On The Record

  • Eco-friendly plugs

    November 6, 2009 @ 10:38 am | by Jim Carroll

    As The Ticket turns green for the week, Roland “2012″ Emmerich explains why he directs films which are always destroying the planet, we find out how green is your favourite rock star, there’s an assessment on the trade-offs being made between the entertainment industry and the planet and why music fans as much as the industry need to greenwash their behaviour.

    There’s New Music berths for Washed Out, CFCF, Cloud Castle Lake, Clang Sayne and Belly Of the Underdog, while Music News has the skinny on Indiecater Records, Eurosonic and what’s top of the classical pops for kids.

    Album of the Week comes from 8 Ball and there are also reviews of new releases from Robbie Williams, Snow Patrol, Channel One, The Slew, Cosmo Jarvis, Dam-Funk, Kila, “Gilles Peterson Presents Havana Cultura: New Cuban Sound”, The O’s, the Sick and Indigent Song Club and more. Plus Eoin Butler gets busy with the singles, downloads and streams in Shuffle.

    In the cinemaplexes, this week’s new releases are Bright Star, The Men Who Star At Goats, A Christmas Carol and Welcome. Plus there are DVD reviews, the weekly movie quiz and a round-up of current film news.

    The Ticket: we will save the blooming planet!

    Please note that you’ll now find all Ticket content in the Culture section on this website. Online editor Hugh Linehan talks about the latest changes to the site here.

    MC v D: Simon Carswell writes in today’s Business section about what is behind the ding-dong between former MCD bedfellows Denis Desmond and Eamonn McCann. Simon’s report the case includes reference to “a €5 million once-off payment from Ticketmaster. The payment from Ticketmaster, which sells concert tickets, was made to Mr Desmond’s firm, Gaiety Investments, in November 2005. Mr McCann describes the €5 million payment as “a non-recoupable term volume discount”. It’s believed this payment was a 10-year advance to MCD for which it agreed to sell 600,000 tickets a year through Ticketmaster.” Please note that this case is currently before the Commercial Court so comments on it will not be published.

    The OTR community noticeboard is open for business. Plug and recommend away to your heart’s content, but remember to declare an interest where one should be declared. Please note that plugs are accepted on the whim of OTR and may be edited for length/clarity/common sense. Events with a commercial sponsor are really ads and will probably not be published in this slot. Have a fabulous weekend.

  • 25 years of Morning Ireland

    November 5, 2009 @ 12:27 pm | by Jim Carroll

    RTE Radio One’s Morning Ireland marked a quarter-century of broadcasts with their first show in front of a studio audience this morning.

    For listeners/watchers in the studio audience, it was a chance to see exactly what goes into the making of the country’s most listened-to radio show aside from those pre-dawn starts for the presenters. For those at home, there was a couple of special guests (like President Mary McAleese, Brian Cowen, Des Bishop and Cathy Kelly) to go with the usual mix of news, sports, newspaper reviews, business reports (still the foreign language section of the show) and analysis.

    Best of all, there were cameos from the two Davids - Hanly and Davin-Power - who presented the first shows back in November 1984. I wonder did they know that this pic would still be in use 25 years later….

    2davids.jpg

    …or that the show would still be top of the news agenda all those years on. As both mentioned as they remembered the ‘84 debut, the idea of a news show at breakfast time met with resistance both within and without RTE at the time. Mike Murphy was doing the breakfast gig and it was felt that light music and chat was a better draw than heavyweight politics and current affairs. Even with BBC Radio Four’s Today programme setting a precedent across the Irish Sea, the notion of a heavy-hitting news programme in the morning was viewed as a radical move by the RTE powers-that-be.

    But the show persevered. It survived such early opposition, consolidated its grip on the schedule and thrived in an era when media giants are supposed to be struggling. It’s fair to say that in an era of instant news updates via a myriad of different mediums that Morning Ireland more than holds its own. Even on a station wall to wall with other news and talk shows - from fellow agenda-setters like the News At One, especially when Sean O’Rourke is in the presenter’s chair (still the best news man RTE Radio One have), to the horrendous headbangers hour that is Liveline - Morning Ireland is still the one which gets the audience and, by extension, the attention from anyone who wants to get their message to those 460,000 people.

