - your shout

    September 7, 2009 @ 1:24 am | by Jim Carroll

    It’s (nearly) all over. You’ve read what we’ve had to say about the last couple of days - and if you haven’t, the reviews and recaps are down the page, the slideshow from our snappers Alan Betson and Brenda Fitzsimons is here and there’s a version of the Daily Ticket inside today’s Irish Times with, amongst other bits and pieces, my overview of the music and Frank McNally’s thoughts on the weekend that was - so now it’s your turn to give your views.

    EP09 returnees: Florence & The Machine have announced two Irish shows for December, playing Belfast’s Ulster Hall (6, tickets £21) and Dublin’s Olympia (7, tickets €24.50), with support from fellow EP act The Temper Trap. Both shows go on sale this Friday.

    Before I throw it open to the floor, hello once again to all the crew who worked on the Daily Ticket over the last few days in the shed. It was a mighty adventure (again). Big shout out to Joe from Eircom in Stradbally who saved the day on Saturday.

    So, enough about us, how was it for you? Who and what rocked? And, on the other hand, who and what sucked? We’re waiting to hear from you - once you get out of the car-parks.

    (I’m closing comments on the other Electric Picnic posts below to ensure that all post-Picnic comments are contained here)

  • EP09 - day three recap

    @ 1:21 am | by Jim Carroll

    Follow the links for reviews of Florence & The Machine, Fleet Foxes and Chic’s Saturday night special.

    Naturally, this was the most heart-stopping - and heartbreaking - experience of the day. Fierce pride in the boys in blue and gold, despite the result.

    I really enjoyed the Hypnotic Brass Ensemble (two helpings of them because they played a secret gig in the Body & Soul universe in the evening), Micachu & The Shapes (rambleshackle, tumbledown blues with a sharper edge than you’ll find in any barbershop) and Amadou & Mariam (Amadou Bagayoko is such a superb guitarist and their sound was just the one to put a smile on the proceedings).

    I passed on Passion Pit because I’ve already seen them three times this year, but it sounded tight when I was walking by the stage. And I went for Basement Jaxx over the Lips as the arena closer because these boys and girls do the end-of-the-weekend carnival crack like no-one else.

    I also inadvertently endured 90 seconds of the worst band in the world ever which is 90 seconds of my life which I will never get back. Alabama 3 (who else?), you suck to high heavens.

    (Comments closed - all comments on EP09 here please)

  • EP09 - day two recap

    September 6, 2009 @ 12:33 pm | by Jim Carroll

    You’ll find reviews of some of yesterday’s gigs, as published in today’s Daily Ticket , down the page. Here’s a list of other gigs and sights which caught the eyes and ears.

    I’ll go along with Rosemary’s review below of Marina & The Diamonds. Super-confident performance from the Welsh-Greek lady and her band. Every song came with a boom and a bash of eager, in-your-face finesse. Also the first performer of the weekend to big up her Twitter followers.

    Lovely laidback folky vibes from Providence’s The Low Anthem who were the very definition of beguiling during their soft, sweet and very gentle set.

    With the host as high as a kite from the night before (that’s what you get from biffing a Biffo), Ryan Tubridy’s Festival Revue was packed to the gills as people crowded in to take a gawk at the new Gaybo. Excellent handling of guests (including Jon Snow), audience and hecklers. Dude will go a long way.

    For as long as this blog has been running, readers have been bigging up The Walkmen. For as long as this blog has been running, I’ve been going “yeah, right, whatever”. Readers, I was wrong. Within 30 seconds of watching them play EXACTLY the kind of US indie-rock that I like (instant reaction: they’re like The National with a snarl), I knew I was wrong. They played a song at the end called “The Rat” which was - yeah, you know - just totally awesome. I’m now open for grinds in The Walkmen, if readers want to re-up.

    LCD Soundsystem lads James Murphy and Pat Mahoney played their feet-first mash of old-school New York City spiritual disco. Even though we probably all have the Fabric album and we’ve probably also heard many of those cuts before, it was a set which still cut a spirited dash.