    It helps that the show really has no viable competition in the morning news stakes. Despite several attempts by Newstalk to grab the headlines with presenters like Eamon Dunphy and David McWillians (and Claire Byrne and Ivan Yates at present) doing chat alongside cornflakes down through the years, Morning Ireland is still the one which gets the huge numbers. What’s interesting is that their pre-eminient position has not induced complacency. Sure, the formula - news+sports+traffic+interviews+papers+analysis+occasional light fluffy stuff+business - does not really change, but that’s the meat and two veg of a show like this.

    The real selling point is the bond between presenters and audience and how they reel in their prey, sorry, guest politicians, spinners, spoofers, chancers and journalists who got an unexpected wake-up call from a producer at 7am. Whereas you all too often get grandstanding and showboating elsewhere with presenters over-keen to be the centre of attention, there’s an honesty to Morning Ireland’s style which strikes a chord with the listener. We know from experience that there have been many, many times down through the years when a Morning Ireland presenter has harrassed and hounded a guest who has been trying to hide behind bluff and blather. That’s what we tune in and that’s what we expect. Here’s hoping that they’ll continue to do just that for years to come - with panache and politeness at all times, of course.

  • Fresh Air

    @ 11:03 am | by Jim Carroll

    Fresh Air is a month-long festival on your radio where you won’t need any wellies to enjoy the vibes.

    For the month of November, Donal Dineen’s Small Hours show (Today FM, weekdays, midnight-2am) will have a different guest artist on the show to play some tunes live, have a chat and play a selection of their favourite records.

    Acts to be featured include 3epkano, Adrian Crowley, Beautiful Unit, Chequerboard, Dark Room Notes, Goodtime John, Hulk, I Am The Cosmos, Katie Kim, Kevin Blake, Niwel Tsumbu, Patrick Kelleher, Pauline Scanlon, R.S.A.G, Si Schroeder, Sunken Foal, Spilly Walker, Stefan Galt, Thread Pulls and Valerie Francis. The full night by night schedule is here.

    You can hear the first couple of Fresh Air sets - from Villagers, Roland Gomez and Stefano Schiavocampo - here.

    As part of the festival, there will be four live Sunday night shows around the country with Katie Kim as artist in residence, a different guest perfomer at each stop and Dineen on the decks and live visuals. The tour calls to Cork’s Pavilion (November 15), Galway’s Roisin Dubh (22), Dublin’s Button Factory (29) and Limerick’s Daghdha Space at St John’s Church (December 6).

  • The Far Side - playlist for November 3

    November 4, 2009 @ 11:38 am | by Jim Carroll

    As played on The Far Side, Phantom 105.2, November 3, 10pm-midnight. A rewind of past favourites to mark a year of Far Side broadcasts.

    Three Trapped Tigers “1” (Blood & Biscuits)
    Tyondai Braxton “Uffe’s Woodshop” (Warp)
    Not Squares “Asylum” (Richter Collective)
    Holy Ghost “Hold On!” (DFA)
    Friendly Fires/Au Revoir Simone “Paris (Aeroplane remix)” (XL)
    Phenomenal Handclap Band “15 to 20” (Tummy Touch)
    Casiokids “Fot I Hose” (Moshi Moshi)
    Lemonade “Big Weekend” (True Panther)
    Animal Collective “Summertime Clothes” (Domino)
    Dirty Projectors “Cannibal Resource” (Domino)
    Eddy Current Supression Ring “Which Way To Go” (Goner)
    The Drums “Let’s Go Surfing” (Moshi Moshi)
    The Monks “Monk Chant” (Light In The Attic)
    Dinosaur Pile-Up “My Rock & Roll” (Friends Vs)
    Hockey “Too Fake” (EMI)
    New Villager “Rich Doors” (Two Syllable)
    Girls “Lust for Life” (Turnstile)
    Florence & The Machine “You’ve Got the Love (XX remix)” (Polydor)
    Hudson Mohawke “Rising5” (Warp)
    Silkie vs Mizz Beats “Purple Love” (Deep Medi Musik)
    Mount Kimbie “Maybes” (Hot Flush)
    Raekwon “House Of Flying Daggers” (Icewater)
    El Michels Affair “Shimmy Shimmy Ya” (Fat Beats)
    Lefties Soul Connection “Organ Donor” (Melting Pot)
    Hypnotic Brass Ensemble “Alyo” (Honest Jons)
    Mulatu Astatke & Heliocentrics “Cha Cha” (Strut)
    La Roux “Coming In For The Kill (Skream’s Let’s Get Ravey remix)” (Polydor)

  • The latest lost generation

    November 3, 2009 @ 3:30 pm | by Jim Carroll

    Many of you will have already read Shane Fitzgerald’s opinion piece about increasing numbers of Irish folks, like himself, who are leaving Ireland for better prospects abroad. To be honest, you probably didn’t need his article to know that emigration is back with a vengeance.