    Caught a few minutes of the Leviathan debate on something or other. The problem with the Leviathan debates year in and year out at EP is that even when host David “Maccer” McWilliams manages to get someone between the crosshairs of his rifle - in this case, Green Party professional grump Dan Boyle - he then allows some gobshite to take over the mic and the target gets to escape. People over-estimate the importance of democracy, you know.

    My pre-fest prediction was that Chic would steal the show and a rake of post-midnight texts appear to confirm that notion. The perfect soundtrack for turning a big tent in a muddy field into the biggest disco in Co Laois. Every tune, every hit, every golden moment dusted off and recast with magic dust galore.

    Madness too were perfect prime-time festival fare. Much unco-ordinated nutty dancing up and down the field, especially to “House Of Fun” with the Lucent Dossier dancers also onstage.

    Unfortunately, I only saw a sliver of Explosions In The Sky, but it was a sliver which was dramatic and honeycombed and as darkly sexy as the night.

    Lamb are back. Lou Rhodes still coos like the angel at your shoulder, while the beats subtly switch gears to find the kind of momentum no amount of stimulants could help you recreate.

    Onwards, then, to the after-hours circuses. The nature of the Daily Ticket with its cast-in-stone (and on the stone) printing deadline means we never quite get around to covering these carnivals and more’s the pity. While people will always bitch and gripe about the lack of heavy-hitters on the line-up, the fact is that, just as Oxegen kids to to Punchestown for a Bebo rave-up, EP-goers are also as much about the stuff which happens when the lights go out and the PAs fall silent in the main arenas. The Silent Disco, the Village Hall, the gramophone disco, the posh crusties at Arcadia and the rave-up in the yoga tent all feature in my notes from last night with Daft Punk’s “One More Time” as the soundtrack.

    It’s the final day and night. The All-Ireland starts in three hours. Brace yourselves….

  • EP09 - reviews from the second day

    @ 1:19 am | by Jim Carroll

    All reviews from the Daily Ticket, to be published on-site in Stradbally on Sunday. More recaps in the morning when I get home from the Silent Disco/rave in the forest/whatever else I come across in the next few hours. 2 Many DJs currently making the Daily Ticket office rattle and roll.

    Marina and the Diamonds

    This is the first time Marina Diamond — aka Marina and the Diamonds — has graced Irish shores, and her enthusiasm on this freshman outing was infectious. She has that quality found only in new artists: she seemed genuinely thrilled not only that the crowd was there but that people knew her songs. Her performance of I Am Not a Robot was electrifying: a rapt audience fell silent as Diamond delivered her best-known song with overwhelming passion. New tune Numb was equally well received and Obsessions, Diamond’s debut single, was a massive crowd-pleaser. She’ll be back in November, kids – if you missed her yesterday, you’d be fools to let it happen again. (Rosemary MacCabe)

    Roddy Doyle

    “There is nothing quite as exhilarating as going into a portaloo in the morning and realising the guy who just left it probably slept there,” Roddy Doyle told a crowded Arts Council tent yesterday. We might disagree, but trust Roddy to find humour in the dismal. Sitting comfortably in his wellies (he’s camping), he read Animals, his new short story. Main character George looks back to a decade when there wasn’t a lot of money but Ireland was on the rise. Now the lost decade looms and Ireland has had its day. All a man (sorry) can do is have a pint. How depressing. On a brighter note, Paula Spencer could come knocking on your wall soon. All hail. (Leonie Corcoran)

    Tulla Céilí Band

    Sixty years a-jigging. The many, many players who’ve spent time in the mighty Tulla Céilí Band down through the years have surely played on some fierce strange stages over the years, from New York’s Carnegie Hall to various parish halls around Feakle. But there’s still a first time for everything, and the sight of a lashing of Body and Soul punters dancing the Walls of Limerick yesterday afternoon can now be added to the group’s wall of fame. These trad maestros work every time because their sound is part of our collective DNA. We’ve all grown up with bands like this belting and swinging away like good-o, and when those fiddles and squeezeboxs started to roar yesterday, the hairs went up on the back of many a neck. Next year, stick them on the main stage and we bet it will be once around the field and mind the dresser. (Jim Carroll)

    The XX

    That there was a packed Electric Arena to see The XX is testament to the growing buzz around these south London kids. Their album xx is one that steadily gets under your skin, its sparse, spellbinding, strange, minimal echoes pulling you deeper and deeper into the band’s web. Such growing popularity means the band is now going to have to come of age very quickly on big stages like this. There’s no time or opportunity to hone that sound in small rooms, in front of uninterested punters. Naturally, they played it straight down the middle. Like the Cocteau Twins when they were in their sullen, rabbits-in-the-headlights live anti-pomp, there’s feck-all movement onstage; instead, all effort went into recreating the album, track by moody track. And, wonderfully, it worked, though it will naturally be a far different proposition six months from now. (Jim Carroll)

    Brian Wilson

    California, baby – it’s a state of mind. Like many others this weekend, Brian Wilson may have thought he was in Dublin, but there’s no doubting where he and his players took us at dusk yesterday. This was the stuff of long, sultry summer nights – singing close-knit harmonies under a full moon, hearing the waves lap gently on the beach behind you. Sounds and sights a million minds from Co Laois, it must be said. But do not underestimate the power of pop to evoke blissful places. In My Room and Then I Kissed Her (co-songwriter Ellie Greenwich was surely looking on from above) were just two lessons from Wilson’s masterclass in perfect sounds. You may know these songs as well as the toes on your feet but tonight, as thousands rocked back and forth with smiles as wide as the Pacific Ocean on their faces, they were beyond magic. (Jim Carroll)

    Tommy Tiernan

    It was a case of another audience insisting on finding something funny. Tommy Tiernan’s fans turned up en masse. And they laughed. A lot. His strained voice (apparently Hector’s 40th took its toll on Friday night) expelled its first f-word within 10 seconds in and it was all big cheers from there on. Recession? Big cheer. The dole? Bigger cheer. Potato blight? Still funny. Really? It only became strained when Tiernan recommended the joy of not using contraception: “I have kids, five of ‘em. I much prefer to have kids than use anything. It’s less hassle.” REALLY? Cue some overdue awkward shuffling. (Leonie Corcoran)

    Klaxons

    The first thing you see when the lights go down is a glowstick. No matter what Klaxons do, it seems that the nu-rave tag will follow them around like a bad smell. Their Myths of the Near Future debut album may have seen them grabbing the 2007 Mercury Music Prize, but it was hard to see where the band might go with that collection of rather disjointed and messy tunes. It seems, then, that they’ve turned to their own record collections for inspiration. As they tore – with a snarl – into a set of headbanging electro, you could spot shades and spots of psych-rock à la United States Of America and bugged-out art-tech from the Justice gang in their sound. Old favourites may have been greeted with roars, but it was newer, untitled fare that indicated that this is a band that’s happy to abandon a bandwagon. (Jim Carroll)

    Imelda May

    So when did she get this big? The Crawdaddy tent was heaving with May’s all-singing, all-dancing fans last night. She kicked off with Feel Me – and they certainly did, all the back to the crowds outside. She mixed it up with admittedly overplayed tracks from Love Tattoo, beginning with the title track. Big, Bad, Handsome Man in particular got a huge reception. Even the many men crooned to her on-stage hubby (the guitarist). . . strange.
    From there, her original Rockabilly numbers and Beatles tribute, Oh! Darling, gave a nice blend to proceedings. No matter how you feel, this Liberties girl is hot. And her band are too. A fun package, in all. (Leonie Corcoran)

  • EP09 - no shows for Bat For Lashes and ESG, festival sells out (two events not related)

    September 5, 2009 @ 2:42 pm | by Jim Carroll

    Per press release from fest PR, both Bat For Lashes and ESG have cancelled their performances. Bat For Lashes is citing an “accident at home” (here’s hoping it won’t prevent Natasha Khan and co for showing up for next week’s Mercury Music Prize dinner dance), while ESG simply missed their flights. No word on replacements.