    Fitzgerald said he felt “cheated” after spending three years studying for an economics and sociology degree and not finding a job at the end of his studies. “I wouldn’t go as far as to say that I was on a promise with the Government”, he wrote, “but I was led to believe I would be getting more action than this once I graduated. I realised I wasn’t going to get a decent job anytime soon and it became clear that the only boom taking place was in my overdraft account.”

    A lot of people agreed with his point of view and the article received a good slew of comments - yesterday’s paper had a selection of them. Most readers echoed Fitzgerald’s point of view and said they too were forced to move away or were planning a move abroad. Nearly to a man and woman, everything was blamed on the current Fianna Fail/Green Party government (one poster went to far as to blame it on “the Government, banks, business, police, law, and even the Catholic Church” to make sure all corners were covered).

    There will always be people willing to compile a blame report of this sort because emigration remains a hugely emotive subject in the Irish psyche. There can’t be a household in the land which hasn’t had some family members going abroad to find work or, in recent years, advance their career.

    Even after the huge emigration surge of 1980s (which reminded older folks of the one in the 1950s), there were still thousands of Irish people taking the boat or plane out of here for a myriad of reasons. Many of the people I know who’ve left in the last 12 months did so because they wanted to work in areas or at a level in their industry which was just not possible in Ireland. They wanted to avail of opportunities to live and work elsewhere and have a range of experiences which they just couldn’t get in Ireland. Staying here, regardless of the economic situation, was not going to keep their brains and enthusiasm levels engaged. They were always going to go. They wanted to go. I know myself that I headed to London in the 1990s because I wanted the kind of music and media industry experience I just couldn’t get here at that time.

    However, Fitzgerald is really writing for and about the new wave of emigrants who are leaving here because they just can’t find any work. They’re different to those who were happy to go of their own volition. These involuntary emigrants wanted to stay in Ireland, work in Ireland and live in Ireland, but found that they couldn’t do any of the above due to the current economic shit-storm. Sure, there’s economic doom and gloom elsewhere, but it doesn’t seem as bad, prolonged or unyielding as the Irish mess so they’ll take their chances elsewhere.

    For more on why this is happening, see a report in today’s paper from a meeting of the Dublin Economic Workshop. David Blanchflower, a professor of economics at Dartmouth College in New Hampshire, focused on how “those who have really been hurt in this recession have turned out to be the young”. With youth unemployment currently standing at 27.6 per cent in Ireland, it’s no wonder so many are heading away.

    If you needed even more reasons for the exodus, Elaine Byrne paints a fairly depressing picture of the auld sod in her column today: “this is an Ireland that gathers in her thousands to the shrine church in Knock on the say-so of a clairvoyant, in the desperate hope of a miracle, of anything. An Ireland that worships tree-stumps in Rathkeale. An Ireland that has had a 43 per cent increase in the numbers taking their own lives during the first three months of this year. An Ireland that is preparing to strike and polarise itself even further. An Ireland that seeks to abolish democratic institutions.”

    But, as Byrne notes, “negativity will not save us”. Repeating over and over again that things are bad is not going to solve anything. Yes, emigration has many ramifications for both the individual and the society which remains behind, but there are also positives as well as the over-riding negatives.

    As happened in the 1950s and 1980s, there will be just as many bright sparks who will stay here, stick it out and put their own projects into play despite “the Government, banks, business, police, law, and even the Catholic Church”. They will persevere with their plans because they have the ideas, the determination and the ambition to do so. Over the last few months, I’ve met a huge range of people who’re very happy to stay here and make the most of every opportunity this recession brings. And, as before, some of those who left will come back with new ideas, fresh thinking and a desire to contribute.

    It’s really up to the latest lost generation to decide if they want in or if they want out. Either way, dropping that sense of entitlement would be a good start.