    Plus, per the same press release, all 32,500 tix for the weekend are now sold out.

  • EP09 - day one recap

    @ 10:56 am | by Jim Carroll

    You’ll find reviews of some of yesterday’s gigs, as published in today’s Daily Ticket , down the page. EP09 readers are now reading the mag on-site along with their morning muesli, skinny lattes and Buckfast. We’ve just heard that ALL copies of the paper have now been given out so if you didn’t get a copy, sorry about that.

    Really enjoyed Major Lazer. Digidancehall bangers from Diplo, a hyperactive MC and a brace of grinning dancers. Much more on the up-stroke than the album. Loads of old ravers in the tent muttering to themselves about moving to Jamaica.

    Beautiful set from Villagers down in the Body & Soul area with the crowd going unexpectedly nuts to a couple of new songs. Conor O’Brien’s songwriting has a faraway look in its eye, but has enough of the populist glue to bring record labels to the yard. They’re playing again on Sunday.

    Can 30,000 people be wrong? Everyone turned up early in Stradbally (a full house were in early doors compared to other years in order to get full value for their €240 in these recessionary times) and all of them seemed to be watching MGMT doing the hippie-hippie prog-shake on the main stage. Hits and big choruses aside, I thought they were as flat as the proverbial pancake, but then again, maybe that was just me. And everyone I was with. And everyone I was talking to at breakfast. And the lads I met down at the hardware shop just now.

    More main stage mehs - Orbital were also surprisingly on the flat side. The gig, indeed the night, was theirs for the taking but the Hartnolls obviously did not pack their carpe diem hats. Instead of taking the occasion by the scruff of the neck, they bobbed their miners lamps, played what we expected them to play and left to count the cash. Reason 1,452 why reunions just don’t work.

    On the other hand, Buraka Som Sistema brought the beeps in fine style from Lisbon. Twist-and-shout crunky tech-funk with oomphing basslines from the kudura kadets. Now, that’s what we call a soundtrack.

    Body & Soul love: fab couple of tunes from Kormac’s Big Band with the barbershop quartet vibe neatly dovetailing with some impeccable jazzsoulfunk breaks and beats. Best random find of the weekend so far: a string quartet playing on a wooden bench. Amazing how sweet “Paranoid Android” sounds without vocals.

    DJ love: snap, crackle and pop electro set from Boy 8-Bit though the fact that the dude looks not unlike Sindo hack Barry Egan was slightly unnerving.

    The ones that got away: I walked into one tent to see Peter Broderick only to hear him hope we have a great festival and watch him walk off the stage. Later, a girl came up to me and told me to tell OTR readers that she is going to marry Peter Broderick. Consider them told. Saw a song apiece from Efterklang and Wave Machines so, in the grand tradition of football writers not giving a mark out of 10 for late substitutions, they remain unreviewed.

    It’s a brand new day at EP09.

  • EP09 - the first reviews

    September 4, 2009 @ 11:18 pm | by Jim Carroll

    All reviews from the Daily Ticket, to be published on-site in Stradbally tomorrow.

    Lykke Li

    “Was that too slow for you?” The Swedish pop goddess  asked a ready-to-dance crowd in the Crawdaddy tent. Well, yes, if you don’t mind, it was. This is the last leg of a two-year tour on her debut album, Youth Novels, and it showed. Vocally, Lykke seemed just that little bit tired, but the songs – Dance, Dance, Dance and A Little Bit – still held their own. There were just too few of them. The rest – slow burners accompanied by vocal games that she didn’t seem up to –  weren’t enough. A cover of the Kings of Leon’s Knocked Up was definitely a crowd-pleaser, but next time, she needs to include some of her new material if she wants to keep fans loyal. (Rosemary MacCabe)

    Michael Nyman Orchestra

    If it’s a soundtrack to widescreen drama you are after, Michael Nyman is the dude you should call. He’s scored more flicks than you’ve had religious experiences and he’s still at it. What Nyman and his orchestra provided were the festival’s perfect opening lines. People were streaming on to the site, checking their bearings and trying to take it all in. They then saw these men and women in black on the big stage and stopped in their tracks. An orchestra? Film scores? A maestro at the piano in the snazziest tails any wardrobe mistress could provide? Encore! It was gorgeous, scene-stopping stuff. The brass parped and the strings wept as Nyman’s cinematic compositions swirled and sighed under a bruised blue sky. All that was missing was one of those movies to be projected on a big screen. That – and popcorn. (Jim Carroll)

    ABC

    If you’re an act from the 1980s seeking rehabilitation, the Electric Picnic is a good place to start the process. After all, we’ve seen the Human League re-up their cred in previous years and, yeah well, A Flock Of Seagulls are also playing this weekend. ABC are a band who always seemed a little too smart for their time. Sure, their mix of blue-eyed soul, arty pop and whiteboy funk always found radio DJs tapping their tootsies, but they never quite hit the same commercial heights as such tea towel-touting peers as Spandau Ballet. While frontman Martin Fry announced that an audience of nineties kids mightn’t remember the band’s hits, the screams and shrieks that greeted a rollicking, evergreen Poison Arrow said otherwise. Idea for 2010: get them back to play the classic Lexicon Of Love album from start to finish. (Jim Carroll)

    Seasick Steve does the talking

    A very Peaches Geldof-looking young woman interviewed a bemused Seasick Steve in the Hotpress Chatroom yesterday, to an audience in a state of what can only be described as rapture. It began with something new: a question about surviving recession, which Steve answered with aplomb: “Taking care of yourself starts when you get down to nothing. I don’t know about the middle part.” Cue plentiful laughter and Steve looking slightly confused. The crowd was determined to find him hilarious. What about the future of music, Steve? “It’s a big question.” Ha ha ha, goes the crowd. “All the old folks I used to know are dead. It’s always up to the young people.” Rapturous applause. This interview never seemed to quite get off the ground, but in this tent, nobody cared. Ha ha ha. (Rosemary MacCabe)

    Dark Room Notes

    Call it a coming of age. Since the release of their smashing We Love You Dark Matter debut album earlier this year, Dark Room Notes have enjoyed a bump in their profile which was long overdue. Watching them knocking out their warm, smart, seductive electro-pop in the ThisIsPopBaby glittersphere yesterday, it was clear that positive notices for the album and plenty of gigging has done wonders for their confidence. There’s now a much greater cohesion to their sound, and you can also spot a few dabs of panache when they hit the accelerator. What they need next is another great leap forward, and that will require moving the DRN story to different terrain. They’ve certainly got the goods it will take to get heads nodding out foreign – all they need now is a lucky break to grab more ears. (Jim Carroll)

    Europe - Is it any use at all?

    The “What Has Europe Ever Done For Us” debate on the Leviathan stage saw David McWilliams introduce his political cabaret, featuring  Martin Territt, director of the EC Ireland, Joe Higgins MEP, Patricia McKenna of the People’s Movement, and former rugby international Denis Hickie. It was always going to be about Lisbon, and with two on each side, it quickly fell into a re-hash of the old same debate. The talk only shifted to “what it can do for us” when a contributor spoke up from the packed pews. However, thinking only about ourselves is a “typically Irish” and selfish outlook… according to Hickey. We’ll disagree for now and will wait for a more focused debate today –  “Are We Witnessing the Death of Capitalism?” at 4.30pm, in Mindfield. (Leonie Corcoran)