  • Midlake, Dublin, February

    @ 12:32 pm | by Jim Carroll

    Midlake play Dublin’s Vicar Street on February 14. Tickets, at €23 a pop, go on sale on Friday. The band’s new album “The Courage Of Others”, the follow-up to the awesome “The Trials of Van Occupanther”, will be released on February 1 next. The band most likely to do a Grizzly Bear in ‘10? Love this remix.

  • The Far Side turns one and other blather

    @ 11:21 am | by Jim Carroll

    The Far Side marks 52 weeks on the air tonight with a two hour birthday special. I’ll be raiding the archives to rewind some of the boom tunes, new bands and favourite indiesyncratic sounds from a year of Far Side broadcasts. Tune in from 10pm on Phantom 105.2.

    Cork rocks: thanks to Joe, Stevie, Pat, Bootleg Mark and everyone else at the smashing Pavilion venue in Cork for a grand night out last Thursday at Bootleg’s first birthday party. Four damn fine bands played - Katie Kim, O Emperor, Slow Motion Heroes and The Impressionists - and I got to play some tunes too. Lovely hurling, boy.

    Bantertastic: thanks to Francois and Sunil Sharpe for participating in a fairly riotous and no-holds-barred Banter at the Twisted Pepper last Saturday night. “90s vs 00s” saw the two of them yakking - and boy, they can talk - about which decade produced the most thrilling sounds and nights out in the capital city. The bout went right down to the bell with audience giving it to the ’90s on points (or pints). You can relive the night on the podcast which will be live once the legal eagles have finished with it. The next Banter happens on November 28 and will be the pop-culture review of the decade. Full details to come next week.

  • MC v D: round one

    @ 9:14 am | by Jim Carroll

    Full report here from Mary Carolan about yesterday’s opening bout in the MCD Concerts case. This involves an action taken by Eamonn McCann (the MC in MCD) against Denis Desmond (the D in MCD) over a share of the profits he claims he is owed from various outdoor events promoted by the pair.

    Per report, “it was agreed in June 2006 Mr Desmond would buy Mr McCann’s share of the partnership in relation to the promotion and operation of outdoor concerts in the Republic for 4.66 times the average net profits of the partnership for the years 2003, 2004 and 2005, it is alleged.”

    McCann “claims he is owed some €3.8 million as his profit share, but that Mr Desmond claimed that figure should be €104,680.”

    However, “it is alleged Mr Desmond later denied the existence of a partnership, was reluctant to disclose the books and accounts and provided limited information relating to accounts.”

    McCann claims “it became clear Mr Desmond had failed to keep proper books and records for the partnership and that partnership funds had become intermingled with funds and accounts of other companies of Mr Desmond’s” such as MCD Productions and Gaiety Investments.

    Forensic accountants Grant Thornton had been engaged to examine the books and McCann claims their examination “indicated no evidence of separate books and records maintained for the partnership. He claimed the firm found that payments which should have been recorded as partnership monies were recorded in the books of other companies of Mr Desmond’s.

    “As late as September last, Grant Thornton received new information from MCD about settlement statements for events in Lansdowne Road between 2002 and 2006, it is claimed. Mr McCann said the firm was given selected settlement statements with artists and certain settlement statements for Oliver Barry, event co-organiser, but it had not been possible to reconcile the two sets of statements.”

    (Comments turned off as this case is currently before the courts)

  • Imelda May and the O2’s halo effect

    November 2, 2009 @ 11:15 am | by Jim Carroll

    It has been a fine few days for some megastars planning to visit Ireland in the coming months as their agents receive glad tidings from Dublin. Both Paul McCartney and Whitney Houston sold out their upcoming gigs with very little effort whatsoever, with Houston shifting a monster 26,000 tix in the process. There’s two gigs the promoter won’t have to worry about unduly until the act arrives at the airport and starts to bitch about finding crisp crumbs in the back seat of the limo.

    As has become the norm with the bigger shows heading this way, both of the above acts will play in Dublin’s O2 where the schedule is getting rather busy. Aside from the sell-outs like Beyonce, Muse and Depeche Mode, advance bookings from Chris de Burgh (everyone’s favourite Irish Times letter writer is planning a gig for April 21, 2011 so you have 18 months to get your excuses together) and the We Will Rock You musical which may put some bums on seats in the quiet days of January, there are some gigs booked in which will be a serious test of an act’s pulling power in the biggest venue in town.

    Imelda May, for example, will be playing a pre-Christmas hometown hop on December 22. The rockabilly revivalist has had a bumper year by anyone’s standards and seems to have been playing gigs somewhere in the country every other week. She had the benefit of a solid burst of TV advertising from Universal over the summer to help push her “Love Tattoo” album, proving once again that major labels are pretty darn good when the ball is already rolling. Such advertising also helps her live pulling power so you wonder if Universal’s contract with her include a share of that loot.

    imelda-may.jpg

    While May’s successful year probably comes as a bit of surprise to many - after all, the only pundits who were tipping her at the start of ‘09 were Pat Kenny and, er, this blogger - a show at the O2 is a whole different hill of beans. There’s certainly nothing wrong with Team May’s ambitious streak in this regard. A show of this size has plenty going for it on the optics front, which is something a lot of Irish bands seem to forget, and also plays well with the group psychology about how and why certain acts make the great leap forward out of the pack. But you have to wonder if there really are 9,000 mad-for-it May fans out there who want to see her a few days before Christmas? After all, she has just done a six date run around the land over the October bank holiday weekend so that’s a six week gap between an expansive tour and the O2. Is there really that much demand for a May show of this size?

    What will be interesting to observe is if the venue’s halo effect will help push this show in any way. Since last December, there has been a steady stream of punters heading down Dublin’s docks as intent on checking out the revamped venue as much as the band onstage. I’ve heard next to no complaints about the gaff, mainly because the people tasked with upgrading the venue did all the right things. Not only is it an ultra-modern space well capable of taking the convoy of trucks and the big productions, but it also seems to pass the various sight and sound tests from the paying audience who sit front of house.

    It has also become the comparison point for all other largescale venues in the country. Look at last week’s announcement about the Tipperary Venue where the €460 million development, featuring a huge casino and new all-weather racecourse, will also have “an underground entertainment centre with a retractable roof capable of holding 15,000 people which would be ‘the rural equivalent of Dublin’s 02 complex’.” The promoters of that project will be hoping O2 feel like buying the naming rights for that venue as well.

  • The MC in MCD heads for court

    @ 9:34 am | by Jim Carroll

    One for the Irish music business news diary this week as MCD Concerts co-founder Eamonn McCann takes his former partner Denis Desmond to the High Court for his share of the Irish live music giant’s pie.

    While Desmond has been in full control of the business for quite some time, per the Sunday Business Post, “the former business partners have yet to agree on the value of McCann’s stake, and the Belfast prompter is now taking his case to the High Court in an effort to force a deal”. Naturally, “it is understood that the two men have very different valuations of the stake”.

    The case is due before the Commercial Court this morning and, should it proceed to a full hearing, “will reveal the inner workings of MCD, one of the most private businesses in Ireland”.

    (Comments turned off as this case is before the courts)

  • Plug Fiction

    October 30, 2009 @ 11:25 am | by Jim Carroll

    In The Ticket today, Marina & The Diamonds shine bright on the cover, Jane Campion aims for the stars with her John Keats pic Bright Star, Katy Perry does some pouting, Joe Griffin salutes vigilantes on the big screen, Peter Crawley finds some new locations for the bleedin’ Abbey Theatre and Brian Boyd snorts in indignation at the idea of record labels and “duty of care”.

    In New Music, we saw watch this space about Little Red, Surfer Blood, Kopek, Resurrection Fern and Crimea X, while Music News has the word on Umack’s 15th birthday bash, Tower Records marking 16 years in Dublin and tonight’s Destructors’ Manifesto bash..

    Album of the Week comes from Tord Gustavsen Ensemble plus review of releases from Local Natives, Cold Cave, Brian Deady, Sonos, Boo Hewerdine, Joss Stone, Mark Eitzel, Redshape, The Basics, Miss Paula Flynn, Kraftwerk (those reissued remasters which I’m looking forward to hearing), The Mojo Gurus, The Unthanks and others. Eoin Butler’s Shuffle rounds up the singles, the downloads and the new Westlife single. Someone had to do it.

    New flicks heading your way this week are An Education, 9, Tales From The Golden Age, This Is It and Dead Man Running. Plus movie news and the weekly quiz.