    MGMT

    Well, we always thought they would pull the crowds, and the Brooklyn boys didn’t disappoint – it was a packed-out front that spanned the Main Stage. They followed the well-known and loved Oracular Spectacular track list with Electric Feel and Youth getting plenty out of the packed field. Not as dynamic a sound live as when it’s blaring out of your car stereo, but there was no missing the Friday-night energy and feelgood vibes that greeted a rocked-out version of Kids. (Leonie Corcoran)

    Veda Beaux Reves, Neosupervital, Bitches With Wolves

    If Ireland wants new pop stars, they were found yesterday at ThisIsPopBaby. Veda Beaux Reves, Neosupervital and Bitches With Wolves played to a near-empty tent, but filled the space with pop synths and catchy hooks. Neosupervital was resplendent in LED sunglasses, playing a too-short set with lots of pep. Veda provided the interlude – more killer than filler, all eyes were on her. O’Neill was last, and neither bitch nor wolf. He was more karaoke than performance: just the stage, Beetlejuice trousers and brash self-confidence. A damp end to an electrifying show. (Rosemary MacCabe)

  • EP09 - after a two hour tailback outside Stradbally and a walk in the field, they finally found mecca

    @ 3:39 pm | by Jim Carroll

    One for Dave O’Grady, Billy Lyons and all my other pie-eating homies who won’t be in Stradbally this weekend. This, friends, is what awaits you after those two-hour tailbacks we’re currently hearing about.

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  • EP09 - traffic updates

    @ 1:58 pm | by Jim Carroll

    Seeing as the official EP09 website seems more interested in using its News section to pimp stuff that people have no interest in going to, here’s the update on the traffic for anyone planning to head to Stradbally later today. All news from AA Roadwatch at 1.30pm.

    Very heavy southbound on the M7/Naas Rd with delays from J16 Carlow to the Bloomfield R/A.

    Bus Eireann are reporting travel times of 1.5hrs from Dublin city centre.

    There is also a 45 min delay northbound through Abbeyleix and it’s very congested around Stradbally.

    A number of carparks have been relocated following heavy rain in recent days and there has been a last minute change to the traffic plan as a result.

    Motorists on the N8 towards Abbeyleix will continue onto the N7/Portlaoise Bypass and join the Dublin and Limerick traffic, exiting at J16 Carlow (Ballydavis Interchange). From there, motorists will head towards the Bloomfield R/A, meeting up with the Portlaoise traffic. Gardai are directing motorists in two directions, towards the Lamberton jct and towards Stradbally on the N80.

    Long delays can also be expected on the N80 Portlaoise/ Carlow Rd, the Abbeyleix/Stradbally Rd (R425/427) and in Stradbally Village.

    Traffic lights are out of action on Main St in Abbeyleix on the N8 Dublin/Cork Rd. Gardai are on point duty, approach with care.

    We’ve reached the Daily Ticket office after a few minor delays due to all of the above so give yourself plenty of time and allow for delays. No fuming, y’all.

  • EP09 - weather and traffic updates

    @ 10:53 am | by Jim Carroll

    Go here for the hour-by-hour skinny on the weather and here for the latest news on traffic conditions to Stradbally.

  • EP09 - the camera-phone photo gallery

    September 3, 2009 @ 5:59 pm | by Jim Carroll

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  • EP09 - first site report

    @ 2:36 pm | by Jim Carroll

    Greetings from The Daily Ticket office at EP09.

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    First impressions: the sun is shining. Yeah, I know, hard to believe. Bring sun-block and a hat. Straight up. You’ll thank me for it on Saturday.

    You will definitely need wellies. The actual arena with all the stages seems to be in OK condition because there has been very little traffic on it over the last few weeks, but it may be a different story after 30,000-plus folks have walked all over it. It’s definitely soggy underfoot in a lot of places - you’re walking along and suddenly, there’s water underfoot - but this seems to be more patches than anything else in the main arena.

    As you’d expect, the site and production roads are muddy, but it is unlikely that you will have to use them unless you’re working in production. And if you are working in production, what the hell are you doing reading this instead of sorting out electricity for our shed?

    Further reports to come this afternoon when I get a chance to have a stroll around.

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