    And, because I keep forgetting to mention them every week, the Ticket’s comprehensive entertainment listings are there for your perusal.

    The Ticket: better for you than fried octopus.

    Banter time: tomorrow night’s DEAF-friendly Banter is “90s vs 00s” with Dublin techno kingpins Francois (repesenting the 1990s) taking on Sunil Sharpe (repping the 00s) about which decade produced the most thrilling sounds and nights out in the capital city. It all kicks off at 8.30pm at the Twisted Pepper (Middle Abbey St., Dublin). As always, admission is free but capacity in the room is limited so please fill out the form here to guarantee your place. It’s going to be a good ‘un.

    The OTR community noticeboard is waiting for your thumb-tacks. Plug and recommend away to your heart’s content, but remember to declare an interest where one should be declared. Please note that plugs are accepted on the whim of OTR and may be edited for length/clarity/common sense. Events with a commercial sponsor are really ads and will probably not be published in this slot. Keep smiling, kids.

  • DEAF call it a day and a night

    October 29, 2009 @ 6:26 pm | by Jim Carroll

    After eight merry years, this year’s DEAF festival is set to be the very last one as the organisers have decided to wrap up things after this weekend’s closing events.

    The reasons for the decision will not come as a surprise to anyone: “arts funding cuts, no sponsorship, & a lot of overheads each year”.

    All of which means that Saturday’s various events - see here for the full list - will be DEAF’s final hurrah so if you can, please turn out to send the festival off in style. Naturally, OTR wishes festival chiefs Eamonn Doyle and Karen Walsh the very best with all their post-DEAF activities.

  • Tune of the Week - “Floating Vibes”

    @ 1:14 pm | by Jim Carroll

    This is the first ever tune of the week to come from Florida. Bet you that made you pause for through.
    (more…)

  • Homelights Festival, Dublin, November

    @ 10:24 am | by Jim Carroll

    A smashing line-up for the four night Adrian Crowley and Foggy Notions-curated Homelights fest at Dublin’s Whelan’s. The act which stands out for me on the weekend bill is the fantastic Vashti Bunyan on November 29, but there are plenty of others here to tempt you out from your TV.

    The full line-up is as follows: solo performance from Adrian Crowley and collaborations with various friends (November 27, tickets €12); Adrian Crowley and band, James Yorkston, Adem and Alasdair Roberts (November 28 from 3pm, tickets €20); Vashti Bunyan, Andy Irvine, Minotaur Shock, Lord Cut-Glass and Adrian Crowley with Geese (November 29; tickets €25) and Dosh, Hulk and guests (November 30, tickets €15). All the above tickets - and limited weekend tickets at €45 a pop - are available here.

  • The Far Side - playlist for October 27

    October 28, 2009 @ 10:24 am | by Jim Carroll

    As played on The Far Side, Phantom 105.2, October 27, 10pm-midnight

    The Far Side on the road: I’ll be DJ-ing at Bootleg’s first birthday party at the Pavilion in Cork on Thursday (ie tomorrow). Acts playing on the night are Katie Kim, O Emperor, Slow Motion Heroes and The Impressionists.

    52 weeks of The Far Side: tune in for a special show next Tuesday night to mark a year of broadcasts from The Far Side. Of course, I haven’t a clue yet how I’m going to make it “special” but I have six days to work on this. Two hours of cover versions? Two hours of Far Side newbies from the last year? Two hours of Far Side’s favourite albums? Mmmm….

    Surfer Blood “Floating Vibes” (Kanine)
    Titus Andronicus “Joset Of Nazareth’s Blues” (XL)
    Cymbals Eat Guitars “Some Trees” (Memphis Industries)
    Claude VonStroke “Monster Island” (Dirtybird)
    Jori Hulkkonen “Dancerous” (Turbo)
    Lemonade “Bliss Out (Gold Panda remix)” (Sunday Best)
    Simian Mobile Disco/Beth Ditto “Cruel Intentions (Joker remix)” (Wichita)
    Lindstrom & Christabelle “Baby Can’t Stop (Aeroplane remix)” (Feedelity)
    Crimea X “10pm” (Hell Yeah)
    Floating Points “ Vacuum Boogie” (Eglo)
    Subway “Simplex” (Soul Jazz)
    Donald Byrd “Change (Makes You Want To Hustle)” (Blue Note)
    Was (Not Was) “Tell Me That I’m Dreaming” (Ze)
    Lissy Trullie “Ready for the Floor” (American Myth)
    Dawn Landes “Romeo” (Cooking Vinyl)
    Edward Sharpe & The Magnetic Zeros “Janglin’” (Rough Trade)
    Karen O & The Kids “Worried Shoes” (DGC)
    Max Richter “Last Days” (130701)
    DM Stith “Pity Dance” (Asthmatic Kitty)
    Clang Sayne “Gemstone” (Self release)
    Adrian Crowley “Season of the Sparks” (Chemikal Underground)
    The National “Ashamed Of the Story I Told” (Shout! Factory)
    Terry Callier “Love Theme From Spartacus (Zero 7 remix)” (Talkin’ Loud)

  • The 46,145 yard randomiser

    October 27, 2009 @ 9:06 am | by Jim Carroll

    Hallowe’en came a week early to Temple Bar when Soap&Skin got this year’s DEAF bash off to a spooky, ghostly start on Thursday night. As those who’ve thrilled to the grand ambition of her “Lovetune for Vaccum” debut album will know, Austrian teen Anja Plaschg really does make music which gets under your skin. The live show was gothtastic in all the right doomy, gloomy, dramatic ways with moments which were both compelling and otherworldly, as well as occasionally over-egged and silly. Best bit was the thunder and lightning when Plaschg hammered that piano like she was preparing the fixings for a Tim Burton flick about an Austrian pig-farmer’s daughter who discovered alien bugs and bats in the attic.

    Incoming (1): the Destructors’ Manifesto takes over Dublin’s Tivoli on Friday next, October 30. A music-and-film-and-art-and-photography-and-theatre-and-storytelling-and-stuff event, it will feature music from Robotnik, Global, Sleep Thieves, Seneca and Bangers and Mash; art from Maria Roche and Sarah Sheil, photos from Sinead Keane, a bunch of flicks and visual installations, a performance of The Boot’s on the Other Foot, a graffiti wall and a whole lot more. Kicks off at 7.30pm, admission is a tenner.

    Tapas trumps haggis once again. In fairness, Sir Alex did admit that the best team won before spoiling the mood of such welcome magnanimity by shifting the limelight away from his array of donkeys to the referee. Dude has a great future ahead of him in politics.

    More spin as U2 clear their throats and blame the public for not buying their “No Tunes on the Horizon” album. On the back of the poorest performing album from the U2s in more than a decade, Bono has said it’s all the public’s fault for not getting this “challenging” work. “We felt that the album was a kind of an almost extinct species, and we should approach it in totality and create a mood and a feeling, and a beginning, middle and an end. And I suppose we’ve made a work that is a bit challenging for people who have grown up on a diet of pop stars.” Poor Bono. When is the penny going to drop that their new album is about as “challenging” as opening a tin of beans and people passed on it because it was rubbish? No amount of YouTube stunts (a Web 1.85 version of playing a few aul’ songs on top of a building in London to launch the album) is going to change the fact that the current album is a turkey.

    Incoming (2): another music-art-film-performance-and-cake extravaganza from the Young Hearts Run Free collective. We We Love Sinking Our Teeth In will feature such talents as Donal Dineen, Craig O’Halloran, You’re Only Massive, TR-One, Katie Kim, New Amusement, Feed the Bears, James Byrne, Eamon “Swench” Sweeney, Children Under Hoof and many more. It all happens at the “creepy basement space” in Clarendon House on Clarendon Street on Saturday next from 9pm and admission is €15 with all proceeds going to the Simon Community.

    Smart takeaways from last week’s In The City gathering in Manchester with some talking heads scratching their noggins about the future of music online. Meanwhile, across the Atlantic, thoughts on the state of the game 10 years after Napster from a panel on NPR’s On the Media show.

    Good to see Exchange Dublin finally up and running with gigs over the weekend. Very surprised at the low-ish turnout for No Age, though. WTF? I thought it would be wall to wall with kids rocking their brainy heads to the sound and The Smell. Maybe the kids prefer Blastbeat instead?

    More talking heads: podcasts of the industry panels at the recent Hard Working Class Heroes fest (which were chaired/moderated/refereed by OTR) are now available to download for free here.

    Ann Powers muses on 25 years of the Rock & Roll Hall Of Fame.

    Sasha Frere-Jones thinks it’s the end of hip-hop as we know it (again). Dude needs to dig out the Tanya Morgan album and haul ass to Brooklynati.

    What’s the betting we’ll see Garth Brooks on these shores in 2010 now that the good ol’ boy has returned to the live music game? We’re thinking a run of shows in Dublin’s O2 next summer when his kids are on holidays. Expect a line-dancing revival too. Meanwhile, Bob Lefsetz fumes about Brooks like only Bob Lefsetz can. Someone should hook him up with Joe Duffy.

    Speaking of the O2: the impressive venue in Dublin’s docklands also had impressive revenues of €2.5 million for the few short weeks it was open for business in ‘08.

    Banterowe’en: the next Banter takes place on Saturday night from 8.30pm at the Twisted Pepper (Middle Abbey St., Dublin). “90s vs 00s” will see Dublin techno kingpins Francois (repesenting the 1990s) taking on Sunil Sharpe (repping the 00s) about which decade produced the most thrilling sounds and nights out in the capital city. As always, admission is free but capacity in the room is limited so please fill out the form here to guarantee your place.

    Tomorrow’s me-too music biz news today: Google are set to enter the music game. But sure, you knew that already.

    Best music to kick leaves to: “Continent” is the forthcoming album from Canuck producer CFCF and it’s a lush, bittersweet beauty loaded with moody ‘lectronics for these moody autumnal days. Enjoy.

  • Battles, Dublin, December

    October 23, 2009 @ 12:54 pm | by Jim Carroll

    Per ad in today’s paper, Battles play Dublin’s Tripod on December 10 as part of U:Mack’s 15th birthday party. “Irish debut of new material from their forthcoming album”, it sez here. No info on ticket prices as of yet.

  • Plugalooza

    @ 7:44 am | by Jim Carroll

    In The Ticket today, Donald Clarke looks at why children’s films have the hippest scriptwriters, the indiest soundtrackers and the coolest directors, there’s an interview with Fantastic Mister Fox’s Jason Schwartzman, we enter the wonderful world of Bill Bailey, the Hypnotic Brass Ensemble come on down from the Windy City, Hope Sandoval pouts a bit and Brian Boyd puts another dime in the Sky Songs jukebox.

    In New Music, we salute Floating Points, Washed Out, The Smith Westerns and The Candidates, while Music News gets the inside scoop on the King Kong Club’s battle of the bands competition, 10 years of Dundalk’s Spirit Store and U2 live on YouTube.

    Album of the Week comes from REM (”Live at the Olympia in Dublin”) and there are also reviews of releases by Annie (it’s awesome!), Devandra Banhart, Kings Of Convenience, Michael Jackson, Raekwon, U2, Seasick Steve, Bob Dylan and a bunch of others. Plus Eoin Butler goes mano-a-mano with the singles and downloads in Shuffle.

    In the cinemas, this week’s new flicks getting the once-over include Fantastic Mister Fox, The Cove, Cirque du Freak: The Vampire’s Assistant and The Goods: Live Hard, Sell Hard. Plus movie news (including a report from the London Film Festival), DVD reviews and the weekly movie quiz head-scratcher.

    The Ticket: movies, music and whatever you’re having yourself.

    The OTR community noticeboard is all yours. Plug and recommend away to your heart’s content, but remember to declare an interest where one should be declared. Please note that plugs are accepted on the whim of OTR and may be edited for length/clarity/common sense. Events with a commercial sponsor are really ads and will probably not be published in this slot. Let the plugging begin!

  • It’s all about priorities

    October 22, 2009 @ 9:23 am | by Jim Carroll

    This piece by Guy Barriscale about our “wonderful cultural infrastructure” contains plenty of food for thought. Barriscale is the production chief at the Regional Cultural Centre in Letterkeny, a brand spanking new state-of-the-art venue and arts centre which is located fairly near to An Grianan, another state-of-the-art venue and arts centre. I didn’t think there was that much of the aul’ art going in in Letterkenny to require two state-of-the-art centres, but there you go.
    (more…)

  • Remembering Elliott Smith six years on

    October 21, 2009 @ 3:26 pm | by Jim Carroll

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